Opus (2025)
41%
“For anyone with an interest in music or pop culture journalism, there’s a lot to enjoy in Opus. ” –
Polygon
Mar 18, 2025
Full Review
Nosferatu (2024)
84%
“It has no fresh blood in its veins.
” –
Polygon
Dec 23, 2024
Full Review
Don't Move (2024)
73%
“It’s, well, a film about how scary it would be not to be able to move, just like it says in the title. And sometimes that kind of efficient delivery on expectations is all you really need.” –
Polygon
Oct 26, 2024
Full Review
It's What's Inside (2024)
79%
“Since neither the filmmakers nor the characters can see past this basic, binary view of gender, the movie’s sly provocations and pointed conclusions end up ringing hollow.” –
Polygon
Oct 4, 2024
Full Review
Omni Loop (2024)
83%
“In the end, thanks to Parker, it does succeed in getting to an emotional truth about a person who gets stuck facing up to perhaps the hardest thing a person can face: the end, and the resulting reckoning with all that came before.” –
Polygon
Sep 23, 2024
Full Review
Kinds of Kindness (2024)
71%
“Kinds of Kindness returns us to the Lanthimos who — cruelly, but with tenderness and wry humor — prefers to pick people apart, open them up, and lay them out on the slab.” –
Polygon
Jun 21, 2024
Full Review
Monkey Man (2024)
89%
“Between bursts of intense hand-to-hand action, the film takes its time soaking in richly colored, grimy imagery and simmering in rage at India’s inequality, discrimination, and corruption.” –
Polygon
Apr 9, 2024
Full Review
How to Have Sex (2023)
97%
“How to Have Sex has a deliberate smallness — it’s about things that sadly happen all the time, that scar young lives but don’t necessarily damage them beyond repair. But it also has a huge emotional resonance that reverberates long after the movie ends. ” –
Polygon
Feb 9, 2024
Full Review
Will (2023)
75%
“It’s clear-sighted on the cruel compromises of occupation and collaboration, but so fatalistic about them that it winds up wallowing in its own guilt and hopelessness. That’s a dark kind of truth, and not necessarily one that anyone needs to hear. ” –
Polygon
Feb 1, 2024
Full Review
Argylle (2024)
33%
“Argylle is too winking, too keen to show that it’s in on its own joke, to admit any real romantic feeling or any excitement that runs deeper than the surface level of its flashy choreography. ” –
Polygon
Jan 31, 2024
Full Review
Origin (2023)
81%
“While the film serves the book well, it serves its own dramatic story poorly, and fails as a movie — ironically because DuVernay is so anxious to find an accessible, relatable frame for these ideas.” –
Polygon
Jan 19, 2024
Full Review
Lift (2024)
30%
“Lift is barely a movie at all. It’s an empty, glossy stand-in for one. It’s the sparkly decoy the thieves swap for the real thing while no one is looking.” –
Polygon
Jan 12, 2024
Full Review
Leave the World Behind (2023)
74%
“Leave the World Behind is a film of mysteries and horrors, some of which are all the more unnerving for being difficult, or even impossible, to perceive from the characters’ cocooned vantage point. ” –
Polygon
Dec 8, 2023
Full Review
Pain Hustlers (2023)
23%
“Pain Hustlers is both watchable and eye-opening, even though its dramatic impulses do kind of cancel each other out.” –
Polygon
Oct 27, 2023
Full Review
Killers of the Flower Moon (2023)
93%
“Killers of the Flower Moon approaches the Osage people — and through them, the suffering and exploitation of First Nations people throughout America and beyond — with humility and curiosity, as well as despair and fury. ” –
Polygon
Oct 19, 2023
Full Review
Gran Turismo: Based on a True Story (2023)
65%
“Gran Turismo could have used this inspiring true story to show how video games open up possibilities and remove barriers in the real world. Instead, it just uses it to score points.” –
Polygon
Aug 8, 2023
Full Review
Oppenheimer (2023)
93%
“It’s still vast in scope and meticulous in design. But this is the film in which Nolan ponders the scary proposition that the most powerful force in the universe might be us.” –
Polygon
Jul 19, 2023
Full Review
The Strays (2023)
52%
“The script unconvincingly makes these characters out as demons before rewinding to tell their story in a twist that’s not only easy to predict, but that breaks the film’s moral consistency. ” –
Polygon
Feb 23, 2023
Full Review
White Noise (2022)
64%
“It’s a messy movie that can’t quite find the thread to make sense of DeLillo’s vision or the reality of his characters... But it has been made with wit and an infectious relish.” –
Polygon
Dec 30, 2022
Full Review
Glass Onion: A Knives Out Mystery (2022)
91%
“Glass Onion is a brighter, louder, more extroverted movie than the first Knives Out. ” –
Polygon
Nov 28, 2022
Full Review
Blonde (2022)
42%
“It is the work of a filmmaker drunk on his own image-making power, lining up shot after beautiful, shocking, tasteless shot, just because he can. You can’t cut its gross excesses because it has a limitless supply.” –
Polygon
Sep 30, 2022
Full Review
Don't Worry Darling (2022)
38%
“It's not very clever and not wholly successful, but it is the kind of bold, brassy, high-concept studio thriller we don't get so often these days.” –
Polygon
Sep 22, 2022
Full Review
See How They Run (2022)
75%
“See How They Run is neither as clever as the creators think it is, nor as stupid as it sometimes pretends to be.” –
Polygon
Sep 16, 2022
Full Review
Rubikon (2022)
35%
“Rubikon’s plot crash-lands while its sincere intentions are left spinning fruitlessly in space, looking for a way back down. ” –
Polygon
Jun 30, 2022
Full Review
Elvis (2022)
77%
“Baz Luhrmann’s big swing at the King’s life is a thrilling theatrical spectacle.” –
Polygon
Jun 24, 2022
Full Review
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