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Lauren Carroll Harris

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
American Factory (2019) 95% “It's the kind of astonishing story that could serve as the dramatic spine of an alternate history novel...” – ABC News (Australia) Sep 25, 2019 Full Review “Getting smart, interesting young artists to tell personal stories about being Australian and Muslim proves a powerful device for cutting through the fearful rhetoric of the Muslim as an imagined bad guy” – Guardian Aug 5, 2019 Full Review Hannah Gadsby: Nanette (2018) 100% “Hannah Gadsby spins her own life story into a clever, raging and confronting spiel against misogyny, homophobia and even the tired old tropes of comedy itself.” – Guardian Aug 5, 2019 Full Review Dawson City: Frozen Time (2016) 100% “Dawson City: Frozen Time's most intense quality is its richness, both visually and historically.” – RealTime Aug 1, 2019 Full Review “The show wisely, and slyly, toggles between apocalyptic political warnings, wry warmth and a truly idiosyncratic sense of humour.” – Guardian Jul 24, 2019 Full Review Ellen DeGeneres: Relatable (2018) 92% “With this slickly produced 70-minute standup special, Netflix continues its glittering and sometimes subversive lineup of smart, kooky comedy.” – Guardian Jul 24, 2019 Full Review Homecoming: A Film by Beyoncé (2019) 98% “At the glittering centre of it all is Beyoncé herself: master maker of her own modern myth; an uber-perfectionist capitalist surveying her multimedia empire.” – Guardian Jul 23, 2019 Full Review Acute Misfortune (2018) 93% “[It] explores both the destructive masculinity upon which Cullen built his personal mythology, and the way Australian culture romanticises blokey dysfunction.” – Kill Your Darlings Jun 3, 2019 Full Review Dragonfly Eyes (2017) 56% “Despite the narrative abstraction and exposed artifice of the film's construction, Xu's creation feels creepily alive-because it is.” – The Baffler Jun 3, 2019 Full Review Let the Sunshine In (2017) 87% “Stay open to life, never close down. To me, Let The Sunshine In seems a great film.” – Kill Your Darlings May 1, 2019 Full Review Vox Lux (2018) 62% “I suspect, however, that Corbet's aims are actually more modest than many critics have credited: to create a fun, irony-drenched visual story that skips through a frenzied life with the rhythm of a video clip.” – Kill Your Darlings Feb 22, 2019 Full Review The Other Side of the Wind (2018) 82% “Welles and his collaborators have made an almost weightless film of ellipses and shards; as the camera ricochets at surprising angles and scenes slide into one another, the project recalls the energy and dynamism of Jean-Luc Godard.” – Guardian Nov 9, 2018 Full Review The Second (2018) 63% 2/5 “...the plotline unfolds with such a lack of clarity that it is hard to know what The Second saying about the sexual power, or disempowerment, of teen girls.” – Australian Book Review Jul 5, 2018 Full Review Brothers' Nest (2018) 92% 3/5 “It's quite touching, in a demented way, despite the feeling that the script could have dug deeper and more drolly into the moral ambiguity of toxic bonds, family trauma, and parental failure.” – Australian Book Review Jun 20, 2018 Full Review Tully (2018) 87% “The finest moments of Tully play like an insight to this female future of storytelling.” – The Monthly (Australia) Jun 8, 2018 Full Review I, Tonya (2017) 90% “Neither Gillespie nor writer Steven Rogers has the sensibility to lucidly, subtly navigate the black comedic tone for which they reach.” – The Monthly (Australia) May 11, 2018 Full Review Unsane (2018) 80% “Its stalker logic feels real and converges its form with its content: medical industry connivances conspire with the perversion of romantic love” – Kill Your Darlings May 3, 2018 Full Review Human Flow (2017) 91% “An ambitious amalgam of artist's film and political documentary, Human Flow is a grand meditation on how to cut through political apathy with solidarity and visual metaphor.” – The Monthly (Australia) Mar 30, 2018 Full Review Mary Magdalene (2018) 44% “The problem with the film's "humanist" approach is that it's too... human-scaled. The result is a film made without magic or sublimity, in which reverence is replaced by diligence.” – The Neighbourhood Paper (Australia) Mar 8, 2018 Full Review The Post (2017) 88% “Still, it's to his credit that Spielberg fleshes out what the revelations of these papers meant for the US at the time.” – The Neighbourhood Paper (Australia) Jan 10, 2018 Full Review Wonder Wheel (2017) 31% 0.5/5 “Autobiographical readings can be a lazy, obvious way to interpret the work of an artist, but with its triangular love affairs with stepdaughters and lost women in distress, it is impossible to read Wonder Wheel as anything but.” – Australian Book Review Dec 7, 2017 Full Review The Killing of a Sacred Deer (2017) 79% “Lanthimos is a surgical filmmaker of great opacity. He offers few signposts as to his characters' motivations, or his film's broader meanings - it's up to Farrell and Kidman to play the subtext.” – The Neighbourhood Paper (Australia) Nov 16, 2017 Full Review Three Summers (2017) 50% 1.5/5 “A feel-good film about racism? Okay.” – Australian Book Review Nov 2, 2017 Full Review The Meyerowitz Stories (New and Selected) (2017) 92% “The tone here is more sweet than bitter, affectionately neurotic and channelling the idea of continued love through fractious bonds.” – Guardian Oct 9, 2017 Full Review Nocturama (2016) 82% “Though director Bertrand Bonello's exacting vision of a Parisian terror plot is as stylised and tensely structured as a psychological thriller, the drama plays out with unnerving realism.” – Guardian Oct 9, 2017 Full Review
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