The Accountant 2 (2025)
78%
2/5
“Without the effort and charisma of its actors...it would be nothing more than a poor sequel to a film that yielded its best results in its first appearance. [Full review in Spanish]” –
La Nación (Argentina)
Apr 24, 2025
Full Review
Sinners (2025)
98%
3/5
“Sinners somewhat escapes the [horror genre] formula, and that desire to reshuffle the deck over a prematurely worn-out trope allows it to find a certain splendor that bursts forth with conviction but is quickly devoured. [Full review in Spanish]” –
La Nación (Argentina)
Apr 19, 2025
Full Review
The Amateur (2025)
61%
3/5
“What enfolds in the story is a classic rhythm, without too many displays of chases and big confrontations...[Full review in Spanish]” –
La Nación (Argentina)
Apr 10, 2025
Full Review
Marked Men: Rule + Shaw (2025)
2/5
“...the standard format, the predictable structure, the characters driven by the needs of the plot, and a clean digital production without attractive nuances end up weighing heavily in Marked Men: Rule + Shaw. [Full review in Spanish]” –
La Nación (Argentina)
Apr 3, 2025
Full Review
Sing Sing (2023)
97%
4/5
“...[Colman] Domingo's performances...and those of his fellow inmates are noble in their purpose, dispelling any sentimental tricks to gain sympathy, and embracing the acting talents to which they aspire, their possible redemption.[Full review in Spanish]” –
La Nación (Argentina)
Mar 27, 2025
Full Review
Disney's Snow White (2025)
40%
4/5
“ Webb and screenwriter Erin Cressida Wilson embrace tradition...beyond the absurd dogma sometimes sought after in classics (making them immutable), and allow themselves to explore the dark nature of the Grimms' tale... [Full review in Spanish]” –
La Nación (Argentina)
Mar 20, 2025
Full Review
Novocaine (2025)
81%
3/5
“[Novocaine's] greatest achievement is its playful assimilation of all the genres in tune with its imagery...[Full review in Spanish]” –
La Nación (Argentina)
Mar 13, 2025
Full Review
The Monkey (2025)
79%
4/5
“...The Monkey outlines a playful and unexplained detour, a tribute to the most perverse sins of the 'grindhouse' universe - in a motion that picks up the elements explored by Tarantino in the 2000s...[Full review in Spanish]” –
La Nación (Argentina)
Feb 20, 2025
Full Review
Bridget Jones: Mad About the Boy (2025)
88%
3/5
“...the best of the saga in tune with the original, the best farewell if we didn't know that there would always be a return. [Full review in Spanish]” –
La Nación (Argentina)
Feb 13, 2025
Full Review
The Brutalist (2024)
93%
4/5
“...[Brady Corbet's] cinema is rigorous and imposing, his film follows the instinct of pure creation with the same conviction as his character. [Full review in Spanish]” –
La Nación (Argentina)
Feb 6, 2025
Full Review
Companion (2025)
93%
2/5
“...after the turns to hide the plot twists, it abandons its grace and sets out to hammer on archetypes and, beneath the splashes of gore, turn what was suggested up until then into an obviousness. [Full review in Spanish]” –
La Nación (Argentina)
Feb 5, 2025
Full Review
The Dead Don't Hurt (2023)
86%
5/5
“The Dead Don't Hurt affirms the effectiveness of the [western] genre in the present, its impact on modern concepts such as justice or personal ethics, to once again sow that land of life and truth. [Full review in Spanish]” –
La Nación (Argentina)
Feb 5, 2025
Full Review
Megalopolis (2024)
45%
3/5
“That is the essence of Megalopolis: a wake-up call, a bottle in the sea of apathy, a cinema that subverts the onanistic experience of contemporary entertainment for one that connects us with an open, utopian, and... imperfect view.[Full review in Spanish]” –
La Nación (Argentina)
Jan 7, 2025
Full Review
How to Make Millions Before Grandma Dies (2024)
98%
3/5
“Director Pat Boonnitipat makes no effort to conceal the sentimental underpinnings of his story of reunion and reconciliation, and follows his characters with attention and honesty. [Full review in Spanish]” –
La Nación (Argentina)
Jan 7, 2025
Full Review
Queer (2024)
77%
4/5
“Losing oneself in the other is also losing oneself in the image, which is why Guadagnino is capable of taking his style to the limits of its carnality, where what is visible is not enough to contain all of our sensations. [Full review in Spanish]” –
La Nación (Argentina)
Jan 7, 2025
Full Review
El llanto (2024)
83%
3/5
“The underlying idea is clear, in tune with male violence and its elliptical forms of expression, but the concreteness of the story has ups and downs, less narrative substance…[Full review in Spanish]” –
La Nación (Argentina)
Jan 6, 2025
Full Review
Vera and the Pleasure of Others (2023)
“Tamburello and Actis escape pre-established labels and formulas in their treatment of sexuality, exploring the protagonist's future with a welcome freedom. [Full review in Spanish]” –
La Nación (Argentina)
Nov 27, 2024
Full Review
Coup de Chance (2023)
83%
3/5
“Coup de Chance is not a masterpiece nor does it claim to be. Its light humor, oblique hint of mystery, and confident lightness of tone elevates Coup de Chance above some more cautionary films...[Full review in Spanish]” –
La Nación (Argentina)
Nov 18, 2024
Full Review
We Live in Time (2024)
79%
3/5
“Fortunately, Pugh and Garfield make us feel and believe in what we see and rescue us when the film strays into its own "airs". [Full review in Spanish]” –
La Nación (Argentina)
Nov 8, 2024
Full Review
The Room Next Door (2024)
81%
4/5
“While The Room Next Door does not want to be realistic, as Almodóvar's cinema never was, it does want to be genuine. [Full review in Spanish]” –
La Nación (Argentina)
Nov 8, 2024
Full Review
The President's Wife (2023)
87%
3/5
“The first lady's most human and contradictory nature unravels the most astute thread of the story, balancing the human and the political with a firm hand. [Full review in Spanish]” –
La Nación (Argentina)
Oct 31, 2024
Full Review
Smile 2 (2024)
86%
2/5
“This sequel offers nothing more than the repetition of the same thing with more effects, blood, pop music, and fame as the most predictable hell. [Full review in Spanish]” –
La Nación (Argentina)
Oct 18, 2024
Full Review
Transmitzvah (2024)
3/5
“Guerrero and Minujín slickly work as a duo, skillfully balancing the emotion of the reunion with the ironic commentary on the vagaries of destiny. [Full review in Spanish]” –
La Nación (Argentina)
Oct 13, 2024
Full Review
The Man Who Loved UFOs (2024)
64%
4/5
“Shaking off the traditional biopic and structure of contemporary true crime, The Man Who Loved UFOs embraces its facical nature with irreverent humor... [Full review in Spanish]” –
La Nación (Argentina)
Sep 27, 2024
Full Review
Linda (2024)
4/5
“Linda never takes a misstep and advances with cunning and solvency, focused on an intelligent look at desires and the repressive dynamics that suffocate them. [Full review in Spanish]” –
La Nación (Argentina)
Sep 18, 2024
Full Review
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