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Matt Zoller Seitz

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
The Shrouds (2024) 74% 4/4 “A Cronenbergian body horror of integrity and force. ” – RogerEbert.com Apr 18, 2025 Full Review Without Arrows (2024) 4/4 “It’s compact—90 minutes, plus credits—but it feels layered and dense. Its scope is astonishing for a movie that carries itself so modestly.” – RogerEbert.com Apr 17, 2025 Full Review The King of Kings (2025) 64% 2/4 “Less of a fully satisfying animated feature that works on its own terms than a teaching tool that is clearly intended as such.” – RogerEbert.com Apr 11, 2025 Full Review Warfare (2025) 93% 3/4 ““Warfare” is a viscerally impressive work. Your body feels it. But you may come away from it wondering what the larger point is, other than the fact that it happened to someone. ” – RogerEbert.com Apr 11, 2025 Full Review The Luckiest Man in America (2024) 66% 3/4 “It’s an example of how to make a low-budget movie that immerses you in a long-gone world and the minds of people who lived in it, all while maintaining a tight geographical focus on a small number of characters. ” – RogerEbert.com Apr 4, 2025 Full Review William Tell (2024) 56% 2/4 “It seems a bit of a stretch to think that this is going to end up as the first installment in a long-running MCU-style series of hard-edged escapist adventures loosely based on history. But stranger things have happened.” – RogerEbert.com Apr 4, 2025 Full Review Idiotka (2025) 82% “A game cast can’t quite put this one over the top, though there are acidic bits of observation about the way people in that industry talk about themselves, and to each other. ” – RogerEbert.com Apr 1, 2025 Full Review $POSITIONS (2025) “It’s got a knack for cranking up the tension and miserable hilarity, and it captures something true about life in the United States in the first quarter of the 21st century.” – RogerEbert.com Apr 1, 2025 Full Review Fucktoys (2025) 92% “For viewers tired of the metallic beige-ness of streaming series, this movie will hit like dopamine. ” – RogerEbert.com Apr 1, 2025 Full Review Art for Everybody (2023) 100% 3.5/4 “A thoroughly fascinating documentary about a family discovering the depth and complexity of their patriarch while coming to terms with his flaws.” – RogerEbert.com Mar 28, 2025 Full Review The Penguin Lessons (2024) 80% 1.5/4 ““The Penguin Lessons” wants to be a thoughtful light entertainment about ideals and courage, but ends up seeming grotesquely misguided.” – RogerEbert.com Mar 28, 2025 Full Review High Tide (2024) 100% 3/4 “Pigossi is a movie-star presence who truly understands acting for the camera—i.e., letting us feel whatever the character is feeling.” – RogerEbert.com Mar 26, 2025 Full Review One More Shot (2025) “It would be nice to report that there’s more to it. But there barely is, aside from some brutal bits of slapstick violence that temporarily mar the heroine’s face and body with bruises and blood. ” – RogerEbert.com Mar 25, 2025 Full Review Mermaid (2025) 100% “In the end, “Mermaid” is more a promising first effort than a fully satisfying experience.” – RogerEbert.com Mar 25, 2025 Full Review Sweetness (2025) 92% “The movie gets sillier and more panicked as it goes, and there are sequences where it seems like it’s contriving excuses to keep going. ” – RogerEbert.com Mar 25, 2025 Full Review Secret Mall Apartment (2024) 100% 3.5/4 “This is a delightful, thought-provoking movie that’s about a lot of things at the same time. It’ll make you see the world with fresh eyes, and probably wonder why there isn’t more art in it.” – RogerEbert.com Mar 21, 2025 Full Review Magazine Dreams (2023) 80% 2.5/4 “The homages and borrowings—not just from Scorsese’s oeuvre but other widely-seen films, including a brazen lift from “Boogie Nights”—constrict the movie and prevent it from breathing on its own.” – RogerEbert.com Mar 21, 2025 Full Review Control Freak (2025) 64% 3.5/4 “Tran is brilliant here, giving a performance that’s perfectly modulated no matter how upsetting or bizarre things get.” – RogerEbert.com Mar 13, 2025 Full Review The Accidental Getaway Driver (2023) 83% 3/4 “Thoughtful, honorable and sometimes moving, though there may not actually be enough gas in this movie’s tank, narratively speaking, to justify even its comparatively brief running time.” – RogerEbert.com Feb 28, 2025 Full Review Superboys of Malegaon (2024) 88% 3.5/4 “One of the most accessible and entertaining movies about the creative urge that you’ll see.” – RogerEbert.com Feb 28, 2025 Full Review Millers in Marriage (2024) 56% 1.5/4 “The problem with this movie is not that the characters are comfortable. The problem is that none of them seem to realize how comfortable they are, and the movie rarely does, either. ” – RogerEbert.com Feb 21, 2025 Full Review The Quiet Ones (2025) 42% 3/4 “The movie is tightly constructed and exceptionally acted and has several dazzling, all-in-one-shot action sequences.” – RogerEbert.com Feb 21, 2025 Full Review I Love You Forever (2024) 79% 3/4 “It’s a level-headed portrait of a more everyday sort of misery: a relationship that becomes low-key hellish pretty early on and keeps getting incrementally worse.” – RogerEbert.com Feb 7, 2025 Full Review Bring Them Down (2024) 90% 3/4 “For all its ferocious focus, this is a relatively quiet movie that embraces its smallness.” – RogerEbert.com Feb 7, 2025 Full Review Time Passages (2024) 3.5/4 “This is an inchoate movie, inevitably so, and heroic for embracing a challenge that it might not be possible to master. ” – RogerEbert.com Jan 31, 2025 Full Review
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