Karuara, People of the River (2024)
“...Karuara, People of the River goes beyond its lively scenes and fully dives into the revaluation of non-Westernized lifestyles, language, stories and customs that forge their unique and unforgettable identity. [Full review in Spanish]” –
Cinencuentro
Feb 27, 2025
Full Review
Kill the Jockey (2024)
96%
“...Kill the Jockey is neither provocative nor interesting, if anything it is simply curious and entertaining at times. [Full review in Spanish]” –
Cinencuentro
Jan 16, 2025
Full Review
Julie Keeps Quiet (2024)
91%
“Well-acted and skillfully directed, Julie Keeps Quiet rises as the other side of Tár (2022); as a voice that reemerges from trauma... [Full review in Spanish]” –
Cinencuentro
Nov 25, 2024
Full Review
The Empire (2024)
57%
“While the film is enriched by its philosophical subtext, it crumbles in its execution. [Full review in Spanish]” –
Cinencuentro
Oct 29, 2024
Full Review
A Boat Departed from Me Taking Me Away (2024)
“By questioning generational and cultural differences that disfigure human dignity... A Boat Departed from Me Taking Me Away remains afloat through the respect and closeness with which it treats its protagonist. [Full review in Spanish]” –
Cinencuentro
Aug 27, 2024
Full Review
Reas (2024)
100%
“Proudly queer, Reas establishes itself as a cinematographic experiment endowed with humanism; a playful and empowering look at those typically marginalized by society. [Full review in Spanish]” –
Cinencuentro
Aug 12, 2024
Full Review
The Other Son (2023)
100%
“Whether a journey of maturation or an enervating soap opera, the ineffective tonal changes along with its derivative nature result in an inconsistent exploration of grief but also, a sharp mimesis of postmodern values. [Full review in Spanish]” –
Cinencuentro
Aug 12, 2024
Full Review
Blaga's Lessons (2023)
100%
“Hard as marble, like a bitter drink of whiskey, there is no one who can take away from this film its ability to generate apathy or discomfort, key emotions to question a reality that, in itself, leaves much to be desired. [Full review in Spanish]” –
Cinencuentro
Jun 20, 2024
Full Review
Holy Cow (2024)
97%
“Treating the protagonist and his reality with the utmost respect, the pictorial naturalism of the panoramic views and the mundanity of daily life result in a fine experience. [Full review in Spanish]” –
Cinencuentro
May 24, 2024
Full Review
The Other Way Around (2024)
92%
“The power of the narrative lies in uncertainty, in revisiting images with a different perspective, and in living in a continuous flow of circles, waves, and horizontal lines. [Full review in Spanish]” –
Cinencuentro
May 21, 2024
Full Review
Challengers (2024)
88%
“... Behind the mask lies a solid exploration of human vulnerability, whether in the face of carnal desire or the lust for power. [Full review in Spanish]” –
Cinencuentro
May 6, 2024
Full Review
Hundreds of Beavers (2022)
97%
“Fervently crafted, it is not a work of dense thematization, but rather a versatile experiment in constant growth. [Full review in Spanish]” –
Cinencuentro
Apr 8, 2024
Full Review
American Fiction (2023)
93%
“Oscar bait or not, Jefferson offers an enjoyable and formidably executed examination, a complex fiction that flirts with reality and its reason for being. [Full review in Spanish]” –
Cinencuentro
Mar 6, 2024
Full Review
DogMan (2023)
59%
“Besson doesn't quite hit the mark between reality and fiction but still offers enough to tune in again. [Full review in Spanish]” –
Cinencuentro
Jan 29, 2024
Full Review
Asteroid City (2023)
76%
“Far from being a self-indulgent practice of superfluous beauty, it is a movie that can be enjoyed from beginning to end without failing to explore ideas with certain depth. [Full review in Spanish]” –
Cinencuentro
Aug 22, 2023
Full Review
The Echo (2023)
100%
“From within its audiovisual properties, this experience generates potency in the quotidian, an environment where hope and disillusionment are daily occurrences. [Full review in Spanish]” –
Cinencuentro
Aug 14, 2023
Full Review
To Catch a Killer (2023)
53%
“Szifron's movie recalls the best of David Fincher by being able to create a fast-paced hunt loaded with psychological elements. Also, it adds small touches of acid humor typical of his work. [Full review in Spanish]” –
Cinencuentro
Jul 24, 2023
Full Review
The Whale (2022)
64%
“A strangely hopeful story that manages to stay on the surface even as it seems to sink into mediocrity. [Full review in Spanish]” –
Cinencuentro
Mar 29, 2023
Full Review
Women Talking (2022)
90%
“The film isn't capable of reaching its ambitious intentions due to its unsubtle and realist execution. [Full review in Spanish]” –
Cinencuentro
Mar 1, 2023
Full Review
The Fabelmans (2022)
92%
“Beyond romanticizing the filmmaking profession, the film proliferates by sincerely showing the sacrifice and work required to surrender to it. [Full review in Spanish]
” –
Cinencuentro
Feb 24, 2023
Full Review
Holy Spider (2022)
82%
“Abbasi strives to make his film as realistic as possible; his camera is handheld, shaky, and he directs his actors to interact credibly, most notably in the scenes where the assassin intervenes with his victims. [Full review in Spanish]” –
Cinencuentro
Feb 7, 2023
Full Review
El Crítico (2022)
“If not a remarkable documentary, it is still a sufficiently well-founded look at the controversial critic's life. [Full review in Spanish] ” –
Cinencuentro
Jan 20, 2023
Full Review
Glass Onion: A Knives Out Mystery (2022)
91%
“A fun, charismatic round of "Clue" with impressive technical components that doesn't quite round off due to high levels of self-awareness that work both against and in favor of the film. [Full review in Spanish]” –
Cinencuentro
Jan 10, 2023
Full Review
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