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Kambole Campbell

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Sinners (2025) 98% 5/5 “There’s elation in seeing these musical performances and seeing Coogler free to play with technique and tackle political ideas in a manner that’s been constrained under the Marvel machine, for a time.” – Little White Lies Apr 10, 2025 Full Review Memoir of a Snail (2024) 95% 4/5 “Memoir of a Snail is not just a stop-motion animation that feels handmade from top to bottom. It tells a deeply human story about a hard-won route to happiness -- with all the pain and missteps that go with it. ” – Time Out Feb 11, 2025 Full Review Nickel Boys (2024) 91% 5/5 “Nickel Boys is a triumph. ” – Empire Magazine Jan 16, 2025 Full Review On Becoming a Guinea Fowl (2024) 100% 4/5 “Rungano Nyoni is one of the most exciting voices in cinema today and On Becoming a Guinea Fowl is abject proof: a disquieting, blistering examination of a family where social status trumps blood ties.” – Empire Magazine Dec 24, 2024 Full Review The Colors Within (2024) 93% A- “Funny, joyful, and brimming with confidence.” – IndieWire Oct 30, 2024 Full Review The Wild Robot (2024) 96% 3/5 “The Wild Robot is innovative in many ways but perhaps too traditional in others; some moments bring it back to feeling like the median DreamWorks film, despite its many flashes of brilliance.” – Little White Lies Oct 15, 2024 Full Review Transformers One (2024) 89% 3/5 “There’s slightly more than meets the eye with Transformers One. While the art style is sometimes off-putting, its ideas are interesting enough to make it a decent addition to the franchise.” – Empire Magazine Sep 12, 2024 Full Review Kensuke's Kingdom (2023) 97% 3/5 “Maudlin when it goes directly for the heartstrings, but it’s a pleasant enough coming-of-age fable. It’s hard not to wish for the film to lean a little more on its assured visual craft, especially as its story feels a little by the numbers.” – Time Out Sep 11, 2024 Full Review Rebel Ridge (2024) 95% 4/5 “... A sharp and very memorable thriller, hopefully to the point that it’s seen as widely as possible.” – Little White Lies Sep 9, 2024 Full Review The Instigators (2024) 41% 3/5 “The Instigators isn’t exactly revolutionary, but is a good time regardless: an easygoing crime caper offering an excellent cast a fun sandpit in which to snipe at each other.” – Empire Magazine Aug 5, 2024 Full Review Sleep (2024) 95% 4/5 “Sleep efficiently details this cruel accumulation of stresses driving the couple apart... Coupled with some smart, subtle production design as the apartment turns more and more claustrophobic, it makes for an impressive debut.” – Time Out Jul 11, 2024 Full Review The American Society of Magical Negroes (2024) 25% 2/5 “Despite a valiant effort from Justice Smith, the satire in The American Society of Magical Negroes feels aimless, scattered across a story that struggles to pick a meaningful direction.” – Empire Magazine Apr 25, 2024 Full Review Spy x Family Code: White (2023) 94% 7/10 “It may not “mean” anything to the canon, and emotionally arrives in the same place as episodes that have come before, but this isn’t a show where canon matters too much: only how much fun you’re having seeing this side story unfold.” – IGN Movies Apr 16, 2024 Full Review Monkey Man (2024) 89% 3/5 “A fun if messy debut full of infectious enthusiasm for the genre.” – Little White Lies Apr 3, 2024 Full Review The Concierge (2023) 9/10 “Through its light and adorable premise, The Concierge smuggles in a rather tragic environmentalist message, but not at the expense of its incredibly well-crafted gags.” – IGN Movies Mar 19, 2024 Full Review Occupied City (2023) 72% 4/5 “Occupied City is a poignant sociological portrait. Through the history of one space, it studies how fascism pushes people out of spaces  — but is also hopeful on resilience, solidarity and resistance.” – Empire Magazine Feb 12, 2024 Full Review Blue Giant (2023) 100% 3/5 “Some rather rough animation brings down the otherwise exhilarating Blue Giant, which, in its best moments, transforms jazz music into an otherworldly sensory adventure.” – Empire Magazine Feb 2, 2024 Full Review American Fiction (2023) 93% 4/5 “Elegantly walking a line between absurdist satire and family drama, this is a clever send-up of how the broadness of Black culture gets reduced to cliché.” – Empire Magazine Jan 29, 2024 Full Review The Peasants (2023) 61% 3/5 “A classic Polish novel comes to oil-painted life in a disappointingly conventional animation.” – Time Out Dec 19, 2023 Full Review The Boy and the Heron (2023) 96% “It's one of [Miyazaki's] strangest and most ambitious films. It’s reassuring that the filmmaker can still surprise like this.” – Reverse Shot Dec 13, 2023 Full Review Godzilla Minus One (2023) 99% 4/5 “A refreshingly humanist and nostalgic reboot of the iconic monster franchise, Takashi Yamazaki’s Godzilla Minus One takes the atomic lizard back to his post-war roots...” – Empire Magazine Dec 1, 2023 Full Review Reptile (2023) 44% 2/5 “Del Toro’s solid screen charisma can’t rescue Reptile, a derivative and lethargic thriller that rarely thrills as it tries and fails to build a case for itself as a meaningful iteration on the detective thrillers that it admires.” – Empire Magazine Oct 3, 2023 Full Review Passages (2023) 95% 4/5 “Anchored by excellent performances from its three intertwined leads, Passages is alternately tender and thorny in its close character study of a narcissist, and as a romantic drama with no winners.” – Empire Magazine Sep 1, 2023 Full Review Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) 95% 4/5 “Turtle power is alive and well.” – Little White Lies Jul 31, 2023 Full Review Chevalier (2022) 76% 3/5 “The latter half of Chevalier is a little by-the-numbers compared to its energetic opening violin duel — though it is uplifted by its sharp critique of white institutions, and a strong performance from Kelvin Harrison Jr. ” – Empire Magazine Jun 8, 2023 Full Review
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