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Natalia Keogan

Tomatometer-approved critic
Biography:

Natalia Keogan is a film critic and journalist based in NYC. Her bylines include Filmmaker Magazine, A.V. Club, Documentary Magazine, and Paste, amongst others.

Reviews

Movies 온라인카지노추천 Shows
Opus (2025) 41% 6.8/10 “Ayo Edebiri and John Malkovich give utmost commitment to a film that completely lacks clarity in its commentary of media frenzy and stan culture.” – Paste Magazine Feb 2, 2025 Full Review Kiss of the Spider Woman (2025) 82% C+ “Despite these visual shortcomings, Jennifer Lopez and newcomer Tonatiuh deliver committed performances, even if the ideas they’re tasked with communicating don’t quite land.” – AV Club Jan 29, 2025 Full Review Rebuilding (2025) 96% B+ “Rebuilding emphasizes the vitality of mutual aid.” – AV Club Jan 29, 2025 Full Review One of Them Days (2025) 94% B “One Of Them Days serves as an unexpected ode to the tenacity of its [Los Angeles] residents. ” – AV Club Jan 16, 2025 Full Review There Was, There Was Not (2024) 100% “Taking its title from the opening line from most Armenian fairy tales, Emily Mkrtichian’s feature documentary debut focuses on a land that is, sadly, just as ephemeral as the magic of childhood. ” – Filmmaker Magazine Jan 10, 2025 Full Review Get Away (2024) 74% C “Even when the tables turn, their relationships feel nuanced and natural, a feat considering the otherwise flimsy storyline.” – AV Club Dec 5, 2024 Full Review Christmas Eve in Miller's Point (2024) 79% A- “Intimate, disparate moments of an annual holiday tradition are artfully portrayed in director Tyler Taormina’s latest, the Long Island-set Christmas Eve In Miller’s Point. ” – AV Club Nov 11, 2024 Full Review Bird (2024) 86% B- “While Bird still employs an interest in socially vulnerable characters, its viewpoint feels less rooted in authentic struggle than in sensationalistic strife. ” – AV Club Nov 8, 2024 Full Review Emilia Pérez (2024) 72% C+ “Emilia Pérez manages to arrest and intrigue, if only because you truly don’t know what the frenetic narrative’s next move is.” – AV Club Nov 6, 2024 Full Review Hold Your Breath (2024) 40% C+ “Elements of psychological, supernatural, and survival horror are incorporated, yet never coalesce into a cohesive story, despite the film boasting a strong central performance and a commitment to historical detail. ” – AV Club Oct 4, 2024 Full Review It's What's Inside (2024) 79% B+ “There are plenty of laughs to be had here, making it the perfect movie night selection for a large group.” – AV Club Oct 2, 2024 Full Review Apartment 7A (2024) 43% C+ “Musings on motherhood, performance, and power are never fully articulated, leaving a flurry of concepts up in the air without resolve. ” – AV Club Sep 26, 2024 Full Review Eureka (2023) 83% 8.0/10 “Lushly lensed and intensely cerebral, Lisandro Alonso’s Eureka is on par with the experimental Argentine director’s previous output.” – Paste Magazine Sep 19, 2024 Full Review Never Let Go (2024) 58% B+ “It’s refreshing to encounter genre fare that is equal parts original and entertaining. ” – AV Club Sep 18, 2024 Full Review Speak No Evil (2024) 83% C “Watkins’ take on Speak No Evil lacks innovation, introspection, and, frankly, a legible narrative identity.” – AV Club Sep 16, 2024 Full Review The Room Next Door (2024) 81% B+ “Stunning in all elements of design and performance, The Room Next Door is another wonderful entry among Almodóvar’s filmography, even if it doesn’t rank among his strongest works.” – AV Club Sep 12, 2024 Full Review Nightbitch (2024) 59% C- “Nightbitch doesn’t probe the broader societal devaluation that actually causes women to feel unfulfilled and unimportant in their newfound roles as caregivers. ” – AV Club Sep 11, 2024 Full Review The End (2024) 56% 6.0/10 “The End never conjures a compelling enough thesis to justify its multiple massive missteps.” – Paste Magazine Sep 11, 2024 Full Review All We Imagine as Light (2024) 100% 8.6/10 “Touching upon (but never proselytizing about) matters of misogyny, religion, caste and gentrification, All We Imagine as Light exudes unwavering naturalism.” – Paste Magazine Sep 11, 2024 Full Review AfrAId (2024) 23% 4.8/10 “Making such an insubstantial film about one of our era’s greatest technological shifts isn’t just annoying. It feels downright irresponsible.” – Paste Magazine Aug 30, 2024 Full Review Hell Hole (2024) 84% B “It may not feel like the most emblematic of the family’s close-knit filmmaking style, but it is undeniably branded by their touch, rife with naturalistic dialogue and sludge metal galore. ” – AV Club Aug 22, 2024 Full Review Alien: Romulus (2024) 80% C+ “While incredible practical gore effects and stunning set pieces make Álvarez’s installment well worth watching, it’s as void of meaning as space itself.” – AV Club Aug 16, 2024 Full Review Skincare (2024) 69% 6.1/10 “Disappointing but not outright disastrous, Skincare never penetrates past superficial observations of how beauty, success and artificiality constantly commingle among the Los Angeles elite.” – Paste Magazine Aug 15, 2024 Full Review Daughters (2024) 100% 9.0/10 “Rae and Patton construct a visually stunning and narratively resonant portrait of love and longing.” – Paste Magazine Aug 14, 2024 Full Review War Game (2024) 80% 6.7/10 “What might quell the anxiety of some viewers will likely ignite incredulity among others, particularly as the simulation concludes a bit too cleanly for our current moment of extremist rhetoric and action.” – Paste Magazine Aug 5, 2024 Full Review
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