Sinners (2025)
98%
5/5
“There’s elation in seeing these musical performances and seeing Coogler free to play with technique and tackle political ideas in a manner that’s been constrained under the Marvel machine, for a time.” –
Little White Lies
Apr 10, 2025
Full Review
Memoir of a Snail (2024)
95%
4/5
“Memoir of a Snail is not just a stop-motion animation that feels handmade from top to bottom. It tells a deeply human story about a hard-won route to happiness -- with all the pain and missteps that go with it. ” –
Time Out
Feb 11, 2025
Full Review
Nickel Boys (2024)
91%
5/5
“Nickel Boys is a triumph. ” –
Empire Magazine
Jan 16, 2025
Full Review
On Becoming a Guinea Fowl (2024)
100%
4/5
“Rungano Nyoni is one of the most exciting voices in cinema today and On Becoming a Guinea Fowl is abject proof: a disquieting, blistering examination of a family where social status trumps blood ties.” –
Empire Magazine
Dec 24, 2024
Full Review
The Colors Within (2024)
93%
A-
“Funny, joyful, and brimming with confidence.” –
IndieWire
Oct 30, 2024
Full Review
The Wild Robot (2024)
96%
3/5
“The Wild Robot is innovative in many ways but perhaps too traditional in others; some moments bring it back to feeling like the median DreamWorks film, despite its many flashes of brilliance.” –
Little White Lies
Oct 15, 2024
Full Review
Transformers One (2024)
89%
3/5
“There’s slightly more than meets the eye with Transformers One. While the art style is sometimes off-putting, its ideas are interesting enough to make it a decent addition to the franchise.” –
Empire Magazine
Sep 12, 2024
Full Review
Kensuke's Kingdom (2023)
97%
3/5
“Maudlin when it goes directly for the heartstrings, but it’s a pleasant enough coming-of-age fable. It’s hard not to wish for the film to lean a little more on its assured visual craft, especially as its story feels a little by the numbers.” –
Time Out
Sep 11, 2024
Full Review
Rebel Ridge (2024)
95%
4/5
“... A sharp and very memorable thriller, hopefully to the point that it’s seen as widely as possible.” –
Little White Lies
Sep 9, 2024
Full Review
The Instigators (2024)
41%
3/5
“The Instigators isn’t exactly revolutionary, but is a good time regardless: an easygoing crime caper offering an excellent cast a fun sandpit in which to snipe at each other.” –
Empire Magazine
Aug 5, 2024
Full Review
Sleep (2024)
95%
4/5
“Sleep efficiently details this cruel accumulation of stresses driving the couple apart... Coupled with some smart, subtle production design as the apartment turns more and more claustrophobic, it makes for an impressive debut.” –
Time Out
Jul 11, 2024
Full Review
The American Society of Magical Negroes (2024)
25%
2/5
“Despite a valiant effort from Justice Smith, the satire in The American Society of Magical Negroes feels aimless, scattered across a story that struggles to pick a meaningful direction.” –
Empire Magazine
Apr 25, 2024
Full Review
Spy x Family Code: White (2023)
94%
7/10
“It may not “mean” anything to the canon, and emotionally arrives in the same place as episodes that have come before, but this isn’t a show where canon matters too much: only how much fun you’re having seeing this side story unfold.” –
IGN Movies
Apr 16, 2024
Full Review
Monkey Man (2024)
89%
3/5
“A fun if messy debut full of infectious enthusiasm for the genre.” –
Little White Lies
Apr 3, 2024
Full Review
The Concierge (2023)
9/10
“Through its light and adorable premise, The Concierge smuggles in a rather tragic environmentalist message, but not at the expense of its incredibly well-crafted gags.” –
IGN Movies
Mar 19, 2024
Full Review
Occupied City (2023)
72%
4/5
“Occupied City is a poignant sociological portrait. Through the history of one space, it studies how fascism pushes people out of spaces — but is also hopeful on resilience, solidarity and resistance.” –
Empire Magazine
Feb 12, 2024
Full Review
Blue Giant (2023)
100%
3/5
“Some rather rough animation brings down the otherwise exhilarating Blue Giant, which, in its best moments, transforms jazz music into an otherworldly sensory adventure.” –
Empire Magazine
Feb 2, 2024
Full Review
American Fiction (2023)
93%
4/5
“Elegantly walking a line between absurdist satire and family drama, this is a clever send-up of how the broadness of Black culture gets reduced to cliché.” –
Empire Magazine
Jan 29, 2024
Full Review
The Peasants (2023)
61%
3/5
“A classic Polish novel comes to oil-painted life in a disappointingly conventional animation.” –
Time Out
Dec 19, 2023
Full Review
The Boy and the Heron (2023)
96%
“It's one of [Miyazaki's] strangest and most ambitious films. It’s reassuring that the filmmaker can still surprise like this.” –
Reverse Shot
Dec 13, 2023
Full Review
Godzilla Minus One (2023)
99%
4/5
“A refreshingly humanist and nostalgic reboot of the iconic monster franchise, Takashi Yamazaki’s Godzilla Minus One takes the atomic lizard back to his post-war roots...” –
Empire Magazine
Dec 1, 2023
Full Review
Reptile (2023)
44%
2/5
“Del Toro’s solid screen charisma can’t rescue Reptile, a derivative and lethargic thriller that rarely thrills as it tries and fails to build a case for itself as a meaningful iteration on the detective thrillers that it admires.” –
Empire Magazine
Oct 3, 2023
Full Review
Passages (2023)
95%
4/5
“Anchored by excellent performances from its three intertwined leads, Passages is alternately tender and thorny in its close character study of a narcissist, and as a romantic drama with no winners.” –
Empire Magazine
Sep 1, 2023
Full Review
Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)
95%
4/5
“Turtle power is alive and well.” –
Little White Lies
Jul 31, 2023
Full Review
Chevalier (2022)
76%
3/5
“The latter half of Chevalier is a little by-the-numbers compared to its energetic opening violin duel — though it is uplifted by its sharp critique of white institutions, and a strong performance from Kelvin Harrison Jr. ” –
Empire Magazine
Jun 8, 2023
Full Review
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