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Manuela Lazic

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Holloway (2024) “One is left with the impression that old wounds have been reopened for the spectators’ morbid curiosity at the detriment of the women concerned.” – Cinema Scope Feb 18, 2025 Full Review Ink Wash (2024) “While the ideas it raises are worth exploring, Ink Wash is ultimately less than the sum of its parts.” – Cinema Scope Feb 18, 2025 Full Review Traffic (2024) “Humorous touches help alleviate a bleak picture of continued, if evolving, exploitation between nations, yet they also make Traffic more true to life.” – Cineuropa Feb 18, 2025 Full Review Chaos and Silence (2024) “Schuster struggles to bring together the various strands of his story.” – Cineuropa Feb 18, 2025 Full Review Presence (2024) 88% 4/5 “Although its finale is a little awkward, Presence is refreshingly light on its feet even as it dives into the muddy waters of family relations and the afterlife.” – Little White Lies Jan 24, 2025 Full Review The Shadow Scholars (2024) “Refreshingly, King and Kingori oscillate between a straightforward presentation of hard data and historical facts, and more personal, philosophical and psychological questions regarding these workers and the consequences of this industry. ” – Cineuropa Jan 10, 2025 Full Review Freud's Last Session (2023) 44% “Freud’s stubbornness at times feels clichéd, and the script’s meandering structure doesn’t benefit either of the two leads.” – Cineuropa Nov 22, 2024 Full Review Reawakening (2024) “Gilbert doesn’t fully exploit the moral and emotional quandary that John and Mary are put in, as if the filmmaker were too nervous to get her hands dirty and have her characters be truly torn apart by this impossible situation.” – Cineuropa Nov 22, 2024 Full Review Unicorns (2023) 91% “If the film's focus on the particular kind of oppression that queer South Asian people suffer is sadly too rare in cinema, its narrative progression is conventional and unadventurous... with more emphasis on the romance than the comedy. ” – Cineuropa Nov 22, 2024 Full Review Bring Them Down (2024) 90% “Bring Them Down however remains a promising debut feature, especially for its playfully constructed script that turns the thriller genre inside-out to place real human feeling at its centre.” – Cineuropa Nov 22, 2024 Full Review A Prince (2023) 70% 4/5 “What Creton proposes is a more considered style, reminiscent of photography but which, somewhat paradoxically, brings out the aliveness of the characters he films and the landscapes they occupy.” – WeLoveCinema Jun 13, 2024 Full Review The Book of Solutions (2023) 81% 4/5 “The Book of Solutions is better enjoyed for its unbridled inventiveness than its commentary on filmmaking at large, as well as for Gondry's idiosyncrasies, back in full force.” – WeLoveCinema Jun 13, 2024 Full Review Pictures of Ghosts (2023) 100% 5/5 “Pictures of Ghosts is the best of what cinema can offer – at once grounded in lived experience and whimsical in just the right doses, with a final flight of fancy that makes reality, once again, beautifully cinematic.” – WeLoveCinema Jun 13, 2024 Full Review The Innocent (2022) 98% 4/5 “Garrel walks a fine line between the tragic thriller and the hopeful family comedy, bridging the two with a dry, typically French sense of humour. ” – WeLoveCinema Jun 13, 2024 Full Review In the House (2012) 88% “According to Ozon, obsession tends to go hand in hand with delusion—which is why it lends itself so well to cinema.” – Bright Wall/Dark Room Jun 13, 2024 Full Review Queens of Drama (2024) 82% “Convenient narrative turns deflate the film of its energy and make it predictable, yet it remains satisfying to see genre filmmaking repurposed to tell such a heartfelt, queer and happy story.” – Cineuropa Jun 13, 2024 Full Review Horizon: An American Saga - Chapter 1 (2024) 51% “Considering how far and with how much conviction Costner has pushed it here, it seems unlikely that the cheesy style of this opus will be abandoned for something that’s more grounded and that spends less time glorifying both its star and ideas...” – The Ringer May 30, 2024 Full Review Megalopolis (2024) 45% “The film Hollywood doesn’t want you to see tries to cohere into something genuinely transcendent, but ultimately amounts to a banal vanity project.” – The Ringer May 21, 2024 Full Review Hit Man (2023) 95% “Hit Man perfectly demonstrates that the endless protest of the death of the movie star should instead be a rallying cry for the traditional theatrical release.” – The Ringer Apr 27, 2024 Full Review Maestro (2023) 78% “Maestro is a labor of love, and as its director and lead, Cooper has poured himself into it—but at some point all of the effort becomes noticeable, and all of Leonard Bernstein’s magic becomes lost.” – The Ringer Jan 4, 2024 Full Review Fallen Leaves (2023) 97% “Humble but playful with his usual beautifully composed images, acknowledging that answers are hard to come by but offering some respite, the filmmaker offers an optimism grounded in reality—a poetry born out of difficulty.” – The Ringer Jun 5, 2023 Full Review The Zone of Interest (2023) 93% “Triet’s deserving of recognition...” – The Ringer Jun 5, 2023 Full Review Last Summer (2023) 86% “Breillat here ventures even deeper into the dark territory of forbidden desires, not out of perversion but rather to push our understandings of ourselves and our impulses further.” – The Ringer Jun 5, 2023 Full Review May December (2023) 91% “As Elizabeth slowly steps into Gracie’s shoes without scruples and brings back to the surface old questions about the couple, every interaction between the two becomes more volatile, and several scenes are shockingly funny. ” – The Ringer Jun 5, 2023 Full Review Anatomy of a Fall (2023) 96% “Anatomy of a Fall goes further than traditional procedurals by taking the notion of guilt beyond hard facts and toward the idea of toxic influence, exploring gender dynamics in the process.” – The Ringer Jun 5, 2023 Full Review
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