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Kate Erbland

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
G20 (2025) 59% B- “Mostly, G20 has two major points in its favor, right out of the gate: a super-fun premise for an action film and a star both so good and so classy that it never feels as if she’s punching below her weight class.” – IndieWire Apr 10, 2025 Full Review Disney's Snow White (2025) 40% B- “It doesn’t always fit seamlessly together, but it’s far more entertaining than that might lead on. This is a spirited and sweet spin on classic material that deserves kudos for its balance of necessary updates and affection for the old ways. ” – IndieWire Mar 19, 2025 Full Review Magic Hour (2025) B “Oh, it's that kind of film, viewers might think. Well, let's see where it goes. Where it goes? Somewhat bumpy, but refreshingly honest and very much a return to the kind of filmmaking that kickstarted Aselton's own directing career.” – IndieWire Mar 15, 2025 Full Review Slanted (2025) 82% B- “While Wang often swings too wide, the bigger picture is a compelling one, rich with pointed questions and damning answers. Talk about an American nightmare.” – IndieWire Mar 12, 2025 Full Review Novocaine (2025) 81% C+ “Jacobson’s script and Berk and Olsen’s direction soon offer a batshit U-turn that dilutes this idea in myriad disappointing ways... “Novocaine” doesn’t need to make anyone this numb, not after start with a real (sorry) shot to the arm.” – IndieWire Mar 8, 2025 Full Review Girls on Wire (2025) 55% B- “Haocun and Qi’s acting varies, but when the stars are tasked with more physical work, they shine. More emotional scenes, however, feel hammy and didactic, heavy on the telling over the showing.” – IndieWire Feb 20, 2025 Full Review Bridget Jones: Mad About the Boy (2025) 88% B+ “There is no Bridget Jones without Renée Zellweger, and the force of her performance and obvious admiration for the role do plenty to skate over any off-kilter beats with effervescence and pluck. ” – IndieWire Feb 12, 2025 Full Review Love Hurts (2025) 19% C- “It’s a simple enough conceit, but one made consistently confusing by a distinct lack of energy, excitement, and cohesive editing. Never before has 83 minutes felt so very long.” – IndieWire Feb 6, 2025 Full Review Together (2025) 100% B “[A] delightfully unhinged spin on the body horror joint.” – IndieWire Jan 29, 2025 Full Review Sally (2025) 79% B “Who was Sally? Who did she think she was? Who did she want us to see? “Sally” doesn’t quite answer those questions, but it certainly reaches for the stars in an earnest attempt to find them.” – IndieWire Jan 29, 2025 Full Review Sorry, Baby (2025) 95% A- “What’s perhaps most striking about “Sorry, Baby” is the thread of genuine humanity and empathy that runs straight through it.” – IndieWire Jan 28, 2025 Full Review Folktales (2025) 79% B+ “Not everything turns out the way we expect, not every story has a tidy ending, but no one ever said becoming a new self was easy or expected. Folk high school? It helps. And, yes, I’d still like to go.” – IndieWire Jan 27, 2025 Full Review The Ballad of Wallis Island (2025) 97% B “A cozy crowdpleaser with real heart and some lovely songs, and one that doesn’t trade honesty for predictable beats.” – IndieWire Jan 26, 2025 Full Review Bubble & Squeak (2025) 35% C+ “It sure looks like everyone on the screen is having fun, but what about the audience watching them ham it up?” – IndieWire Jan 26, 2025 Full Review Brides (2025) 83% B- “Nadia Fall’s “Brides” plugs in some quite unexpected elements the ol’ road trip formula, with startling -- and ultimately heartbreaking -- results.” – IndieWire Jan 26, 2025 Full Review Marlee Matlin: Not Alone Anymore (2025) 96% B+ “Despite the unkind assumptions so often ascribed to her and her work, Matlin isn’t eager to throw stones, and despite some tough revelations in Stern’s documentary, the tone remains mostly celebratory and light.” – IndieWire Jan 24, 2025 Full Review Omaha (2025) 88% B “While Magaro’s performance anchors the film, strong turns from both Wright and Solis give added depth. So too does Webley and Machoian’s obvious interest in their young characters’ perspectives and experience.” – IndieWire Jan 23, 2025 Full Review Moana 2 (2024) 61% B “It’s always a tough ask to improve upon an original, but “Moana 2” is a sprightly addition to this sea-faring legacy. It does something nearly impossible in our sequel-glutted world: made me want further adventures. ” – IndieWire Nov 26, 2024 Full Review Spellbound (2024) 48% B “Cute, creative setpieces do wonders to keep the story moving along, as do the wealth of new songs that firmly establish this as a musical with a capital M. ” – IndieWire Nov 22, 2024 Full Review Wicked (2024) 87% B- “In terms of raw spectacle, the all-singing, all-dancing meat-and-potatoes of the musical, Wicked absolutely delivers. ” – IndieWire Nov 19, 2024 Full Review That Christmas (2024) 67% B+ “The old chestnuts hold true for this one, the goofy holiday puns: it’s a gift well worth unwrapping and sharing with the ones you love most.” – IndieWire Oct 21, 2024 Full Review Lonely Planet (2024) 40% C+ “What would this have looked like without all that plodding plotting? Definitely sexier, definitely more fun. Smarter, too.” – IndieWire Oct 11, 2024 Full Review The Easy Kind (2024) B “The filmmaker’s documentary background also adds that kind of touch to the film, which so often feels like we’re watching something, well, true. ” – IndieWire Sep 16, 2024 Full Review Bring Them Down (2024) 90% C+ “Fans of dramas so dark and bitter that they make the most screwed-up parts of the Bible look funny and frisky? They’ll likely spark to what Andrews is dishing out here, but some questionable storytelling conceits eventually dilute even that power.” – IndieWire Sep 11, 2024 Full Review Road Diary: Bruce Springsteen and The E Street Band (2024) 90% B “The best Springsteen songs sound as if they’ve pulled directly from his diary, and while this “Road Diary” might have a bit more polish and gloss, it’s more than worth the read and the ride.” – IndieWire Sep 10, 2024 Full Review
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