Rotten Tomatoes
Cancel Movies Tv shows
Critics list

Nicolás Medina

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
The Devil Smokes (2025) 8/10 “What hurts is not what is seen, but what the frame does not contain. An off-camera monster, yes, but also an overwhelmed family, a system that abandons, a society that does not know what to do with what it does not understand. [Full review in Spanish]” – Montevideo Portal / Latido Beat Apr 22, 2025 Full Review The Message (2025) 92% 7/10 “The relationship between Anika and the animals is neither magical nor childish: it is serene, restrained, sometimes uncomfortable. It is not about understanding the animals, but about putting our own language in crisis. [Full review in Spanish]” – Montevideo Portal / Latido Beat Apr 22, 2025 Full Review Little Trouble Girls (2025) 8/10 “Its director demonstrates that what is truly provocative is not the scandal, but the way in which, even in the most controlled spaces, desire always finds a way to make its way. [Full review in Spanish]” – Montevideo Portal / Latido Beat Apr 22, 2025 Full Review Savanna and the Mountain (2024) 86% 7/10 “The camera becomes a silent witness, letting the actions unfold with an almost ethnographic organicity. However the film constructs a committed gaze, where each shot seems to be conceived from an ethic of resistance. [Full review in Spanish]” – Montevideo Portal / Latido Beat Apr 22, 2025 Full Review The Kingdom (2024) 100% 7/10 “Le Royaume ends up being much more than a crime story or a family drama; it is a complex representation of Corsican heritage, a land marked by internal strife, power and resistance. [Full review in Spanish]” – Montevideo Portal / Latido Beat Feb 7, 2025 Full Review Saturday Night (2024) 78% 7/10 “The film is not perfect, but it manages to encapsulate the idea that, even in absolute chaos, there is room for greatness. [Full review in Spanish]” – Montevideo Portal / Latido Beat Feb 7, 2025 Full Review In Her Place (2024) 65% 6/10 “Alberdi, with his experience in this field, understands that looking at the other is not an innocent act. It is an operation loaded with power and, in many cases, voyeurism. [Full review in Spanish]” – Montevideo Portal / Latido Beat Feb 7, 2025 Full Review Emilia Pérez (2024) 72% 10/10 “Emilia Pérez does not ask for forgiveness or permission. What she offers is a unique experience, one that challenges both the viewer and the current cinematic landscape. [Full review in Spanish]” – Montevideo Portal / Latido Beat Feb 7, 2025 Full Review Nosferatu (2024) 84% 10/10 “A proof that horror doesn't always need to be grandiloquent; sometimes, a shadow sliding down the wall is enough to terrify us to our very souls.[Full review in Spanish]” – Montevideo Portal / Latido Beat Feb 7, 2025 Full Review In His Own Image (2024) 7/10 “The strength of À son image, which in all fairness may not be much but is present, lies in its ability to show how politics creeps into personal relationships, how the ideological can overflow the affective. [Full review in Spanish]” – Montevideo Portal / Latido Beat Feb 7, 2025 Full Review The Count of Monte Cristo (2024) 96% 5/10 “Seems more interested in building a spectacle than in entering into the complexities of a story of justice, lost love and redemption. Is it enjoyable? Undoubtedly. Is it memorable? Perhaps, but not for the right reasons. [Full review in Spanish]” – Montevideo Portal / Latido Beat Feb 7, 2025 Full Review Baby (2024) 100% 7/10 “Caetano presents a portrait of characters who seek to build their own home, reminding us that sometimes the place we call home is the one where we are accepted, even if it is in the most forgotten corners of the city. [Full review in Spanish]” – Montevideo Portal / Latido Beat Feb 7, 2025 Full Review The Damned (2024) 65% 7/10 “The film reminds us that, behind the uniforms and flags, war is nothing more than a series of acts performed by people who rarely understand the real reason why they are fighting. [Full review in Spanish]” – Montevideo Portal / Latido Beat Oct 9, 2024 Full Review The Other Way Around (2024) 92% 8/10 “Trueba, along with his co-writers and co-stars, skillfully plays with the conventions of the romantic story, transforming the process of breaking up into a creative act reminiscent of the planning of a wedding celebration. [Full review in Spanish]” – Montevideo Portal / Latido Beat Oct 9, 2024 Full Review The Invasion (2024) 100% 7/10 “The film works with the cumulative and how Loznitsa orchestrates his narrative. Instead of focusing on combat and war action, the director opts for an introspective approach, leaving the rest out of the picture. [Full review in Spanish]” – Montevideo Portal / Latido Beat Oct 9, 2024 Full Review Armand (2024) 75% 8/10 “Armand is not particularly a film that will divide audiences. But it will make them take sides and question many things, some of which will even generate some discomfort or be difficult to put into words. [Full review in Spanish]” – Montevideo Portal / Latido Beat Oct 9, 2024 Full Review Parthenope (2024) 45% 10/10 “It's curious, although Sorrentino brings to every shot his characteristic visual style and his emotional approach to portray Naples as if it was a character, it all feels rather pragmatic. [Full review in Spanish]” – Montevideo Portal / Latido Beat Oct 9, 2024 Full Review The Shrouds (2024) 74% 8/10 “The Shrouds is one of those films that becomes more appreciated the more time passes since the first viewing, because it sows ideas that, sooner or later, will yield a harvest. [Full review in Spanish]” – Montevideo Portal / Latido Beat Oct 9, 2024 Full Review Mexico 86 (2024) 93% 7/10 “With a narrative that combines intimate drama and thriller, Díaz builds a tense story that not only explores the personal consequences of political activism, but also portrays a dark and often overlooked era in Guatemala's history [Full review in Spanish]” – LatAm Cinema Oct 9, 2024 Full Review Simon of the Mountain (2024) 90% 8/10 “The film is an intimate and provocative film that triggers reflections on identity, belonging and stereotypes of the modern world. [Full review in Spanish]” – LatAm Cinema Jul 25, 2024 Full Review Kinds of Kindness (2024) 71% 5/10 “Lanthimos delivers a satire that feels like an experiment that has yet to find its balance. The film falls into a no-man's land between brilliance and mediocrity. [Full review in Spanish]” – Montevideo Portal / Latido Beat Jul 25, 2024 Full Review Anora (2024) 93% 10/10 “Baker is a fan of chaos, and ultimately Anora is as anarchic as it is precise. The combination of dizzying sequence shots and static compositions together create an atmosphere that oscillates between euphoria and despair. [Full review in Spanish]” – Montevideo Portal / Latido Beat Jul 25, 2024 Full Review Megalopolis (2024) 45% 3/10 “All of us who love movies owe Coppola a great deal, and possibly that's what makes it more painful than upsetting as his life project falls apart. [Full review in Spanish]” – Montevideo Portal / Latido Beat Jul 25, 2024 Full Review The Hyperboreans (2024) 100% 7/10 “Politics, a Chilean past related to Nazism and a certain irreverence both at the level of text and staging make us lose the perception that everything we are seeing is or has been real, and has been dramatized. [Full review in Spanish]” – LatAm Cinema May 24, 2024 Full Review Furiosa: A Mad Max Saga (2024) 90% 7/10 “Furiosa is a good movie. It is neither better than Fury Road, nor better than the original Mad Max, and it is admirable how after almost 50 years, and stepping on the 80s, George Miller is able to make a film this big. [Full review in Spanish]” – Montevideo Portal / Latido Beat May 24, 2024 Full Review
No Reviews Yet
Load More