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Patrick Dahl

Patrick Dahl's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Belly (1998) 23% “Sanctimonious, silly, occasionally brilliant and exquisitely vivid, Hype Williams’s Belly (1998) crowned the decade in which hip-hop swallowed popular culture, and we never looked back.” – Screen Slate Sep 14, 2022 Full Review Chuy, The Wolf Man (2014) “As it expands beyond the portrait of a medical curio, Chuy, The Wolf Man details pregnancies, immigration attempts, and marital troubles. The richness of these stories doesn’t require a physical abnormality to resonate.” – Screen Slate Aug 9, 2022 Full Review 2nd Chance (2022) 91% “[Davis] is ultimately that archetypal American figure, the unflappable charlatan amassing wealth by carving breaches in the membrane separating media fantasy and political reality.” – Screen Slate Jun 30, 2022 Full Review Tank Girl (1995) 45% “Tank Girl failed critically and commercially, a badge of honor for a mid-90s postapocalyptic-feminist-punk carnival” – Screen Slate Aug 18, 2021 Full Review The Happening (2008) 17% “Filtering Hitchcock through Spielberg, Shyamalan offers two righteous gimmicks ... that compensate for the script's grating sentimentality and a mutinous star performance.” – Screen Slate Aug 18, 2021 Full Review White Line Fever (1975) 29% “Despite a bone structure to rival Alain Delon, Vincent makes for a credible working class hero, replete with a vague southern twang and grit in his eyes.” – Screen Slate Jun 21, 2021 Full Review What Happened Was... (1994) 91% “A largely forgotten triumph from the margins of the mid-90s Sundance boom.” – Screen Slate Feb 24, 2021 Full Review Hubie Halloween (2020) 52% “You can contrast the endeavor's laziness positively against the life-threatening pretenses of Christopher Nolan's Tenet.” – Screen Slate Oct 19, 2020 Full Review Io Island (1977) “Director Kim Ki-young wraps a relentlessly tense atmosphere like a fog around a promiscuous plot that veers from gumshoe mystery to body horror.” – Screen Slate Jan 14, 2020 Full Review The Hottest August (2019) 84% “Attempting to make the abyss legible, The Hottest August might be the most devastating film ever made.” – Screen Slate Jan 14, 2020 Full Review Bacurau (2019) 93% “Tired of seeing countless people of color fall to anonymous deaths in the background of globe-trotting franchise extravaganzas? Here's the righteous inverse.” – Screen Slate Sep 30, 2019 Full Review Chained for Life (2018) 100% “Aaron Schimberg's howlingly funny and deeply affecting second feature considers the ethical tightrope of transforming flesh-and-blood human beings into fodder for cinema.” – Screen Slate Sep 11, 2019 Full Review Juice (1992) 81% “Juice captures the traumatic and anxious roots of American gangsterism better than just about any other entry in the evergreen genre.” – Screen Slate May 31, 2019 Full Review Suburban Birds (2018) 84% “Recalling Stand By Me, Jia Zhangke and David Lynch, [Suburban Birds] announces Qui as an astute chronicler of early adolescence and a filmmaker of promising lyrical vision.” – Screen Slate Apr 1, 2019 Full Review Gummo (1997) 39% “Somehow, often within a single scene or image, [Gummo] manages to be simultaneously indefensible, dismissible, exploitive, heartbreaking and completely revivifying.” – Screen Slate Mar 27, 2019 Full Review Room at the Top (1959) 100% “Francis and Clayton swing and glide their furtive camera through exquisitely blocked scenes in which characters are handsomely planted across multiple planes like a topiary.” – Screen Slate Mar 9, 2019 Full Review An Elephant Sitting Still (2018) 94% “Epic at 230 minutes, yet deeply intimate in its proximity to its central characters.” – Screen Slate Mar 9, 2019 Full Review Gamer (2009) 30% “Gamer doesn't import gaming aesthetics to the movies so much as it considers the gaming medium with every weapon in the cinematic arsenal.” – Screen Slate Mar 5, 2019 Full Review The Hours and Times (1991) 81% “Easily the most engaging fiction film made about The Beatles.” – Screen Slate Mar 2, 2019 Full Review
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