Larry Zolf
Larry Zolf's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
John and Mary (1969)
38%
“The problem with John and Mary is that in this case the fruits of sin make for a rotten film.” –
Maclean's Magazine
Jun 15, 2022
Full Review
Z (1969)
94%
“It is a fast-paced, relentless action thriller and a political allegory that both underlines and transcends the modern Greek tragedy of Junta fascism. As political satire, Z is the kind of film that only hurts you when you laugh.” –
Maclean's Magazine
Jun 15, 2022
Full Review
Bob & Carol & Ted & Alice (1969)
82%
“When Hollywood decides to devote its full arsenal of production-value shlockerai to bring to cinematic life a cheat-and-tell tale of two fatuous couples, full of sexual fury signifying nothing, it comes up with Bob & Carol & Ted & Alice.” –
Maclean's Magazine
Jun 15, 2022
Full Review
Midnight Cowboy (1969)
89%
“The sad fact is that John Schlesinger’s latest masterpiece of seeking is more creaking than reeking.” –
Maclean's Magazine
Mar 10, 2022
Full Review
Patton (1970)
92%
“If he were to return in a Hollywood guise, Patton would just have to come back as George C. Scott. For Scott is Patton incarnate in a superb acting performance that rescues the film from some of Schaffner's more pedestrian directing devices.” –
Maclean's Magazine
Jan 27, 2020
Full Review
Zabriskie Point (1970)
64%
“Zabriskie Point is both a superb film and an ominous exercise in un-American activity. Beside it, Easy Rider and Medium Cool seem merely the rude posturings of thumb-sucking infants.” –
Maclean's Magazine
Jan 27, 2020
Full Review
The Sergeant (1968)
20%
“Rod Steiger's performance is more stunned than stunning.” –
Maclean's Magazine
Jul 10, 2019
Full Review
If... (1968)
90%
“The trouble starts when Anderson mixes the fantasies of his student-rebel heroes with the facts of life. The switch from realism to surrealism is a jolting one.” –
Maclean's Magazine
Jul 10, 2019
Full Review
Shame (1968)
67%
“The Bergman stock company of Max Von Sydow, Liv Ullmann and Gunnar Björnstrand perform ably, and the Bergman devices are effective; but somehow the effect is quite numbing.” –
Maclean's Magazine
Jul 10, 2019
Full Review
Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? (1969)
43%
“It's Newley and Newley alone that one must credit for a new auteur breakthrough -- the world's first commercially screened stag home movie.” –
Maclean's Magazine
Jul 10, 2019
Full Review
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