Gladiator II (2024)
70%
3/5
“[Denzel Washington] chews up every scene and steals the show with each conniving smile or sly twinkle in his eye. The American actor deserves another Oscar nomination for this performance.” –
The Straits Times (Singapore)
Nov 14, 2024
Full Review
Wonka (2023)
82%
4/5
“King's story may be predictable, but all the ingredients come together perfectly to create a feel-good family film.” –
The Straits Times (Singapore)
Dec 6, 2023
Full Review
The Batman (2022)
85%
3.5/5
“Lensed by two-time Oscar nominee Greig Fraser, Gotham has never looked so gritty, moody and beautiful... Michael Giacchino's haunting score is fantastic, orchestrating each scene with a balance of intensity and intimacy.” –
The New Paper (Singapore)
Mar 5, 2022
Full Review
Spider-Man: No Way Home (2021)
93%
4/5
“Director Jon Watts delivers a spectacular action piece balanced with much emotional turmoil.” –
The New Paper (Singapore)
Dec 17, 2021
Full Review
The French Dispatch (2021)
75%
4/5
“The French Dispatch is classic Anderson: quirky, imaginative and aesthetically exquisite. Alexandre Desplat's playful score is also a home run.” –
The New Paper (Singapore)
Dec 9, 2021
Full Review
Space Sweepers (2021)
70%
2.5/5
“My biggest grouse is that there isn't much originality or creativity. Ten minutes into Space Sweepers and you know where things are heading, especially if you have seen Wall-E, Elysium, Guardians Of The Galaxy, Astro Boy, and many others.” –
The New Paper (Singapore)
Feb 10, 2021
Full Review
Monster Hunter (2020)
44%
3/5
“Monster Hunter is a CGI spectacle.” –
The New Paper (Singapore)
Dec 30, 2020
Full Review
Wonder Woman 1984 (2020)
58%
3/5
“Everything is epic, from the story and villains to the action.” –
The New Paper (Singapore)
Dec 17, 2020
Full Review
A Beautiful Day in the Neighborhood (2019)
95%
3.5/5
“But credit goes to Hanks, who doesn't hide Rogers' blemishes and problems. His version of Rogers chooses not to give in to negativity, and shows that one can rise above life's struggles and still be the good guy.” –
The New Paper (Singapore)
Mar 4, 2020
Full Review
The Gentlemen (2019)
75%
3/5
“That's not to say The Gentlemen is not enjoyable. It is rather entertaining, thanks to fun performances from Grant, Hunnam and Farrell.” –
The New Paper (Singapore)
Feb 26, 2020
Full Review
Dolittle (2020)
15%
1/5
“Dolittle should keep those aged 10 and below entertained with its cute animals and fart jokes. But for the rest of us, Iron Man cannot save the day this time.” –
The New Paper (Singapore)
Jan 22, 2020
Full Review
Little Women (2019)
95%
4/5
“The romances and rivalries of the March sisters may have been published more than 150 years ago, but this tale of sisterhood and female empowerment is perpetually evergreen.” –
The New Paper (Singapore)
Jan 15, 2020
Full Review
Gemini Man (2019)
27%
2/5
“Smith has some bright moments, but the paper-thin plot and Lee's obsession with tech ensure you will not get your money's worth of seeing two Smiths for the price of one.” –
The New Paper (Singapore)
Oct 9, 2019
Full Review
The Farewell (2019)
97%
4/5
“To see [Awkwafina] shed tears, to watch her struggle with internal conflicts and to hear her deliver everything in Mandarin, she deserves much credit for daring to step out of her comfort zone.” –
The New Paper (Singapore)
Oct 2, 2019
Full Review
Ne Zha (2019)
88%
3.5/5
“There are several eye-popping action sequences, and while the final act feels over- indulgent, Ne Zha is still a praiseworthy effort.” –
The New Paper (Singapore)
Sep 11, 2019
Full Review
Angel Has Fallen (2019)
38%
3/5
“The action sequences are taut, tense and thrilling - and quite believable too in this age of drones, the dark web, domestic terrorism and conspiracy theories.” –
The New Paper (Singapore)
Aug 22, 2019
Full Review
The Lion King (2019)
51%
3.5/5
“Despite the paint-by-numbers story, Favreau and his team of CGI wizards deserve much praise for giving us this musical safari.” –
The New Paper (Singapore)
Jul 17, 2019
Full Review
Parasite (2019)
99%
4.5/5
“Funny, real, gritty and well-supported by a solid cast, the Palme d'Or winner at this year's Cannes Film Festival is a breath of fresh air after the onslaught of Hollywood blockbusters.” –
The New Paper (Singapore)
Jun 27, 2019
Full Review
Toy Story 4 (2019)
97%
4/5
“Toy Story 4 may be a nostalgic trip for those who grew up with the series, but it will also bring much joy to a new generation of viewers.” –
The New Paper (Singapore)
Jun 20, 2019
Full Review
Rocketman (2019)
89%
4/5
“This film really works because of Taron Egerton's electrifying performance. And yes, that is him singing.” –
The New Paper (Singapore)
Jun 14, 2019
Full Review
Aladdin (2019)
57%
2.5/5
“Forget about characterisation - everything must be loud, brash and over-the-top.” –
The New Paper (Singapore)
May 31, 2019
Full Review
Extremely Wicked, Shockingly Evil and Vile (2019)
54%
3/5
“Efron's transition from teen heartthrob to adult actor has not been smooth, but if he is rightly cast, like in this case, he soars.” –
The New Paper (Singapore)
May 23, 2019
Full Review
Unicorn Store (2017)
66%
2.5/5
“...the set-up gets a little too whimsical and abstract for its own good.” –
The New Paper (Singapore)
Apr 11, 2019
Full Review
Dumbo (2019)
46%
3/5
“What really amazes here is the CGI.” –
The New Paper (Singapore)
Mar 27, 2019
Full Review
Isn't It Romantic (2019)
70%
3/5
“There are several laugh-out-loud moments, like how every cuss word is bleeped out by either the beeping sound of a reversing truck or an alarm clock going off.” –
The New Paper (Singapore)
Mar 6, 2019
Full Review
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