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John Fink

John Fink's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Fucktoys (2025) 92% “With a strong DIY aesthetic that embraces influences like John Waters, Gregg Araki, Anna Biller, and a certain slice of ’70s grindhouse movies, Sriram’s debut is a gleefully trashy and non-judgemental celebration of a broad range of lifestyles.” – The Film Stage Mar 21, 2025 Full Review Brother Verses Brother (2025) “I imagine André Bazin, who detested classical cutting in favor of realism, would have loved the experience. It’s one of the great discoveries from this year’s SXSW.” – The Film Stage Mar 20, 2025 Full Review We Are Storror (2025) 90% “A breathtaking action documentary that demands to be seen on the biggest screen one can find” – The Film Stage Mar 20, 2025 Full Review The Rivals of Amziah King (2025) 97% “It’s a strong follow-up to the promise Andrew Patterson displayed in his resourceful debut feature The Vast of Night––even when this mash-up seems a little uneven and indulgent, with a heavy use of formal techniques, from slow-motion to ironic music. ” – The Film Stage Mar 17, 2025 Full Review The Baltimorons (2025) “Like The Puffy Chair and Cyrus, The Baltimorons is a charming and endearing throwback to mumblecore’s heyday, as well as the influential, gritty character studies of the 1970s. ” – The Film Stage Mar 12, 2025 Full Review The True Beauty of Being Bitten by a Tick (2025) 71% “A film that quite effectively melds joy, beauty, and horror elements that defy characterization. ” – The Film Stage Mar 12, 2025 Full Review Death of a Unicorn (2025) 54% “While, individually, the actors give it their all, Death of a Unicorn never quite finds its collective footing or place, a watered-down compromise of a picture more than a confident piece of storytelling.” – The Film Stage Mar 12, 2025 Full Review Ghost Boy (2025) “Ascher is a unique choice to direct the film; he does so with great sensitivity and attention to detail as Martin recounts the feeling of having all the time in the world before regaining the ability to communicate.” – The Film Stage Mar 10, 2025 Full Review The Threesome (2025) 84% “While there’s a lot to admire and some big laughs courtesy of Deutch, the film will wear down audiences a bit, feeling both redundant and, as many romantic comedies do, ultimately predictable.” – The Film Stage Mar 10, 2025 Full Review By Design (2025) 71% C “Offering a twist on the body-swap genre, Amanda Kramer’s Sundance Next entry By Design feels, at first glance, more suited to the stage or gallery than cinema.” – The Film Stage Feb 5, 2025 Full Review Plainclothes (2025) 79% B “ As far as coming-out films go, Plainclothes, in the tradition of Cruising, treats the revelation with modern sympathy and period paranoia, a throwback to a time before cuddly rom-coms like Love, Simon.” – The Film Stage Feb 5, 2025 Full Review Seeds (2025) 95% B+ “It’s utterly moving for the next generation to have this beautiful record of their family legacy. Seeds is a film that lives and breathes as we absorb the wisdom of these elders.” – The Film Stage Feb 4, 2025 Full Review Bunnylovr (2025) 55% C+ “ Zhu brings a great deal of sympathy to her performance, yet her directorial debut somehow feels a bit hollow, disconnected by design.” – The Film Stage Feb 3, 2025 Full Review All That's Left of You (2025) 100% B+ “The film is at its most powerful when the lens is trained on Salim and Hanan as they navigate 75 years of hoping for peace while contending with a burning anger, which in itself is both a radical and heartbreaking act.” – The Film Stage Jan 29, 2025 Full Review Soundtrack to a Coup d'État (2024) 97% B+ “Made by a Belgian filmmaker / artist, the film is a deep examination of the sins of his county’s past and their complicity in defaulting to the superpowers of the day.” – The Film Stage Oct 31, 2024 Full Review Splice Here: A Projected Odyssey (2022) B “Splice Here is essential viewing for film geeks, celebrating an army of projectors, collectors, filmmakers, archivists, and inventors who care about preserving and advancing film culture.” – The Film Stage Aug 8, 2024 Full Review Slave Play. Not a Movie. A Play. (2024) 100% B “Slave Play. Not A Movie. A Play may not be exactly what one might expect but, if anything, it offers a unique insight into Jeremy O. Harris’ creative process.” – The Film Stage Jun 21, 2024 Full Review Jazzy (2024) 95% B “Expanding the cinematic universe of her first feature The Unknown Country, Morrisa Maltz’s Jazzy is a beautifully crafted portrait of childhood in South Dakota, conjuring an aesthetic that at times recalls the ethereal works of Sofia Coppola.” – The Film Stage Jun 18, 2024 Full Review Vulcanizadora (2024) 96% B+ “Vulcanizadora is a step forward sans compromise––often hilarious, contemplative, even cautionary. ” – The Film Stage Jun 13, 2024 Full Review McVeigh (2024) 67% B- “There is a gripping power in its detached, observational approach towards a community radicalized by the Waco Seige––what they believe was a massacre committed by their own government.” – The Film Stage Jun 10, 2024 Full Review Secret Mall Apartment (2024) 100% B “It’s a fascinating story rife with political and social commentary that pushes beyond the headlines.” – The Film Stage Mar 27, 2024 Full Review Dead Mail (2024) 93% B “Dead Mail marries the aesthetic of a cold institutional documentary with a slasher flick and, in its best moments, is one of the most exciting horror films of the year.” – The Film Stage Mar 26, 2024 Full Review The Idea of You (2024) 81% B “While putting attractive stars onscreen in lavish locations isn’t new, here’s a film that does it well and isn’t afraid of showcasing authentic, character-driven humor that nowadays almost seems old-fashioned. ” – The Film Stage Mar 25, 2024 Full Review Bob Trevino Likes It (2024) 95% B “ Certainly, this is not the kind of a movie for a cynic or nihilist, but as far as charming movies about nice people go, Bob Trevino Likes It checks the box and then some.” – The Film Stage Mar 22, 2024 Full Review The Greatest Hits (2024) 49% B “While The Greatest Hits might not inspire thoughtful essays, as a cinematic pop album it satisfies with a few somber notes, some lesser tracks, and a few terrific moments where it all just works.” – The Film Stage Mar 18, 2024 Full Review
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