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Kaleem Aftab

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Better Man (2024) 88% 5/5 “Even more than with The Greatest Showman, director Michael Gracey has created a fun, bombastic, brilliant choreographed and totally enthralling film. ” – Time Out Nov 26, 2024 Full Review The Room Next Door (2024) 81% 5/5 “The hot Latin lovers have been replaced by pink snow, and the homoeroticism has been dialled down, but this is Almodóvar’s America and it’s a delight. ” – Time Out Sep 5, 2024 Full Review Maria (2024) 75% 4/5 “This enjoyable biopic offers a loving and affectionate portrait of Callas that never airbrushes her foibles. It’s likely to put Jolie front and centre in the Oscar race, too.” – Time Out Sep 5, 2024 Full Review LOLA (2022) 98% 2/5 “There’s much to admire here, but with Legge’s keen eye for the technical side of cinema stronger than his narrative impulses, LOLA ultimately has to go down as an ambitious failure.” – Time Out Dec 11, 2023 Full Review American Fiction (2023) 93% 4/5 “It's such an entertaining film that it's easy to overlook the fact that the comedy only works because it depicts structural racism in such an exaggerated black-and-white manner.” – BBC.com Sep 19, 2023 Full Review Next Goal Wins (2023) 46% 4/5 “Waititi's winning, winsome film is his most accessible and mainstream movie to date, Marvel aside, one that successfully mixes in funny jokes with zeitgeisty social commentary.” – BBC.com Sep 12, 2023 Full Review Agra (2023) 100% “May more and more Indian cinema be just as provocative and creatively bold.” – BBC.com May 30, 2023 Full Review Joyland (2022) 98% 4/5 “Joyland’s quiet power comes not through melodrama, which Sadiq scrupulously avoids, but its deep affection for its characters. It’s a modern tale of changing gender roles and the patriarchal crisis that could just as easily have taken place in New York.” – Time Out Jan 24, 2023 Full Review Le Prince (2021) “Although uneven in pacing, Prince is a film that provides food for thought and uses the idea of art being about representation to play and bend archetypes.” – Cineuropa Dec 22, 2022 Full Review The Stranger (2021) “The Stranger shares not only a title with the famous Albert Camus work, but also its focus on a man immersed in an existential crisis when faced with the absurd.” – Cineuropa Dec 22, 2022 Full Review Zátopek (2021) “With a light-entertainment tone, a classical filmmaking style and impressive recreations of Olympic stadia, it aspires to be a Czech Chariots of Fire, but like so many of the runners on show, it can't quite make it to the finish line.” – Cineuropa Dec 22, 2022 Full Review Out of the Furnace (2013) 53% “This tale of brothers who can’t stay out of trouble trots out all the clichés of America in its economic malaise: the lack of blue-collar work, and every genre cliché of Westerns, brothers protecting brothers and the need to take the law into your hands.” – Filmmaker Magazine Dec 5, 2022 Full Review Dallas Buyers Club (2013) 92% “As a movie it’s a little haphazard and it takes the misstep of trying too hard to create a strong dramatic arc by overegging his wild days that led to him catching the virus.” – Filmmaker Magazine Dec 5, 2022 Full Review Her (2013) 95% “For my money, the award-winning performance delivered in Her came from Joaquin Phoenix...” – Filmmaker Magazine Dec 5, 2022 Full Review The Mole Song: Undercover Agent Reiji (2013) “Japanese juggernaut Takashi Miike had a wacky comedy that showed off his undoubted ability to mix live-action with animation, The Mole Song: Undercover Agent Reiji.” – Filmmaker Magazine Dec 5, 2022 Full Review The Fifth Wheel (2013) “Great performances by Andre Gregory and Wallace Shawn carry the film through some of the plays more convoluted moments.” – Filmmaker Magazine Dec 5, 2022 Full Review Rebel (2022) 91% “It's a movie that must be seen to be believed. This fascinating work proves why it's essential for cinema to have a diverse range of voices telling the stories, and that’s what brings about these incredible shocks and surprises.” – Cineuropa Sep 8, 2022 Full Review Lightyear (2022) 74% 2/5 “Lightyear feels like that horrible moment when you broke a much-loved toy.” – Time Out Jun 14, 2022 Full Review The Dam (2022) 80% “The delivery of the film is so opaque that it leaves room for many interpretations, which is both The Dam's strength and its weakness.” – Cineuropa May 27, 2022 Full Review Under the Fig Trees (2021) 100% “Sehiri manages to impart a sense of sisterhood, and the importance of it, especially in a patriarchal world where these girls must bring about change in order for them to progress.” – Cineuropa May 26, 2022 Full Review God's Creatures (2022) 90% “Like Aileen, the movie takes its time to find its feet and occasionally threatens to veer off balance, but eventually, it hits surer ground.” – Cineuropa May 26, 2022 Full Review Mediterranean Fever (2022) 80% “Director Maha Haj has created a black comedy full of surprises.” – Cineuropa May 26, 2022 Full Review Corsage (2022) 86% “Some will say this is the secret royal love child of Pablo Larraín’s Spence rand Sofia Coppola’s Marie Antoinette, but it’s better than them both.” – Cineuropa May 20, 2022 Full Review Eleven Days in May (2022) 100% “There is no attempt to do anything spectacular with the storytelling style or to push a narrative, as the co-directors have decided that the testimonies of the families are sufficiently powerful to carry the film.” – Cineuropa May 5, 2022 Full Review Both Sides of the Blade (2021) 84% “The story is told in a choppy style, the messy editing reflecting the confused nature of Sara's state of mind, but it also means that the film itself is all over the place. Put together, it's hard to feel empathy with any of the characters.” – Cineuropa Feb 17, 2022 Full Review
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