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Natalia Winkelman

Tomatometer-approved critic
Biography:

Natalia Winkelman is a film critic based in Brooklyn.

Reviews

Movies 온라인카지노추천 Shows
Magic Farm (2025) 42% “An Americans-abroad satire that teeters between pop treat and indie trifle.” – New York Times Apr 24, 2025 Full Review Grand Tour (2024) 91% “Beauty is pleasurable, but the film’s use of evocative visuals to focus on storytelling more broadly is what makes it a quiet knockout. ” – New York Times Mar 27, 2025 Full Review Bob Trevino Likes It (2024) 95% “Ferreira pitches herself into the trite story line with enthusiasm, and her verve breathes life into even the most leaden lines. ” – New York Times Mar 21, 2025 Full Review Last Take: Rust and the Story of Halyna (2025) 83% “The film is instead a plodding but cleareyed account of the confusion, blame and scandal around her death.” – New York Times Mar 11, 2025 Full Review Queen of the Ring (2024) 73% “One senses that Avildsen was desperate to pack an emotional punch, but he could have pulled a few instead.” – New York Times Mar 6, 2025 Full Review A Sloth Story (2024) 75% “A Sloth Story suffers from a plasticky visual design. The characters seem stiff, like action figures, and their food items, meant to look appetizing, are often rendered as colored medallions.” – New York Times Feb 28, 2025 Full Review Old Guy (2024) 29% “Beyond the stale plot and groaners that make up the dialogue, “Old Guy” suffers from haphazard pacing, as if every third scene was cut out in postproduction. ” – New York Times Feb 20, 2025 Full Review Paddington in Peru (2024) 93% “If “Paddington” hinges on blundering and “Paddington 2” on relentless civility, the third stages a more personal journey of self discovery. ” – New York Times Feb 13, 2025 Full Review Kinda Pregnant (2025) 29% “This is a movie less interested in relationships than in the sundry items...” – New York Post Feb 6, 2025 Full Review Marcello Mio (2024) 50% “A mostly charming but occasionally aggravating French farce.” – New York Times Jan 31, 2025 Full Review Last Days (2025) 28% C- “All the promise of this premise is squandered in Lin’s adaptation, which in style and structure hews to hackneyed convention at every turn.” – IndieWire Jan 29, 2025 Full Review The Wedding Banquet (2025) 88% C+ “Leaves the ever-talented Gladstone seemingly stranded in a screenplay that fails to give her enough of a character -- a cardinal sin from which the movie never recovers.” – IndieWire Jan 28, 2025 Full Review One of Them Days (2025) 94% “Lamont and Singleton effortlessly mix the silly with the sincere, and although “One of Them Days” favors razzing over heart-to-hearts, our belief in this pairing never wavers. ” – New York Times Jan 16, 2025 Full Review 2073 (2024) 48% “This blurring of real life and dystopia is fascinating, especially in a film that tends to draw a hard line between its two segments: nonfiction, based on interviews, and science fiction, stacked with genre tropes. ” – New York Times Jan 7, 2025 Full Review Dirty Angels (2024) 30% “While the movie flouts traditional gender roles, it easily plays into stereotypes about race and religion.” – New York Times Dec 12, 2024 Full Review The Girl With the Needle (2024) 92% ““The Girl With the Needle” is most intriguing when it lingers in its disturbing fictions, which come to life with exceptional style.” – New York Times Dec 9, 2024 Full Review Moana 2 (2024) 61% “Onscreen, the details of this fabricated, composite mythology get a little murky. But squint your eyes against the specifics, and the odyssey tends to deliver a mood that fluctuates along a scale of benign to bright.” – New York Times Dec 9, 2024 Full Review Bread & Roses (2023) 100% “But while the immediacy of the storytelling may blur out precise details, it excels at building stakes.” – New York Times Nov 21, 2024 Full Review Hippo (2023) 90% “Like a stubborn toddler zipping his mouth shut while stomping his feet, "Hippo" manages to be noisily aggravating while saying nothing at all.” – New York Times Nov 13, 2024 Full Review Elevation (2024) 55% ““Elevation” is distinctive not for its innovations in form or narrative — it’s got nothing new to offer — but for the anxieties and attitudes it telegraphs.” – New York Times Nov 7, 2024 Full Review Pedro Páramo (2024) 77% “A picture may be worth a thousand words, but at over two hours, this visual adaptation of Rulfo’s only novel rambles without much to say. ” – New York Times Nov 7, 2024 Full Review Chasing Chasing Amy (2023) 94% “The moment marks a turning point in Rodgers’s agreeable documentary, which sets out to provide a contemporary lens on “Chasing Amy.”” – New York Times Nov 6, 2024 Full Review Allswell in New York (2022) 88% “If few of the melodramatic plot lines wrap up by the end, at least the members of the ensemble cast commit to their roles with naturalistic gusto.” – New York Times Oct 17, 2024 Full Review The Apprentice (2024) 83% 3/5 “It’s wise that the movie doesn’t try to pathologize — and thus partially explain away — Donald’s brutality, particularly when you consider the story against the real man, who continues to vie for power and expand his empire by the year.” – Boston Globe Oct 10, 2024 Full Review The Wild Robot (2024) 96% “The circle of life is visible in “The Wild Robot,” which embraces its harsh realities with daring.” – New York Times Sep 27, 2024 Full Review
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