iHostage (2025)
7/10
“iHostage not only dares to recreate a recent real event, but it does so without euphemisms. Films about urban terrorism usually look for external culprits, ideological causes, and obvious enemies. None of that is present here. [Full review in Spanish]” –
EscribiendoCine
Apr 25, 2025
Full Review
Carjackers (2025)
“...the film attempts to combine social criticism with action, infiltration with spectacle, but ends up trapped between its own stylistic tensions. [Full review in Spanish]” –
EscribiendoCine
Apr 22, 2025
Full Review
After This Death (2025)
6/10
“Castro avoids the clichés of the musical biopic or the crime thriller and constructs a work that suggests more than it reveals. [Full review in Spanish]” –
EscribiendoCine
Apr 22, 2025
Full Review
Straight (2023)
6/10
“Straight is uncomfortable in its ambiguity, provocative in what it doesn't define, powerful in what it suggests. [Full review in Spanish]” –
EscribiendoCine
Apr 11, 2025
Full Review
G20 (2025)
59%
4/10
“[Viola] Davis shines, as always. But her talent is wasted on a product that feels more like a content strategy than a film. [Full review in Spanish]” –
EscribiendoCine
Apr 11, 2025
Full Review
Bodegón con Fantasmas (2024)
7/10
“With a script that skillfully measures absurdity and terror from a customary approach, a stylized aesthetic of symmetrical shots,...Bodegon con Fantasmas shows that, even in the most routine, there is always room for the unusual.[Full review in Spanish]” –
EscribiendoCine
Apr 3, 2025
Full Review
Holland (2025)
21%
4/10
“Instead of building an intriguing atmosphere, the film becomes bogged down in a mix of black comedy and psychological thriller that never quite manages to balance the necessary doses of humor with the necessary tension. [Full review in Spanish]” –
EscribiendoCine
Mar 31, 2025
Full Review
Grand Tour (2024)
91%
8/10
“Gomes disrupts the conventional logic of adventure cinema and proposes a narrative where archival images and contemporary recordings overlap, creating a sensorial experience that defies categorization. [Full review in Spanish]” –
EscribiendoCine
Mar 27, 2025
Full Review
The Last Stop in Yuma County (2023)
97%
8/10
“Francis Galluppi's direction is calculated, precise, and, above all, aware of its limitations, which makes it even more powerful. [Full review in Spanish]” –
EscribiendoCine
Mar 26, 2025
Full Review
History and Geography (2024)
7/10
“The film stands out for its ability to intelligently intertwine witty humor with profound introspection about Chilean history, offering a fresh and original perspective on topics that are often approached with solemnity. [Full review in Spanish]” –
EscribiendoCine
Mar 17, 2025
Full Review
Emily the Criminal (2022)
94%
8/10
“In this film, drama is intertwined with moments of action, but it is Plaza's performance that really stands out, as she manages to give her character a complex dimension that transcends what is expected. [Full review in Spanish]” –
EscribiendoCine
Mar 10, 2025
Full Review
Big Shadow (2024)
8/10
“Big Shadow draws a delicate portrait of the ties that shape the identity of its protagonists, exploring how love, desire, work, faith and community life intertwine with their sense of belonging.” –
EscribiendoCine
Mar 6, 2025
Full Review
Cidade; Campo (2024)
8/10
“...Cidade; campo not only poses a reflection on internal migration in Brazil, but disarticulates traditional constructions of the city and the countryside...[Full review in Spanish]” –
EscribiendoCine
Feb 27, 2025
Full Review
The Order (2024)
92%
6/10
“The Order s a tense thriller, with a solid cast and a pace that keeps the viewer's interest. [Full review in Spanish]” –
EscribiendoCine
Feb 20, 2025
Full Review
The Best Mother in the World (2025)
8/10
“Without melodramatic concessions or forced twists, the film exposes the cycle of violence and the lack of institutional support, confronting society with a reality that it prefers to ignore.” –
EscribiendoCine
Feb 18, 2025
Full Review
My Fault: London (2025)
5/10
“...a remake that does not take enough risks and that, despite its improvement in execution, does not manage to escape predictability. [Full review in Spanish]” –
EscribiendoCine
Feb 14, 2025
Full Review
Anuja (2024)
7/10
“...the 22-minute film not only constructs a fictional story, but also reflects the reality of millions of children in India and other parts of the world. [Full review in Spanish]” –
EscribiendoCine
Feb 13, 2025
Full Review
A Silent Death (2025)
6/10
“Beyond its structure as a thriller, Sebastián Schindel presents a story...where the search for justice collides with the persistent shadows of a system marked by fear and impunity. [Full review in Spanish]” –
EscribiendoCine
Feb 6, 2025
Full Review
You're Cordially Invited (2025)
48%
4/10
“While Ferrell and Witherspoon are two strong names in comedy, their performances here are limited by a script that doesn't allow them to exploit their potential. [Full review in Spanish]” –
EscribiendoCine
Jan 31, 2025
Full Review
Nightbitch (2024)
59%
“Nightbitch opens up a space for reflection on the social and emotional pressures associated with motherhood, consolidating itself as a relevant work within the current debate on gender and motherhood. [Full review in Spanish]” –
EscribiendoCine
Jan 27, 2025
Full Review
Snack Shack (2024)
82%
6/10
“Although the film does not revolutionize the [teen comedy] genre, its focus and historical context give it a uniqueness that sets it apart from other similar approaches. [Full review in Spanish]” –
EscribiendoCine
Jan 24, 2025
Full Review
Back in Action (2025)
28%
5/10
“Back in Action seeks to combine action and family humor, but ends up proposing situations that, although visually effective, fail to hold up.” –
EscribiendoCine
Jan 18, 2025
Full Review
Ad Vitam (2025)
43%
6/10
“Although its narrative structure presents certain imbalances that can affect the cohesion of the story, the film compensates for these inconsistencies with a dynamic rhythm that holds the viewer's attention. [Full review in Spanish]” –
EscribiendoCine
Jan 14, 2025
Full Review
At Thirty (2023)
8/10
“Shanly manages to effectively capture the emotional complexity of the main character, creating a story that not only provokes laughter, but also invites reflection and emotion in the viewer. [Full review in Spanish]” –
EscribiendoCine
Jan 14, 2025
Full Review
Step Back, Doors Closing (2024)
100%
6/10
“With a script that prioritizes dialogue and a staging that breathes naturalness, Carter Ward manages to position his film as a solid and reflective piece within a widely explored narrative space. [Full review in Spanish]” –
EscribiendoCine
Jan 13, 2025
Full Review
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