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Justin Chang

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Reviews

Movies 온라인카지노추천 Shows
The Wedding Banquet (2025) 88% “It’s the warmth of Gladstone’s presence that leaves a lasting impression and endows this remake -- with all its reshufflings, inspired or strained -- with a whisper of something authentically new.” – The New Yorker Apr 25, 2025 Full Review Sinners (2025) 98% “Sinners is so atmospheric, richly textured and gorgeous to watch that it's almost a disappointment when it veers into supernatural territory. But if the horror beats prove a touch derivative, Coogler builds suspense with shivery assurance.” – NPR Apr 18, 2025 Full Review Warfare (2025) 93% “Certainly, it is hard to come away from “Warfare,” with its soldiers’ screams still ringing in your ears, and see the American military’s presence in Iraq as anything but a violent, misguided intrusion.” – The New Yorker Apr 8, 2025 Full Review Viet and Nam (2024) 100% “Việt and Nam is a series of excavations, and, for all its gentle cadences it seems to unearth new mysteries and paradoxes by the minute.” – The New Yorker Apr 4, 2025 Full Review Disney's Snow White (2025) 40% “The new “Snow White” has its own illusions of depth, though not the kind that one can commend. ” – The New Yorker Mar 24, 2025 Full Review The Alto Knights (2025) 40% “Unfair as it would be to compare “The Alto Knights” to “The Irishman,” some of Scorsese’s mournful grandeur does cling to Levinson’s film by association. In both films, it’s De Niro’s Frankness that keeps you watching.” – The New Yorker Mar 22, 2025 Full Review Who by Fire (2024) 79% “Despite its constricted, isolated setting, the film feels more psychologically expansive than its predecessors.” – The New Yorker Mar 20, 2025 Full Review Black Bag (2025) 96% “Both Soderbergh and Koepp understand the mechanics of genre inside out; they also know that those mechanics, given a proper greasing and a burst of inspiration, can still yield richly pleasurable dividends.” – The New Yorker Mar 12, 2025 Full Review On Becoming a Guinea Fowl (2024) 100% “Had “On Becoming a Guinea Fowl” been conceived purely as a drama of unearthed memories, unhealed trauma, and thwarted accountability, it would cut to the bone. But Nyoni goes further still.” – The New Yorker Mar 8, 2025 Full Review Mickey 17 (2025) 77% “[Bong Joon Ho's] customarily perfect pitch with actors gets lost, or at least scrambled, in translation. Pattinson deftly dodges this latter trap, and he doesn’t just save the film but deepens it.” – The New Yorker Mar 1, 2025 Full Review The Perfect Neighbor (2025) 100% “Through these reams of footage, brilliantly pieced together by the editor Viridiana Lieberman, a pattern of devastating coherence emerges.” – The New Yorker Feb 12, 2025 Full Review Train Dreams (2025) 97% “The result invites obvious yet not inapt comparisons to the work of Terrence Malick, but Bentley’s film unfolds in a more dramatically direct, compacted register. ” – The New Yorker Feb 12, 2025 Full Review Sorry, Baby (2025) 95% “A quietly remarkable first feature written and directed by the actor Eva Victor. ” – The New Yorker Feb 12, 2025 Full Review Universal Language (2024) 96% “What's going on here? And where exactly is here? Part of the movie's considerable, though not inexhaustible, charm is that it doesn't care to answer. ” – The New Yorker Feb 11, 2025 Full Review Paddington in Peru (2024) 93% “Whishaw, through vocal inflections alone, makes you believe he is every furry inch the earnest, clumsy, well-mannered, not too easily riled Paddington. But “Paddington in Peru” belongs to Olivia Colman.” – The New Yorker Feb 11, 2025 Full Review I'm Still Here (2024) 97% “Torres’s performance here is a marvel of expressive restraint, every glance merging horrified disbelief and meticulous self-control.” – The New Yorker Jan 31, 2025 Full Review Presence (2024) 88% “Soderbergh's camera movements are so delicate and expressive, he can convey empathy with a mere twitch or shudder, or rage with a sudden, violent lurch. ” – NPR Jan 24, 2025 Full Review Hard Truths (2024) 95% “Arriving nearly three decades after Secrets & Lies, Hard Truths has the feel of a genuine companion work. Intentionally or not, it expands on, completes, and at times challenges its predecessor. ” – The New Yorker Jan 6, 2025 Full Review July Rhapsody (2002) 93% “July Rhapsody unfurls as a series of stories, one nested within the other; it’s a tricky narrative structure, handled with such deft offhandedness that you almost forget it’s there. ” – The New Yorker Jan 6, 2025 Full Review Sing Sing (2023) 97% “Having pared away nearly every detail that doesn’t advance the plot, Kwedar and Bentley rely heavily on their lead actors to fill the ensuing breach. In this, at least, their instincts are sure.” – The New Yorker Jan 6, 2025 Full Review The Brutalist (2024) 93% “Corbet, who's only 36, is already a director of startling confidence, and he's made a rare American film that feels genuinely worthy of the word "epic."” – NPR Dec 23, 2024 Full Review Nickel Boys (2024) 91% “The approach takes some getting used to, but the effect is astonishing. It calls on us to empathize in a radical new way with these two young men, their fleeting hopes and their crushing sense of entrapment. ” – NPR Dec 23, 2024 Full Review Queer (2024) 77% “Even when Queer's narrative loses momentum, it's fascinating to see a filmmaker known for his lush, beautiful surfaces try to connect with a writer's famously uncompromising ugliness.” – NPR Dec 6, 2024 Full Review Gladiator II (2024) 70% “Scott and his collaborators pander so unabashedly to our bloodlust that it rings all the more hollow when Gladiator II suddenly fancies itself a civics lesson.” – The New Yorker Nov 23, 2024 Full Review Wicked (2024) 87% “It’s not easy being green screen, but, even so, there is little in this movie’s muted palette and washed-out backlighting to make you muse, even for a second, “What a world, what a world.”” – The New Yorker Nov 23, 2024 Full Review
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