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Marko Djurdjić

Marko Djurdjić's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Biography:

Marko Djurdjić (pronounced JOOR-JICH) is a PhD student in Cinema and Media Studies at York University. His work is rooted in film, media literacy, and embodiment. He has a BA from McGill University, a BEd from the Ontario Institute for Studies in Education of the University of Toronto, and an MA from York university. His wide-ranging research interests include “middle brow” entertainment, Football Sundays™, and complex carbohydrates. He currently writes for Exclaim!, a free cultural newspaper in Toronto, and That Shelf, an online entertainment publication. He also plays in a band with his partner. They rock...probably.

Publications:

Reviews

Movies 온라인카지노추천 Shows
Black Bag (2025) 96% 6/10 “Steven Soderbergh pushes the metaphor of the "black bag" to the limit.” – Exclaim! Apr 4, 2025 Full Review Death of a Unicorn (2025) 54% 5/10 “Death of a Unicorn clearly has fun with the material, even if its commentary is derivative and flimsy at best.” – Exclaim! Apr 4, 2025 Full Review Paddington in Peru (2024) 93% 6/10 “Threequels, ugh.” – Exclaim! Mar 4, 2025 Full Review Blue Rodeo: Lost Together (2024) 7/10 “An intimate portrait of one of Canada's most beloved bands.” – Exclaim! Mar 4, 2025 Full Review A Complete Unknown (2024) 82% 4/10 “It's karaoke. How does it feel?” – Exclaim! Jan 8, 2025 Full Review Kraven the Hunter (2024) 15% 5/10 “A combination of wasted talent, bland, derivative writing, lazy characterization, and an overall lack of care or attention to detail.” – Exclaim! Dec 16, 2024 Full Review Between the Temples (2024) 85% 5/10 “There is an unmistakable Sundance-ness to it all.” – Exclaim! Aug 29, 2024 Full Review Beverly Hills Cop: Axel F (2024) 67% 4/10 “Axel F is a pointless, overstuffed and altogether irrelevant sequel.” – Exclaim! Aug 5, 2024 Full Review The Garfield Movie (2024) 37% 5/10 “Why has Garfield been watered down, and why is Garfield a property that needs to be revived and revisited cinematically? Do kids care about this character?” – Exclaim! May 23, 2024 Full Review Imaginary (2024) 24% 5/10 “It's flimsy, cheap and easily forgotten — much like an unloved stuffy decaying in the darkness of some dusty box that will never be opened again.” – Exclaim! Apr 3, 2024 Full Review Drive-Away Dolls (2024) 63% 6/10 “It feels like the work of another filmmaker aping a Coen Brothers movie to mixed results.” – Exclaim! Feb 22, 2024 Full Review Lisa Frankenstein (2024) 52% 6/10 “It's a dark comedy that eventually loses the best of both parts, but still entertains and repulses in the best possible way” – Exclaim! Feb 22, 2024 Full Review Daniel's Gotta Die (2022) 4/10 “Waiting for the inevitable has never been so dull.” – Exclaim! Jan 31, 2024 Full Review Lovely, Dark, and Deep (2023) 89% 6/10 “Fans of horror that requires patience and empathy will undoubtedly enjoy the sombre mysteries of Lovely, Dark, and Deep — a film well worth getting lost in.” – Exclaim! Jan 31, 2024 Full Review Night Swim (2024) 19% 4/10 “When it comes to most pools, there is absolutely nothing lurking beneath the surface — an apt description of Night Swim.” – Exclaim! Jan 31, 2024 Full Review The Beekeeper (2024) 71% 3/10 “It is relentless in its mediocrity, droning on and on through an endless parade of frantic fisticuffs and abysmal, stilted dialogue.” – Exclaim! Jan 31, 2024 Full Review Self Reliance (2023) 73% 4/10 “A film can joke about mental health, but it should never be the joke.” – Exclaim! Jan 31, 2024 Full Review Asteroid City (2023) 76% “Two years after his last picture, The French Dispatch, Anderson has once again delivered a cinematic treat in the form of Asteroid City, a smorgasbord for the eyes, the ears, and the funny bone. And it is extraordinary.” – That Shelf Jul 11, 2023 Full Review
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