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Jeva Lange

Jeva Lange's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies 온라인카지노추천 Shows
Youth (Spring) (2023) 86% “Wang’s ambitions in this first part of a planned Zhili trilogy seem greater than just reminding Western audiences of the human cost behind the bargains on Shein.” – Screen Slate Oct 2, 2023 Full Review The Tragedy of Macbeth (2021) 93% “It's a Macbeth reliant instead on psychological darkness where longing and complacency are the real lurking spooks.” – The Week Dec 28, 2021 Full Review Eternals (2021) 47% “Eternals is an uncharacteristically sloppy misfire.” – The Week Nov 5, 2021 Full Review The French Dispatch (2021) 75% “I find that The French Dispatch is best appreciated like An Editor's Burial, as a collection of charming stories for the reader whose only interest is in that one all-important Andersonian question: What happens next?” – The Week Oct 22, 2021 Full Review Dune (2021) 83% “Perhaps it's not that Dune is cursed -- it's that we haven't managed to take its caution against hero-worship to heart: Villeneuve should have realized idolizing Herbert's story would only lead him astray.” – The Week Oct 14, 2021 Full Review The Tale of King Crab (2021) 90% “Like many of the best things in life, The Tale of King Crab owes its existence to a really good story, a little exaggeration, and the enthusiastic consumption of alcohol.” – Screen Slate Oct 10, 2021 Full Review Lamb (2021) 86% “There's no getting around it: Lamb is totally nuts. It seems destined to achieve a cult following.” – The Week Oct 8, 2021 Full Review Bergman Island (2021) 84% “[Bergman Island] will delight optimists and Bergman diehards both.” – Screen Slate Sep 24, 2021 Full Review CODA (2021) 94% “CODA isn't just authentic with its subjects in terms of their disability -- it's authentic with the treatment of their emotions, too.” – The Week Aug 13, 2021 Full Review Roadrunner: A Film About Anthony Bourdain (2021) 91% “Even if Roadrunner refrains from hagiography, never pulling back from the knotty puzzle of Bourdain, it also fails to fully grasp why the chef and storyteller meant so much to so many people.” – The Week Jul 19, 2021 Full Review Black Widow (2021) 79% “Without needing to be the "first" of anything this time around, Black Widow became something else: the first superhero movie I've loved in years -- no "female" qualifier needed.” – The Week Jul 8, 2021 Full Review In the Heights (2021) 94% “If you have any doubt about the theatrical movie-going experience, In the Heights is the film to assuage it. It's big, it's beautiful, and it'll make you believe.” – The Week May 21, 2021 Full Review Raya and the Last Dragon (2021) 93% “Raya and the Last Dragon isn't great because it's a glittery story of female empowerment that shows young girls that they can grow up to be heroes, too. It's great simply because it never expected them to be anything else.” – The Week Mar 6, 2021 Full Review Cherry (2021) 37% “Frenzied edits don't convey the characters' drug-addled agitation so much as they seem to expose directors who are never quite sure what they're doing with a shot.” – The Week Feb 25, 2021 Full Review Summertime (1955) 92% “Anchored by Katharine Hepburn giving one of her all-time great performances as a lonely American yearning for a "wonderful, mystical, magical miracle" in Venice, it is a surprisingly perfect celebration of the seasons of love.” – The Week Feb 17, 2021 Full Review The Mauritanian (2021) 75% “It would have been one thing for The Mauritanian to be a movie about legal rights, but the surreal torture sequence makes it something closer to protest art.” – The Week Feb 17, 2021 Full Review Wonder Woman 1984 (2020) 58% “Wonder Woman 1984 doesn't pander or condescend to its female audience members, and for that I applaud it. But it does something that, upon reflection, is perhaps even more unforgivable: it shows little interest in them at all.” – The Week Dec 29, 2020 Full Review Ma Rainey's Black Bottom (2020) 97% “Watching Ma Rainey's Black Bottom is extraordinary, not just because it feels like a gift -- one last performance from Boseman, and his best yet -- but because it feels like a eulogy, too.” – The Week Dec 18, 2020 Full Review Mank (2020) 83% “Mank, more than it has any loyalty to accuracy, functions as Fincher's reminder of the responsibility of the movies, and the funny way moving images have of superseding the truth.” – The Week Dec 4, 2020 Full Review Dolly Parton's Christmas on the Square (2020) 64% “Even when Parton is playing a character whose one-dimensional goodness would make you groan and roll your eyes if another actress were playing the part, she seems to actually believe her own words.” – The Week Nov 23, 2020 Full Review Rebecca (2020) 37% “It is so utterly an "airplane movie" in every respect that I almost recommend against watching it if you're on the ground... Wheatley's Rebecca is trashy and fun to look at, even if it might not stick with you beyond the tarmac.” – The Week Oct 21, 2020 Full Review The Trial of the Chicago 7 (2020) 89% “While The Trial of Chicago 7 got lucky with its release date, the film's relevance is owed to the endurance of the belief it's trying to tear down.” – The Week Oct 19, 2020 Full Review Dick Johnson Is Dead (2020) 99% “As upsetting as the topic might be, there is profound joy, humor, and humanity in the exercise of Dick Johnson Is Dead.” – The Week Oct 2, 2020 Full Review Nomadland (2020) 93% “Nomadland is a deeply internal and even mournful film in this regard, and asks its viewers to pause and reflect, like the listeners of a eulogy.” – The Week Sep 29, 2020 Full Review She Dies Tomorrow (2020) 84% “Most of us are well acquainted with anxiety... If I had to explain to an enviably pacific alien what precisely this feels like, I'd show them Amy Seimetz's sophomore feature, She Dies Tomorrow.” – The Week Aug 7, 2020 Full Review
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