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Larry Zolf

Larry Zolf's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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John and Mary (1969) 38% “The problem with John and Mary is that in this case the fruits of sin make for a rotten film.” – Maclean's Magazine Jun 15, 2022 Full Review Z (1969) 94% “It is a fast-paced, relentless action thriller and a political allegory that both underlines and transcends the modern Greek tragedy of Junta fascism. As political satire, Z is the kind of film that only hurts you when you laugh.” – Maclean's Magazine Jun 15, 2022 Full Review Bob & Carol & Ted & Alice (1969) 82% “When Hollywood decides to devote its full arsenal of production-value shlockerai to bring to cinematic life a cheat-and-tell tale of two fatuous couples, full of sexual fury signifying nothing, it comes up with Bob & Carol & Ted & Alice.” – Maclean's Magazine Jun 15, 2022 Full Review Midnight Cowboy (1969) 89% “The sad fact is that John Schlesinger’s latest masterpiece of seeking is more creaking than reeking.” – Maclean's Magazine Mar 10, 2022 Full Review Patton (1970) 92% “If he were to return in a Hollywood guise, Patton would just have to come back as George C. Scott. For Scott is Patton incarnate in a superb acting performance that rescues the film from some of Schaffner's more pedestrian directing devices.” – Maclean's Magazine Jan 27, 2020 Full Review Zabriskie Point (1970) 64% “Zabriskie Point is both a superb film and an ominous exercise in un-American activity. Beside it, Easy Rider and Medium Cool seem merely the rude posturings of thumb-sucking infants.” – Maclean's Magazine Jan 27, 2020 Full Review The Sergeant (1968) 20% “Rod Steiger's performance is more stunned than stunning.” – Maclean's Magazine Jul 10, 2019 Full Review If... (1968) 90% “The trouble starts when Anderson mixes the fantasies of his student-rebel heroes with the facts of life. The switch from realism to surrealism is a jolting one.” – Maclean's Magazine Jul 10, 2019 Full Review Shame (1968) 67% “The Bergman stock company of Max Von Sydow, Liv Ullmann and Gunnar Björnstrand perform ably, and the Bergman devices are effective; but somehow the effect is quite numbing.” – Maclean's Magazine Jul 10, 2019 Full Review Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? (1969) 43% “It's Newley and Newley alone that one must credit for a new auteur breakthrough -- the world's first commercially screened stag home movie.” – Maclean's Magazine Jul 10, 2019 Full Review
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