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Luis Bond

Tomatometer-approved critic
Biography:

Director, Screenwriter, and Editor at The Magus Films. College professor. Film Critic since 2011. Founding member of the Circle of Critics of Caracas. A reader who writes, a cinephile who makes movies. I believe in the power of good stories. Passionate about images, symbols, myths, and the psyche (with Jungian orientation)

Reviews

Movies 온라인카지노추천 Shows
Sinners (2025) 98% 5/5 “Sinners isn't a story about heroes or the classic struggle of good versus evil; it's a tale inhabited by survivors and the price they must pay to move forward or remain trapped forever in the same place. [Full Review in Spanish]” – Diario las Américas Apr 21, 2025 Full Review Last Breath (2025) 80% 4/5 “Last Breath's real appeal is in making the viewer feel first-hand the helplessness and anguish of its protagonists. Thanks to a solid imprint in direction and cinematography, it is an immersive experience worth seeing in a theater [Full Review in Spanish]” – Diario las Américas Mar 10, 2025 Full Review Captain America: Brave New World (2025) 48% 3/5 “With solid performances, new characters, cameos in doses, and the occasional easter egg, the film has a certain narrative and visual austerity, making it much closer to the public than other, more lavish titles [Full Review in Spanish]” – Diario las Américas Feb 27, 2025 Full Review Heart Eyes (2025) 81% 4/5 “It is a fun movie that's perfect for a couple. Its light humor and references to rom-coms and slashers allow it to explore the clichés we all know from a self-aware perspective. Its performances are fresh; the murders are funny [Full Review in Spanish]” – Diario las Américas Feb 27, 2025 Full Review Bad Shabbos (2024) 83% 4/5 “Funny comedy with endearing characters. Its director and co-writer develops a far-fetched premise that takes place in a very specific setting to demonstrate a universal truth: all family dynamics are more similar than we think [Full Review in Spanish]” – Diario las Américas Feb 9, 2025 Full Review The Brutalist (2024) 93% 5/5 “Shows us how the immigrant's dream can turn into a nightmare from one moment to the next. The journey of Lázló and his family allows us to experience the prejudices, resentment, abuse of power, and limitations that many experience [Full Review in Spanish]” – Diario las Américas Jan 28, 2025 Full Review Nickel Boys (2024) 91% 5/5 “Its visual approach immerses us in the story and invites us to experience firsthand everything its protagonists went through. Sometimes subtly, other times explicitly, the movie confronts us with the horrors that were committed... [Full Review in Spanish]” – Diario las Américas Jan 26, 2025 Full Review Better Man (2024) 88% 5/5 “Robbie Williams uses a mask to bare his soul and tell us without reservation the ups and downs of his life and the demons he has had to fight. A strange mix of reality and fiction gives this film a sincerity that few biopics have [Full Review in Spanish]” – Diario las Américas Jan 11, 2025 Full Review The Fire Inside (2024) 93% 5/5 “Claressa's story is not only inspiring for anyone who practices a sport, but it is also a symbol of hope that managed to unite people and give them back the ability to dream. [Full Review in Spanish]” – Diario las Américas Jan 6, 2025 Full Review The Substance (2024) 89% 5/5 “One of the few modern films that is not afraid to make the viewer uncomfortable, slapping them in the face and showing us that, inside us, there is a monster that we cannot cover up with any Instagram filter or miracle substance [Full Review in Spanish]” – Diario las Américas Sep 20, 2024 Full Review Jokes & Cigarettes (2023) 100% 4/5 “More than a biopic about an iconic comedian. Its explores the ironies of fate, the insurmountable dichotomies that a couple must face, and the unspeakable sacrifices that sometimes must be made with a smile in the name of love [Full Review in Spanish]” – Diario las Américas Sep 13, 2024 Full Review Beetlejuice Beetlejuice (2024) 75% 5/5 “Beetlejuice Beetlejuice marks the rebirth of the Tim Burton we all love. As Beetlegeuse is freed from his captivity, he gives free rein to his madness, having fun with aplomb and without any limits (something we missed a lot) [Full Review in Spanish]” – Diario las Américas Sep 6, 2024 Full Review Deadpool & Wolverine (2024) 78% 5/5 “Taking the meta-cinematic discourse to unsuspected levels and focusing on the pursuit of redemption, the screenplay pushes the concept of the multiverse to the limit to give a second chance to those who never had it [Full Review in Spanish]” – Diario las Américas Jul 25, 2024 Full Review Twisters (2024) 75% 4/5 “Through its imposing shots that portray the beauty of the countryside and the force of nature, the film brings us closer to life away from the city and connects us with the spaces where we remember how small and vulnerable we are [Full Review in Spanish]” – Diario las Américas Jul 22, 2024 Full Review Exhuma (2024) 93% 5/5 “Its hypnotic sequences of exorcisms and its universe full of popular beliefs, Exhuma draws back the veil of modernity and invites us to ask ourselves questions about what we do not see or understand, but that still lives among us [Full Review in Spanish]” – Diario las Américas Jul 10, 2024 Full Review Blue Lock the Movie -Episode Nagi- (2024) 79% “Blue Lock The Movie -Episode Nagi—gives us all the series's emotion, eccentricity, and adrenaline in an hour and a half. We were left wanting to see this same origin story exercise applied to other characters [Full Review in Spanish]” – Diario las Américas Jun 28, 2024 Full Review Thelma (2024) 98% 5/5 “It creates a mirror between a nonagenarian grandmother and her twenty-something grandson, showing us that, no matter how old we are, we must all face the prejudices of our environment and our fears to grow. [Full Review in Spanish]” – Diario las Américas Jun 25, 2024 Full Review Bad Boys: Ride or Die (2024) 65% 3/5 “Bad Boys: Ride or Die is a living example of how a weak screenplay shot by skilled directors can be fun but never memorable. Although it has exciting action sequences (something difficult to say in a post-John Wick world) [Full Review in Spanish]” – Diario las Américas Jun 10, 2024 Full Review The Dead Don't Hurt (2023) 86% 5/5 “Visually speaking, The Dead Don't Hurt is a tribute to the beauty and violence of the Western genre. Its register is closer to the drama of Clint Eastwood's "Unforgiven," but its aesthetics reflect the visual poetics of John Ford [Full Review in Spanish]” – Diario las Américas May 31, 2024 Full Review In a Violent Nature (2024) 78% 4/5 “Chris Nash turns around 180 degrees (literally) how the typical slasher is told and gives us a film that, although it is identical to thousands, at the same time, is unlike anything we have enjoyed in the cinema [Full Review in Spanish]” – Diario las Américas May 30, 2024 Full Review Adiós Buenos Aires (2023) 88% 4/5 “"Adiós Buenos Aires" reminds us that migrating means exchanging some anxieties for others and that we—and not politicians or external circumstances— ultimately build our homes. [Full Review in Spanish]” – Diario las Américas May 9, 2024 Full Review The Fall Guy (2024) 82% 5/5 “The Fall Guy is the kind of feel-good movie we need in theaters. His script, halfway between naïve romance and action film, uses self-awareness to show us the skeleton of a movie set and put the focus on a high-risk profession [Full Review in Spanish]” – Diario las Américas May 6, 2024 Full Review Boy Kills World (2023) 58% 4/5 “In tune with what is happening today (and has always been happening), Boy Kills World puts the magnifying glass on the excesses of totalitarian regimes, the submission of their victims, and how violence begets more violence [Full Review in Spanish]” – Diario las Américas Apr 25, 2024 Full Review Spy x Family Code: White (2023) 94% 5/5 “The most beautiful thing about this story is that it gives us a glimpse of what we've all been looking forward to, and the series has only explored this in a couple of episodes: seeing the Forgers working as a team [Full Review in Spanish]” – Diario las Américas Apr 19, 2024 Full Review Abigail (2024) 83% 5/5 “Abigail is the precise definition of postmodern cinema. This strange cocktail results in a story whose premise seems implausible and unfeasible but whose ingenious and self-conscious development ultimately brings it to success [Full Review in Spanish]” – Diario las Américas Apr 17, 2024 Full Review
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