Rotten Tomatoes
Cancel Movies Tv shows
Critics list

Mark Freeman

Tomatometer-approved critic
Location:

Melbourne, VIC Australia

Official Website:

http://home.vicnet.net.au/~freeman

Reviews

Movies 온라인카지노추천 Shows
American Psycho (2000) 68% “” – Critical Eye Jan 24, 2004 Full Review Act of Violence (1949) 94% “A complex, fascinating noir that exposes the grim truths behind the shiny, fragile faade of post-war America.” – Senses of Cinema Mar 31, 2003 Full Review Y tu mamá también (2001) 90% “A tremendous example of what is possible when you take a simple premise, and imbue it with intelligence and dignity.” – Critical Eye Sep 20, 2002 Full Review Signs (2002) 76% “Its attempts to merge popcorn mentalities and issues of theology means there is not enough of either approach to really work.” – Critical Eye Sep 9, 2002 Full Review Lagaan: Once Upon a Time in India (2001) 95% “'...a great, participatory spectator sport.'” – Critical Eye Jul 3, 2002 Full Review Minority Report (2002) 89% “the most interesting, successful, and basically honest work this director has done for a long, long time.” – Critical Eye Jun 28, 2002 Full Review The Importance of Being Earnest (2002) 57% “'In this poor remake of such a well loved classic, Parker exposes the limitations of his skill and the basic flaws in his vision.'” – Critical Eye Jun 28, 2002 Full Review The Beaver Trilogy (2001) “'...toys with issues of spectatorship so brilliantly, that you emerge having learnt a lot about fiction, documentary, and yourself.'” – Critical Eye Jun 13, 2002 Full Review The Last Kiss (2001) 73% “"its successes are also tempered with elements which prove the direct antithesis of what it gets right."” – Critical Eye Jun 4, 2002 Full Review Puppetry of the Penis - Tackle Happy (2002) “"It's such a weird and demented world these men choose to inhabit, but Molloy doesn't take us any further than the surface."” – Critical Eye Jun 4, 2002 Full Review The Royal Tenenbaums (2001) 81% “'...like the lives of the geniuses it centres on, The Royal Tenenbaums is a good looking, angst ridden example of squandered potential.'” – Critical Eye May 17, 2002 Full Review The Scorpion King (2002) 40% “a return of the action hero as self-parody” – Critical Eye Apr 19, 2002 Full Review Kandahar (2001) 89% “'...doesn't quite have the cohesion and power of the sublime Gabbeh... but still remains strong and compelling'” – Critical Eye Apr 5, 2002 Full Review A Beautiful Mind (2001) 74% “It may be a film which salutes intelligence and the power of love, but it's also a symbol of cinematic cowardice and fear.” – Critical Eye Apr 5, 2002 Full Review Waking Life (2001) 81% “It has taken a decade for Linklater to move from Slacker to Waking Life, and a comparison between the two brilliantly exposes the changes that have occurred over this time.” – Critical Eye Mar 29, 2002 Full Review Ali (2001) 69% “It's great art cinema masquerading as a mainstream film.” – Critical Eye Mar 29, 2002 Full Review Rabbit-Proof Fence (2002) 88% “"the focus on the girls sometimes falls flat, but the rest is strong and executed with some precision."” – Critical Eye Mar 15, 2002 Full Review The Shipping News (2001) 54% “...leads us from the alien to the comprehensible with a gentle, leisurely hand.” – Critical Eye Feb 22, 2002 Full Review From Hell (2001) 56% “a clumsy amalgam of contemporary vision and period thriller” – Critical Eye Feb 15, 2002 Full Review Mulholland Dr. (2001) 84% “gets better, deeper, more perfect, the longer you spend within its intricate, tragic, fascinating world.” – Critical Eye Feb 8, 2002 Full Review Behind Enemy Lines (2001) 36% “Not since last year's Rules of Engagement has there been a film with a blacker, more sinister heart.” – Critical Eye Feb 1, 2002 Full Review Atanarjuat the Fast Runner (2001) 93% “"a sensorial smorgasbord where you become attuned to the symphonic marriage of pure sound and perfect image."” – Critical Eye Jan 11, 2002 Full Review Amélie (2001) 90% “irritating and nauseatingly cute” – Critical Eye Jan 11, 2002 Full Review The Man Who Wasn't There (2001) 81% “'...it's so relentlessly referential that The Man Who Wasn't There slips almost into claustrophobia.'” – Critical Eye Dec 28, 2001 Full Review The Others (2001) 84% “a masterful film that reinvigorates the long forgotten genre of the female Gothic.” – Critical Eye Nov 22, 2001 Full Review
No Reviews Yet
Load More