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Joshua Vasquez

Joshua Vasquez's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Son of the Mask (2005) 6% .5/4 “Remarkably inept.” – Slant Magazine Feb 18, 2005 Full Review F for Fake (1973) 88% 4/4 “F for Fake is one of the more wistfully humorous of Welles's wrestlings with reality.” – Slant Magazine Feb 18, 2005 Full Review The Wild Parrots of Telegraph Hill (2003) 95% 2.5/4 “A documentary of quiet, introspective charm.” – Slant Magazine Feb 10, 2005 Full Review Travelers and Magicians (2003) 95% 2.5/4 “A bit too creakingly stiff in its allegory, but the film's refusal to provide simple answers is touchingly appropriate.” – Slant Magazine Jan 26, 2005 Full Review The Saddest Music in the World (2003) 79% 3/4 “Guy Maddin's snow globe cinema, hermetically sealed in ghostly adoration of silent cinema, is well matched to this darkly comic fable.” – Slant Magazine Nov 4, 2004 Full Review It's Alive III: Island of the Alive (1987) 50% 2/4 “Stretches the darkly comedic aspects of the trilogy to the breaking point.” – Slant Magazine Nov 4, 2004 Full Review It Lives Again (1978) 47% 3/4 “The second and third parts of Larry Cohen's It's Alive trilogy are by turns silly and sublime.” – Slant Magazine Nov 4, 2004 Full Review It's Alive (1974) 65% 3.5/4 “One part allegory on familial tensions and one part commentary on environmental and biological poisoning.” – Slant Magazine Nov 3, 2004 Full Review The Black Cat (1934) 89% 4/4 “The Black Cat's impressionist wasteland is composed of equal parts severe allegory and pulp poetry.” – Slant Magazine Aug 29, 2004 Full Review Frankenstein Must Be Destroyed (1969) 70% 3.5/4 “One of the finest of the seven entries in Hammer's Frankenstein cycle.” – Slant Magazine Apr 28, 2004 Full Review Taste the Blood of Dracula (1970) 54% 3/4 “Taste the Blood of Dracula is unusual in that it keeps Dracula somewhat on the sidelines.” – Slant Magazine Apr 28, 2004 Full Review Monsieur Verdoux (1947) 97% 4/4 “The film is not only an account of the moral slippage of one man but the record of a far larger, seemingly uncontrollable escalation.” – Slant Magazine Mar 20, 2004 Full Review Robot Stories (2002) 74% 3/4 “Concerned with detailing the various interactions of an unsettling, fragile humanity with its own technology.” – Slant Magazine Feb 13, 2004 Full Review Torque (2004) 22% 2/4 “Director Joseph Kahn's Torque is inoffensively diverting-it's neither a work of inspired genre genius or mere manipulative commercial trash.” – Slant Magazine Jan 12, 2004 Full Review Paycheck (2003) 26% 1.5/4 “The possibilities of Dick's premise are never really exploited, just used as the framework for limp action set-pieces.” – Slant Magazine Dec 19, 2003 Full Review The Triplets of Belleville (2003) 94% 3.5/4 “The city of Belleville is like some nocturnal amalgam of Paris and New York, on the edge of a vast sea and of the world itself.” – Slant Magazine Dec 18, 2003 Full Review Young Sherlock Holmes (1985) 71% 3/4 “There is something about Holmes's elegant, haunting, and whisperingly melancholic distance, his analytical remove from the world, that inspires a desire for glimpses of the baroque corridors of labyrinthine interiors.” – Slant Magazine Dec 5, 2003 Full Review Timeline (2003) 13% 2.5/4 “The attempt to stay true to a historically minded adventure by maintaining a strangely subdued tone in terms of action just doesn't work.” – Slant Magazine Nov 25, 2003 Full Review Bad Santa (2003) 78% 1/4 “Bad Santa tries to be as vulgar and offensive as possible so that it might somehow justify the inevitability of its own happy ending.” – Slant Magazine Nov 23, 2003 Full Review Looney Tunes: Back in Action (2003) 58% 2/4 “The lunacy isn't inspired and the film never imitates the sharp comedic wit so frequently on display in the works of Tex Avery, Bob Clampett, and Chuck Jones.” – Slant Magazine Nov 11, 2003 Full Review Scary Movie 3 (2003) 35% 1/4 “The humor is confined to watching protagonists smack around the film's monster and listening to a lot of "whites and blacks are different" jokes.” – Slant Magazine Oct 23, 2003 Full Review Runaway Jury (2003) 73% 1/4 “A supremely smug experience, Runaway Jury begins as a thriller and ends as a tract that doesn't even have the decency to be well made propaganda.” – Slant Magazine Oct 15, 2003 Full Review The Fog of War (2003) 96% 3/4 “Morris allows McNamara the dignity of his memories, yet never allows the viewer to forget the deeply troubling moral questions bound to those memories.” – Slant Magazine Oct 2, 2003 Full Review Wonderland (2003) 34% 1.5/4 “Save for its basis in historical reality, there is little that is original in the visualizing of Wonderland's underbelly tour of compromised lives.” – Slant Magazine Oct 1, 2003 Full Review The Rundown (2003) 69% 1.5/4 “Johnson is a natural action hero, a point presumably made rather cheekily by way of an early cameo from none other than Ahhnold himself.” – Slant Magazine Sep 25, 2003 Full Review
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