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Katherine Connell

Katherine Connell's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Censor (2021) 89% “Through its protagonist, Censor questions whether art needs to contain moralising directives, without ever reducing Enid to an archetype or symbol.” – Another Gaze Nov 4, 2021 Full Review Night Raiders (2021) 83% “Night Raiders insists that any way forward in a world barrelling toward cataclysmic political and ecological destruction must involve the knowledge, self-determination, and, crucially, the leadership of Indigenous peoples.” – Cinema Scope Oct 8, 2021 Full Review And Then We Danced (2019) 93% “Merab's performance is a testament to the things that queer dance and movement can do: a camp revision of national traditions, a defiance of authority, an exorcism of pain, and a leap into a future that is both uncertain and exhilarating.” – Cinema Scope Jul 13, 2021 Full Review Invisible Life (2019) 94% “The director proves himself less interested in narrative mechanics and causal logic than in the use of affect as an integral mode of perception, and its translation into expressionistic, emotionally charged, sometimes shocking images...” – Cinema Scope Jul 13, 2021 Full Review Little Women (2019) 95% “What's enjoyable about this version of Little Women is its fusion of solitude and warmth -- the pleasures found in the company of others, and the vitality of keeping one's own.” – Hyperallergic Mar 2, 2020 Full Review Lina From Lima (2019) 87% “Lina from Lima's strength lies in the ways González resists an impulse to solve or emphatically comment on the liminality of Lina's circumstances.” – Another Gaze Sep 20, 2019 Full Review In Fabric (2018) 92% “The film teeters towards experimental: a tough ask for an audience sitting through a two hour feature. Our focus is anchored, however, by strong performances which ground In Fabric's intoxicating weirdness.” – New Statesman Jun 28, 2019 Full Review Booksmart (2019) 96% “Booksmart delights in the idea that the learning never stops. This may be an overly optimistic note to end on, but for a genre that's always indulged and projected nostalgic fantasy onto young people, it might be the best possible outcome.” – Reverse Shot May 30, 2019 Full Review The Favourite (2018) 93% “Despite the empathy that actors have for their characters, the hyper ironic and self-aware stylisation gives Lanthimos a smug authoritative 'smartness' over everything depicted on-screen.” – Another Gaze Mar 6, 2019 Full Review Can You Ever Forgive Me? (2018) 98% “Can You Ever Forgive Me showcases Heller's flare for giving voice to women characters who express dangerousness and intensity through blunt humour.” – Another Gaze Feb 19, 2019 Full Review Vision (2018) 38% “Kawase's conviction in executing this narrative, combined with Binoche's communicative facial expressivity maintain a hold on their audience, convincing them to remain in cinematic disorientation for a little bit longer.” – Another Gaze Oct 2, 2018 Full Review Out of Blue (2018) 37% “A much needed camp parody of Hitchcockian proportions, told from a female perspective. Morley and her cast know exactly when to ham it up and when to build genuine emotive tension.” – Another Gaze Sep 18, 2018 Full Review Where Hands Touch (2018) 43% “While Amma Asante has assigned herself a weighty responsibility in taking on Where Hands Touch, she certainly understands the weight.” – Another Gaze Sep 17, 2018 Full Review
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