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Kyle Turner

Kyle Turner's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Opus (2025) 41% 1.5/4 “The film takes dozens of different anecdotes about cults and celebrities and manages to render them pedestrian, unoriginal, staid.” – Slant Magazine Mar 11, 2025 Full Review An Unfinished Film (2024) 73% 2.5/4 “If the frames of Lou’s previous work suggested that reality was something that could be unlocked and unfurled, An Unfinished Film’s presentation of reality as it basically was unfortunately gives the filmmaker, and the audience, little to discover.” – Slant Magazine Mar 9, 2025 Full Review Love Hurts (2025) 19% 2.5/4 “The film is startlingly earnest in its affection for Ke Huy Quan and making him play both to and against type.” – Slant Magazine Feb 6, 2025 Full Review Emilia Pérez (2024) 72% 1.5/4 “Emilia Pérez’s biggest problem is that it falls prey to redundancy, regurgitating the same ideas about identity, desire, violence, and redemption, betraying how little it has to say in the first place.” – Slant Magazine Oct 5, 2024 Full Review Maria (2024) 75% 2/4 “Pablo Larraín has again committed the cardinal sin of taking a female icon of the 20th century and, in an attempt to hold a mirror up to her multitudes, flattened her into the equivalent of a kitschy postage stamp.” – Slant Magazine Sep 30, 2024 Full Review The Wild Robot (2024) 96% 3.5/4 “The film’s discernible brushstrokes serve as a reminder of the literal hands, the labor, it takes to raise someone, mold them into a survivor, and to carry love with you wherever you go.” – Slant Magazine Sep 10, 2024 Full Review Tuesday (2023) 76% 3.5/4 “This is a film of tremendous emotion, spirit, and paradoxically restraint and ambition.” – Slant Magazine May 31, 2024 Full Review The First Omen (2024) 83% 3/4 “Pulsating in the film’s veins is an eerie eroticism and a tactile awareness of the way the Church is controlling the bodies and minds of its women. ” – Slant Magazine Apr 4, 2024 Full Review Housekeeping for Beginners (2023) 93% 2/4 “In spite of the too-muchness of their performances, the actors wrestle for expressiveness and subtlety against the script’s more obvious and schematic telegraphing of not-quite-nuclear discontent and, ultimately, reconciliation. ” – Slant Magazine Apr 1, 2024 Full Review Drive-Away Dolls (2024) 63% 3.5/4 “In the classic queer punk tradition of Bruce LaBruce, John Waters, and Gregg Araki, Ethan Coen’s film knows when to pay homage and when to move to its own rhythm.” – Slant Magazine Feb 21, 2024 Full Review Monster (2023) 96% 2.5/4 “Across the film, you can feel the push and pull between a master technician who built his career on the patient, delicate plucking at our heartstrings and his newfound desire to please a wide audience with the broadest of affective strokes.” – Slant Magazine Nov 17, 2023 Full Review Thanksgiving (2023) 84% 3/4 “Thanksgiving is a slasher for today, slickly made, coolly mean, and with a satiric bite. ” – Slant Magazine Nov 16, 2023 Full Review Eileen (2023) 82% 3.5/4 “The film is a pulpy phantasmagoria of fear and desire, offering visions of queer ecstasy within the confines of multiple prisons.” – Slant Magazine Nov 6, 2023 Full Review Rustin (2023) 83% 2.5/4 “Colman Domingo is charismatic and dynamic enough to transcend the limitations of a script that too often passes by as a stream of sharp, quotable quotes and monologues.” – Slant Magazine Oct 21, 2023 Full Review Poor Things (2023) 93% 3/4 “As imaginative as the film’s comedy can be, its greatest asset is Emma Stone’s ability to situate Bella Baster first as jester, then as the emotional foundation upon which the whole of Poor Things is built.” – Slant Magazine Oct 5, 2023 Full Review Foe (2023) 24% .5/4 “At every turn, Garth Davis’s Foe not only fails to adequately redress or rework played-out tropes within its high-concept world, but its examination of marriage and identity is also hackneyed. ” – Slant Magazine Oct 1, 2023 Full Review Saw X (2023) 81% 2.5/4 “The film mostly makes you wish that a Saw film would finally let Amanda be the one that audiences worship.” – Slant Magazine Sep 28, 2023 Full Review The Sweet East (2023) 81% 1.5/4 “Sean Price Williams’s solo feature directorial debut is pretty fuzzy on what it wants its national tour of brainless dogma to mean.” – Slant Magazine Sep 27, 2023 Full Review Strange Way of Life (2023) 78% 2/4 “The film isn’t heightened enough to be camp and not naturalistic enough to be a more serious drama, so it ends up just feeling noncommittal.” – Slant Magazine Sep 22, 2023 Full Review Horseplay (2022) 63% ““Horseplay” is less an acutely mapped-out anthropological study into toxic masculinity and pervasive homophobia and misogyny, and more like having to spend a day chilling with the most annoying guys you know.” – New York Times Jun 13, 2023 Full Review Caterpillar (2023) 100% B+ “Mandelup’s great skill, besides her interrogation into how the social media economy has made the act of being into so much work, has been in her ability to imbue these topics with real human longing.” – The Playlist Mar 19, 2023 Full Review Punch (2022) 79% “Flowing and keenly observant of its characters and setting, “Punch” swings above its weight class.” – New York Times Mar 9, 2023 Full Review Winnie-the-Pooh: Blood and Honey (2023) 3% “It’s not funny enough to have anything clever to say about its gag, and it’s not exciting enough to be a competent horror movie.” – New York Times Feb 17, 2023 Full Review In from the Side (2022) 54% ““In From the Side” feels too much like two separate movies smashed together like two players from opposing teams, making its 2-hour-and-14-minute run time a slog.” – New York Times Jan 19, 2023 Full Review Tom at the Farm (2013) 78% “Trapped in a tango of lust, grief, and power, Tom at the Farm is the Canadian filmmaker’s tightest and most controlled film.” – them. Oct 27, 2022 Full Review
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