Diamanti (2024)
4/5
“...[Diamanti is a] sensitive dramatic comedy constructed like a delicate embroidery stitch that shines in the perfection of its beauty but also in its invisible construction. [Full review in Spanish]” –
La Nación (Argentina)
Apr 24, 2025
Full Review
The King of Kings (2025)
64%
3/5
“...The King of Kings sets its perspective from the eyes of a child for children, deepens the bond between parents and children and results as a joyous pastime with beautifully achieved moments...[Full review in Spanish]” –
La Nación (Argentina)
Apr 10, 2025
Full Review
A Working Man (2025)
49%
2/5
“...A Working Man will bring back endless nostalgia mixed with the feeling that "everything in the past was better,"... [Full review in Spanish]” –
La Nación (Argentina)
Mar 27, 2025
Full Review
Daaaaaali! (2023)
95%
4/5
“Without Buñuel or David Lynch in the world, perhaps Dupieux is the last filmmaker to seek, through his mind and dreams—rather than through special effects—a creative alternative to reality. [Full review in Spanish]” –
La Nación (Argentina)
Mar 20, 2025
Full Review
The Second Act (2024)
74%
3/5
“[The Second Act] reaffirms its director as the writer of a film without concessions, embracing risk and creative freedom. [Full review in Spanish]” –
La Nación (Argentina)
Feb 6, 2025
Full Review
Conclave (2024)
93%
3/5
“...Ralph Fiennes, Stanley Tucci, John Lithgow, Isabella Rossellini and a no less extraordinary Sergio Castellitto play their roles with enormous credibility...[Full review in Spanish]” –
La Nación (Argentina)
Feb 5, 2025
Full Review
Emilia Pérez (2024)
72%
3/5
“Audiard proves true to himself in his original quest and embraces the postmodern culture of which...Emilia Pérez is a faithful depiction, even in the banality of the treatment of very serious contemporary issues. [Full review in Spanish]” –
La Nación (Argentina)
Feb 5, 2025
Full Review
Virgen Rosa (2024)
3/5
“Virgen Rosa is a complex story, difficult at times to approach due to its labyrinthine and symbolic nature, but interesting in its reflection on memory and identity. [Full review in Spanish]” –
La Nación (Argentina)
Nov 27, 2024
Full Review
Most People Die on Sundays (2024)
3/5
“But this work by Said, as sensitive as it is intimate, focuses on overcoming conflicts and accepting identity, individually and collectively, with infinite tenderness. [Full review in Spanish]” –
La Nación (Argentina)
Nov 8, 2024
Full Review
Smile 2 (2024)
86%
3/4
“In short, it lasts just over two hours and doesn't hold back. [Full review in Spanish]” –
Clarín
Oct 18, 2024
Full Review
The Beautiful Summer (2023)
69%
3/5
“Pavese is a demanding author and Luchetti transfers that formal requirement to the big screen, so The Beautiful Summer, except in the classic aspect of its production, does not allow itself to travel the easy paths of cinema. [Full review in Spanish]” –
La Nación (Argentina)
Oct 13, 2024
Full Review
Widow Clicquot (2023)
80%
4/4
“Underlying the movie is a love story told in flashbacks, but what prevails is a fascinating tale of a celebrated drink that, even with a certain conventionality, never loses its subtle charm and remarkable tastefulness. [Full review in Spanish]” –
La Nación (Argentina)
Aug 22, 2024
Full Review
L'immensità (2022)
85%
3/5
“... Crialese focuses on his memories and identity, sometimes with too much emotional distance and a certain harshness, but without sacrificing the intelligence, style, and authenticity of that filial bond. [Full review in Spanish]” –
La Nación (Argentina)
Aug 7, 2024
Full Review
Los Justos (2024)
3/5
“... An entertaining and heartfelt fable about growing old. [Full review in Spanish]” –
La Nación (Argentina)
Jul 8, 2024
Full Review
The Peasants (2023)
61%
4/5
“... Dazzling. [Full review in Spanish]” –
La Nación (Argentina)
Jun 6, 2024
Full Review
Hachiko (2023)
2/5
“... While it maintains the principal characteristics of the story on which it is based, it fails to deliver a premise that supports its extensive narrative, and lacks rhythm and contemplative depth. [Full review in Spanish]” –
La Nación (Argentina)
May 9, 2024
Full Review
Love Lies Bleeding (2024)
94%
3/5
“... If seen from its extravagant premise, the movie results in entertainment despite having a lysergic story, at times surprising or disappointing, that constantly changes its course and aesthetic guidelines. [Full review in Spanish]” –
La Nación (Argentina)
May 2, 2024
Full Review
Alemania (2023)
3/5
“Set in the 90s, the film has a great lead performance by Maite Aguilar. [Full review in Spanish]” –
La Nación (Argentina)
Apr 11, 2024
Full Review
Tokyo Shaking (2021)
4/5
“Cleverly, Peyon develops a view removed from the drama, anchored in the perplexity of witnessing chaos where everything used to be in a perfect order that was seemingly impossible to break. [Full review in Spanish]” –
La Nación (Argentina)
Apr 4, 2024
Full Review
The Story of My Wife (2021)
26%
3/5
“My Wife's Story unfolds with visual appeal, both in the historical formulation and in the beautiful photography, however, interest gradually declines after its decidedly brilliant beginning. [Full review in Spanish]” –
La Nación (Argentina)
Mar 14, 2024
Full Review
The Zone of Interest (2023)
93%
5/5
“Unlike Amis's novel, Glazer gives the house's residents their real names to portray them with dry and distant coldness, making the mundane heartbreaking... [Full review in Spanish]” –
La Nación (Argentina)
Feb 15, 2024
Full Review
The Settlers (2023)
93%
4/5
“As a narrative experience, The Settlers portrays with an epic Western lens the hidden side of previously featured civilizing advancements of the "white man" in cinema fiction. [Full review in Spanish]” –
La Nación (Argentina)
Feb 1, 2024
Full Review
Anatomy of a Fall (2023)
96%
4/5
“What makes Anatomy of a Fall such a unique work is what happens “off-screen,” which gains as much force as what the camera shows to the viewer. [Full review in Spanish]” –
La Nación (Argentina)
Jan 25, 2024
Full Review
Mothers' Instinct (2024)
52%
3/5
“As the story progresses from drama to suspense, the interplay between opposites will maintain interest and tension in this story that becomes diaphanous and disquieting thanks to its two magnetic protagonists... [Full review in Spanish]” –
La Nación (Argentina)
Jan 12, 2024
Full Review
Boonie Bears: Back to Earth (2022)
71%
2/5
“... The quality animation faces a narrative that is as incoherent as it is unoriginal. [Full review in Spanish]” –
La Nación (Argentina)
Nov 30, 2023
Full Review
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