The Moogai (2024)
49%
3/5
“There is regretfully little to differentiate The Moogai from any other generic frightfest. Nonetheless, it is a competently made feature-length debut and a clear labour of love, with some memorably eerie imagery to boot.” –
Loud and Clear Reviews
May 6, 2025
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The Longing (2025)
3.5/5
“When you’re this deep into awards season, a film as gentle and measured as Fujiwara’s is a welcome reprieve from Hollywood’s excesses.” –
Loud and Clear Reviews
Feb 27, 2025
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A Savior Red (2024)
3/5
“The buzz of that early festival success & any potential cult following as a result may well have dissipated years ago, but in the age of digital media here’s hoping it finds its crowd.” –
Loud and Clear Reviews
Jan 29, 2025
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Memory Lane (2024)
4/5
“Few cinematic depictions of later life have engaged with their subject matter with such warmth and dignity.” –
Loud and Clear Reviews
Dec 17, 2024
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Obsessed with Light (2023)
3/5
“As is often the case with films like this, it is both baffling that it took this long to tell Fuller’s story and comforting that finally great women pioneers like her are getting the attention they deserve.” –
Loud and Clear Reviews
Dec 2, 2024
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Gaucho Gaucho (2024)
95%
4/5
“Gaucho Gaucho is an all-too-brief foray into a life that exists only in the imaginations of most. [...] the imprint it leaves is like that of a dream, and what we are left feeling is more important than anything we might have learned.” –
Loud and Clear Reviews
Nov 16, 2024
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Dahomey (2024)
99%
4/5
“By presenting and engaging with these questions, Diop elevates Dahomey from a fly-on-the-wall film to an active participant in a discourse currently engulfing the arts and heritage world.” –
Loud and Clear Reviews
Sep 17, 2024
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The Assessment (2024)
82%
3.5/5
“Not everything about The Assessment works, but at its best it is oppressively, and impressively, tense. ” –
Loud and Clear Reviews
Sep 17, 2024
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Riff Raff (2024)
57%
3.5/5
“Comparisons with Tarantino and the Coens are inevitable. But for the most part, a lack of originality isn’t much of an issue with a cast as strong as this.” –
Loud and Clear Reviews
Sep 17, 2024
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The Life of Chuck (2024)
86%
“Starting out as a puzzling sci-fi thriller before touching on elements of horror and bildungsroman, this touchingly optimistic film is Mike Flanagan’s best yet.” –
Loud and Clear Reviews
Sep 16, 2024
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The Fire Inside (2024)
93%
4/5
“What marks this one out is how it raises the question of how many other Claressa Shields there are in the world, whose boundless potential is hindered by still-existing gender, race and/or class barriers.” –
Loud and Clear Reviews
Sep 16, 2024
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The Wild Robot (2024)
96%
4.5/5
“This is the most creative and original animation we’ve seen from a major studio in quite some time.” –
Loud and Clear Reviews
Sep 14, 2024
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The Courageous (2024)
4/5
“Highlighting the struggles of working-class families in a nation known for its wealth, The Courageous is an impressive slice of social realism.” –
Loud and Clear Reviews
Sep 13, 2024
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A Missing Part (2024)
4/5
“This is incisive filmmaking with a beating human heart.” –
Loud and Clear Reviews
Sep 13, 2024
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Winter in Sokcho (2024)
3/5
“It won’t be for everyone, but let’s hope it’s a success, because I for one can’t wait to see what Bella Kim does next.” –
Loud and Clear Reviews
Sep 13, 2024
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Seven Days (2024)
3/5
“At the heart of every scene is Asayesh, who gives a luminous, layered performance that embodies the fiery spirit—both as an activist and mother—of Narges Mohammadi.” –
Loud and Clear Reviews
Sep 13, 2024
Full Review
Aberdeen (2024)
3.5/5
“It is almost relentlessly bleak, its characters engaging in a series of shouting matches and little else. When comic relief arrives, usually in the form of Bill Merasty’s witty but one-note Alfred, the tonal clash jars.” –
Loud and Clear Reviews
Sep 13, 2024
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Can I Get a Witness? (2024)
67%
2/5
“an almost two-hour sermon defined by a depressing misanthropy that seems more likely to breed resentment than further the environmental cause.” –
Loud and Clear Reviews
Sep 13, 2024
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Nightbitch (2024)
59%
3.5/5
“At its best, Nightbitch is a witty dose of magic realist escapism that will resonate with mothers across nations and generations. Beware of the dog.” –
Loud and Clear Reviews
Sep 8, 2024
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The Last Showgirl (2024)
83%
4/5
“The final word must go to the director – in an unusually crowded field, she has released the best Coppola film of the past 13 months.” –
Loud and Clear Reviews
Sep 8, 2024
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We Live in Time (2024)
79%
4/5
“It should do very well with audiences, offering a 2024 update on the ‘00s British romcom and featuring a central duo with charm in abundance.” –
Loud and Clear Reviews
Sep 8, 2024
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Bonjour Tristesse (2024)
65%
2/5
“Chew-Bose's debut feature is fundamentally lacking in originality, a reimagining with no imagination.” –
Loud and Clear Reviews
Sep 7, 2024
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Nutcrackers (2024)
47%
3/5
“Its plot barely hangs together and its themes don’t come close to a satisfying resolution, but somehow Nutcrackers feels like more than the sum of its parts.” –
Loud and Clear Reviews
Sep 7, 2024
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The Bohemian (2022)
100%
3.5/5
“It’s overlong and overwrought, yes, but doesn’t even that speak to the excesses of Mysliveček’s life, the vivacity of his music, and the dirty underbelly of a culture that would ultimately be his undoing?” –
Loud and Clear Reviews
Jul 26, 2024
Full Review
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