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Matt Lynch

Matt Lynch's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Movies 온라인카지노추천 Shows
Warfare (2025) 93% “Warfare is less a brutal, baffling ordeal of violence and metal, and more an experiential IV drip, strapping viewers right into position and along for the visceral ride.” – In Review Online Apr 11, 2025 Full Review Ash (2025) 74% “Yet for all its overtures to “vibes” and putting “cool [stuff]” on screen, there’s very little visual or narrative flow to Ash. It has the outer shape of something fun, but all the parts inside are assembled incorrectly.” – In Review Online Apr 4, 2025 Full Review A Working Man (2025) 49% “If you can make it through the slog that constitutes most of this feature, the final 20 minutes or so at least manage to deliver a very amusingly bonkers display of violence” – In Review Online Apr 3, 2025 Full Review The Day the Earth Blew Up: A Looney Tunes Movie (2024) 88% “Whether or not you actually find yourself charmed [the film], viewers will be treated to an amusingly silly, characteristically non-sequitur-filled mashup of styles, genres, and stupidity.” – In Review Online Apr 3, 2025 Full Review The Electric State (2025) 15% “As far as this most recent effort goes: walk away, there's absolutely nothing to see here. The Electric State is barely a movie.” – In Review Online Mar 15, 2025 Full Review In the Lost Lands (2025) 24% “Anderson has never lacked in visual flair or stylistic idiosyncrasy, and that’s what completely sets In the Lost Lands apart from its antecedents... For the heads in the know, [this] is an absolute delight.” – In Review Online Mar 10, 2025 Full Review Old Guy (2024) 29% “Old Guy isn’t executed extremely well, and it does remain a bit stale, but the performances are at least sufficiently dialed in to keep things pleasantly light enough for a painless, one-and-done watch.” – In Review Online Feb 28, 2025 Full Review Cleaner (2025) 50% “Cleaner [is] a, well, slightly cleaner, more economical thriller that fits Daisy Ridley neatly into an adequate but obviously cheap Die Hard knockoff.” – In Review Online Feb 28, 2025 Full Review Captain America: Brave New World (2025) 48% “Brave New World isn’t just a grand missed opportunity, but is simply more of the same soulless, crass, and entirely neutered product for which the MCU project has slowly but surely become known.” – In Review Online Feb 13, 2025 Full Review Den of Thieves: Pantera (2025) 62% “Where the first film’s more action-heavy influences gave us a more ruthless, tactical violence... this sequel offers viewers something of a Melville-esque job of work.” – In Review Online Feb 4, 2025 Full Review Flight Risk (2025) 30% “With Gibson at the helm, one must expect a certain, often considerable, degree of unpleasantness, but this doesn't even rise to a bad first date level of upsetting. Flight Risk needed to be roughly 25% more rancid and a full 75% more exciting.” – In Review Online Feb 4, 2025 Full Review Dirty Angels (2024) 30% “The project delivers mostly solid journeyman work, goosed with a few welcome idiosyncrasies.” – In Review Online Dec 13, 2024 Full Review Carry-On (2024) 88% “Collet-Serra clearly understands the assignment and delivers sturdy work, but any time the movie steps away from its core premise and contained setting, it crashes.” – In Review Online Dec 13, 2024 Full Review Werewolves (2024) 48% “A movie that feels like both a sequel to a smaller film we never got to see and a wildly underwhelming action picture that doesn’t have the resources to realize its potential.” – In Review Online Dec 6, 2024 Full Review Gladiator II (2024) 70% “Gladiator II is absurd, stale, and, sadly, not a little bit pathetic in this day and age.” – In Review Online Nov 20, 2024 Full Review Armor (2024) 0% “You could certainly do a lot worse than Armor, but you could also do a good deal better, even given the lowered ceiling of its D온라인카지노추천 origins.” – In Review Online Nov 19, 2024 Full Review Don't Move (2024) 73% “It’s effective enough to paper over the parts that beggar plausibility in favor of momentum and surprise, and it’s buoyed by a couple of sturdy performances.” – In Review Online Oct 25, 2024 Full Review Venom: The Last Dance (2024) 40% “A supremely silly thing that can in no way be regarded as anything but objectively bad but which nevertheless is just idiosyncratic and amusing enough to offer viewers a genuinely decent time.” – In Review Online Oct 25, 2024 Full Review Bookworm (2024) 91% “Bookworm is a modest delight, with just enough alchemy of personality to overcome the speed bumps without ever threatening to become overbearingly treacly.” – In Review Online Oct 21, 2024 Full Review Hellboy: The Crooked Man (2024) 37% “It’s immediately evident what a decidedly low-budget affair this entry is, and despite its relative faithfulness to the Mignola’s comic, it never really transcends its obvious direct-to-streaming pedigree.” – In Review Online Oct 11, 2024 Full Review Salem's Lot (2024) 46% “Viewers are left with the most frustrating and predictable of outcomes — just another mediocre Stephen King movie that shortchanges the idiosyncratic source material and paints its generic horror by numbers.” – In Review Online Oct 4, 2024 Full Review Joker: Folie à Deux (2024) 31% “Folie à Deux struggles desperately for energy and for emotion, but simply never finds it.” – In Review Online Oct 4, 2024 Full Review Wolfs (2024) 67% “Watts can’t be faulted for falling back on his stars to carry what’s clearly intended to be more of a confection than anything else. But there simply isn’t enough formal or narrative novelty around them.” – In Review Online Sep 27, 2024 Full Review Killer Heat (2024) 18% “[Killer Heat is] firmly on the “utterly generic” side of the spectrum, so much so that its very premise, once described, basically gives away the entire mystery, leaving the details of mood, performance, and direction to carry the picture. They don’t.” – In Review Online Sep 27, 2024 Full Review Omni Loop (2024) 83% “In its second half... events that are already repetitive by design slowly become monotonous, sapping the film of its early juice and leaving Omni Loop‘s idiosyncrasies to ultimately be swallowed up by its own more routine ambitions.” – In Review Online Sep 20, 2024 Full Review
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