Warfare (2025)
93%
3/5
“Beyond the admirable but fairly rudimentary notion that war is hell, Warfare doesn't leave the audience with much to chew on.” –
Radio Times
Apr 17, 2025
Full Review
The Electric State (2025)
15%
2/5
“It's clear that the departures from the novel have been made in an attempt to give the material a family friendly, Amblin-esque quality, but the unintended consequence is that the whole thing just feels rather weightless.” –
Radio Times
Mar 21, 2025
Full Review
O'Dessa (2025)
38%
2/5
“Despite the best efforts of the committed Sink and scenery-chewing supporting turns from Murray Bartlett and Regina Hall, it adds up to an exhausting spectacle that is more irritating than it is endearing.” –
Radio Times
Mar 21, 2025
Full Review
The Monkey (2025)
79%
3/5
“It does raise some interesting points about the random, chaotic nature of death, while the elaborate kill scenes are carried out with gleeful invention. ” –
Radio Times
Mar 4, 2025
Full Review
Captain America: Brave New World (2025)
48%
2/5
“An underbaked central narrative, bland expository dialogue, consistently drab visuals, poor characterisation and nondescript action scenes combine to create a conspiracy thriller lacking even a whiff of intrigue or paranoia. ” –
Radio Times
Mar 4, 2025
Full Review
Venom: The Last Dance (2024)
40%
2/5
“Like the previous entries, it's also something of a tonal jumble, part goofy buddy comedy, part po-faced sci-fi tale, with neither passing muster on their own, never mind awkwardly stitched together.” –
Radio Times
Jan 30, 2025
Full Review
The Critic (2023)
52%
3/5
“Still, it's a joy to see one of our finest actors sink his teeth into a meaty role.” –
Radio Times
Jan 30, 2025
Full Review
Better Man (2024)
88%
4/5
“This is an honest, entertaining and endlessly endearing spectacle.” –
Radio Times
Jan 30, 2025
Full Review
Nickel Boys (2024)
91%
5/5
“Both leads are fantastic, and Aunjanue Ellis-Taylor is remarkable in a supporting role as Elwood's grandmother, shining in some of the film's most raw and affecting moments.” –
Radio Times
Jan 30, 2025
Full Review
A Real Pain (2024)
96%
4/5
“Despite the heavy subject matter, it's a fairly breezy film with a light touch, a commendable lack of self-importance and several laugh-out-loud moments, which ensures its emotional highpoints are all the more potent.” –
Radio Times
Jan 30, 2025
Full Review
Red Rooms (2023)
96%
5/5
“Dominique Plante's terrific score elevates the already oppressive atmosphere, with the use of music in one key courtroom scene especially spine-tingling.” –
Radio Times
Dec 21, 2024
Full Review
The Merry Gentlemen (2024)
41%
2/5
“For lovers of the genre, it might go down well with a glass of mulled wine and a mince pie, but like many of these films it's a passingly amusing elevator pitch that sounds more fun on paper than in reality.” –
Radio Times
Nov 19, 2024
Full Review
Our Little Secret (2024)
37%
3/5
“t's hardly likely to become a Christmas classic, but Our Little Secret is plenty watchable and a cut above most made-for-streaming festive fare.” –
Radio Times
Nov 19, 2024
Full Review
House of Spoils (2024)
40%
2/5
“Neither the script nor direction from film-makers Bridget Savage Cole and Danielle Krudy tease out the increasingly preposterous plot with much finesse or intrigue, and DeBose delivers a jarring, overblown performance.” –
Radio Times
Oct 18, 2024
Full Review
Lee (2023)
67%
3/5
“Director Ellen Kuras presents her images with little flair, and the story is told in broad, often clichéd, strokes that don't penetrate particularly deeply into Miller's psyche.” –
Radio Times
Oct 18, 2024
Full Review
Alien: Romulus (2024)
80%
4/5
“The result is a tense, engaging spectacle that should satisfy both existing fans and newcomers to the world.” –
Radio Times
Sep 6, 2024
Full Review
Starve Acre (2023)
83%
3/5
“The story unfolds patiently,perhaps to a fault,but director Daniel Kokotajlo displays a strong command of atmosphere, using unnerving imagery and Matthew Herbert's moody score to craft an eerie and sometimes upsetting tone.” –
Radio Times
Sep 6, 2024
Full Review
Hundreds of Beavers (2022)
97%
4/5
“This joyously silly micro-budget period comedy plays out like a live-action Looney Tunes episode. ” –
Radio Times
Jul 31, 2024
Full Review
Longlegs (2024)
86%
4/5
“Not every narrative decision works, but as a terrifying exploration of the nature of evil, Longlegs is a triumph.” –
Radio Times
Jul 22, 2024
Full Review
MaXXXine (2024)
72%
4/5
“There's plenty going on beneath the bloody surface, with the film digging into the moral panics of the decade, while West concludes Maxine's era-spanning story with satisfying flair.” –
Radio Times
Jul 9, 2024
Full Review
A Quiet Place: Day One (2024)
86%
4/5
“But although there are moments of mega carnage as the aliens mercilessly rampage their way through the city, at its heart this is actually a very straightforward, intimate and... well... quiet affair...” –
Radio Times
Jun 27, 2024
Full Review
Atlas (2024)
19%
2/5
“The attempts to tap into the zeitgeist around AI fail to yield anything interesting or insightful, calling to mind better films that have handled the topic with more originality. And, despite its relatively large budget, Atlas is an eyesore.” –
Radio Times
May 30, 2024
Full Review
Sometimes I Think About Dying (2023)
82%
3/5
“Ridley's terrific, offbeat performance anchors the film and ensures that it is an effective and very relatable look at introversion and depression.” –
Radio Times
May 2, 2024
Full Review
Civil War (2024)
81%
4/5
“The result is a complex film that serves as a paean to the bravery of war reporters but also a cautionary tale about the ethics of pursuing a scoop whatever the cost.” –
Radio Times
May 2, 2024
Full Review
The End We Start From (2023)
89%
3/5
“Comer is exceptional throughout and there are some especially great scenes after her character bonds with a kindred soul, spiritedly played by Katherine Waterston.” –
Radio Times
May 2, 2024
Full Review
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