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Pamela Jahn

Pamela Jahn's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
The Wild Robot (2024) 96% 4/5 “The film wraps its messages so elegantly into slapstick-like comedy à la Looney Tunes that, in the end, this well-tuned paean to solidarity and empathy feels both poignant and subdued.” – The Arts Desk Oct 30, 2024 Full Review Dementia (1955) 75% “What is perhaps spookiest of all about this score, however, is the voice, often blended with woodwind to create a weird, theremin-like sound; singing eerie chromatic peals of wordless vocalese...” – Electric Sheep Feb 28, 2020 Full Review The Neon Demon (2016) 59% “If anything, Refn has created an aesthetic experience, a hollow, surface-level satire that is pretty to look at, but little else.” – Electric Sheep Sep 27, 2017 Full Review Gimme Danger (2016) 95% “Witty, loving and fuelled by some of the finest rock n' roll music, Gimme Danger is unashamedly nostalgic, yet it also makes you leave the cinema with a lump in your throat that there's just no one quite like the young Iggy in music anymore.” – Electric Sheep Sep 27, 2017 Full Review The Wailing (2016) 99% “... although overlong and not without flaws, there is enough in The Wailing to warrant a viewing, and the subtle force of the film confirms Na Hong-jin's reputation as a director to be reckoned with.” – Electric Sheep Sep 27, 2017 Full Review Paterson (2016) 96% “... Jarmusch's genius lies in capturing precisely the small moments and fine details that make life so special, no matter how trivial, or crazy, things may seem.” – Electric Sheep Sep 27, 2017 Full Review Personal Shopper (2016) 81% “... ultimately here most of his stylistic choices fall flat, while the decision to capture the spirits in the form of smoky shadows simply feels lazy and unconvincing.” – Electric Sheep Sep 27, 2017 Full Review Hell or High Water (2016) 97% “Labelled as a modern-day western, it might not bring anything new to the genre, but it's smart and ferocious and highly entertaining.” – Electric Sheep Sep 27, 2017 Full Review Loving (2016) 88% “Loving is as good as a drama can be, but for everyone who admires the director's earlier films, it might be a disappointment.” – Electric Sheep Sep 27, 2017 Full Review The Handmaiden (2016) 96% “The plot is deliciously twisted, while perceptions and truths are consistently challenged.” – Electric Sheep Sep 27, 2017 Full Review The Harvest (2013) 70% “A slow-burn that stubbornly follows its own path, it is an impressively mature and weighty return to cinema for John McNaughton.” – Electric Sheep Sep 27, 2017 Full Review In the Basement (2014) 87% “To some extent, In the Basement is crafted in the same way that John Waters created Shock Value, an often fascinating, frequently creepy, unashamedly funny compilation of oddities and curiosities that are occasionally hard to digest.” – Electric Sheep Sep 27, 2017 Full Review The Lobster (2015) 88% “While the first half is full of flavour, the second is unappetisingly bland.” – Electric Sheep Sep 27, 2017 Full Review Toni Erdmann (2016) 93% “Toni Erdmann is that rare thing: a film that makes you laugh and cry, wince and twist in your seat all at once.” – Electric Sheep Sep 27, 2017 Full Review The Congress (2013) 71% “The film is a fiercely original, bold and riveting meditation on the future of the silver screen and the stars that make it shine.” – Electric Sheep Sep 27, 2017 Full Review Maps to the Stars (2014) 62% “... as fitting, seductive and gruesome as it is, Maps to the Stars somewhat feels at odds with the director's insistence that the film is anything but a satirical apocalypse.” – Electric Sheep Sep 27, 2017 Full Review We Still Kill the Old Way (1967) “... it's impossible to resist and hard to shake off even long after you step out of his unsettling, expressive world.” – Electric Sheep Sep 27, 2017 Full Review The Rover (2014) 67% “... the film still manages to maintain a fierce tension despite the flaws in its fractured plot and characterisation.” – Electric Sheep Sep 27, 2017 Full Review Go, Go Second Time Virgin (1969) “... the film's eerie tone and fractured approach to characterisation... provide the story with an intangibly lingering power and a seductive sense of mystery that sticks with you much longer than for the film's barely hour-long running time.” – Electric Sheep Sep 27, 2017 Full Review Breathless (2009) 83% “Breathless is a lot more than a film about domestic violence in South Korea: it is no issue movie, but a profoundly singular, devastatingly powerful, intensely personal vision...” – Electric Sheep Sep 27, 2017 Full Review Asyl: Park and Love Hotel (2007) “After all, Asyl demonstrates that it is still possible to craft an affecting, unpretentious and quietly entertaining film outside the framework of the pop genre.” – Electric Sheep Sep 27, 2017 Full Review Chiko (2008) 63% “... its uneven blend of social criticism, domestic drama and gangster tragedy illustrates just how difficult it is to capture that distinctive Scarface quality.” – Electric Sheep Sep 27, 2017 Full Review Just Another Love Story (2007) 74% “The film's emotional power comes from its double investigation of love and identity, falseness and authenticity.” – Electric Sheep Sep 27, 2017 Full Review Tony Manero (2008) 85% “Superbly paced, deftly acted and pervaded with satirical wit, Tony Manero is full of a dangerous, manic energy that comes directly from its main character, a man capable of dazzling gestures and a remarkable self-control in spite of his confusion.” – Electric Sheep Sep 27, 2017 Full Review White Lightnin' (2009) 81% “Merging real-life events and unbridled fiction, writers (and co-producers) Shane Smith and Eddy Moretti have crafted a bold, nightmarish tale of Southern darkness...” – Electric Sheep Sep 27, 2017 Full Review
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