Philip Concannon
Philip Concannon's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Seed of the Sacred Fig (2024)
97%
4/5
“Ultimately, The Seed of the Sacred Fig is not really about the rights and wrongs of individuals. It’s a direct attack on a corrupt and oppressive regime that strangles its people, just like the ficus religiosa of the title.” –
The Skinny
Feb 3, 2025
Full Review
Hard Truths (2024)
95%
4/5
“Her entire posture is like a clenched fist, closed off and ready to fight the world, but [Marianne] Jean-Baptiste's astonishingly vivid performance makes us see how her belligerence is rooted in her pain.” –
The Skinny
Jan 27, 2025
Full Review
Soundtrack to a Coup d'État (2024)
97%
4/5
“Soundtrack to a Coup d’Etat is a dense and meticulously constructed picture. ” –
Little White Lies
Jan 21, 2025
Full Review
The Crime Is Mine (2023)
98%
3/5
“The film is comprehensively hijacked in its final third by Isabelle Huppert. She blasts into the picture in full-on diva mode as a grand dame of the silent era now eyeing her chance at a comeback, delivering an outrageously hammy performance.” –
The Skinny
Oct 14, 2024
Full Review
In Camera (2023)
100%
3/5
“The film is at its best when Khalid lets us sit in a discomfiting moment... In Camera doesn’t always hang together, but when it snaps into focus it’s an audacious and exciting picture to experience.” –
The Skinny
Sep 10, 2024
Full Review
Close Your Eyes (2023)
93%
5/5
“Close Your Eyes is driven by a sincere belief in cinema’s power to awaken something within us.” –
The Skinny
Apr 8, 2024
Full Review
Do Not Expect Too Much from the End of the World (2023)
97%
5/5
“Do Not Expect Too Much from the End of the World is frequently an exhilarating and hilarious experience, but the feeling that lingers afterwards is one of emptiness and despair.” –
The Skinny
Mar 5, 2024
Full Review
You Hurt My Feelings (2023)
94%
4/5
“Julia Louis-Dreyfus plays Beth’s sense of betrayal beautifully – it’s hilarious, but rooted in real pain. It again makes you wonder why she hasn’t had more opportunities to carry a film.” –
The Skinny
Feb 7, 2024
Full Review
Barbie (2023)
88%
3/5
“Before she hits the road, being in Barbie Land is just as pleasurable for the viewer as it is for these toys. The depiction of this world is a triumph of imaginative design and skilful craftsmanship.” –
The Skinny
Feb 7, 2024
Full Review
Tori and Lokita (2022)
87%
4/5
“Humane and heart-breaking.” –
Little White Lies
Dec 1, 2022
Full Review
The Innocents (2021)
97%
4/5
“Vogt takes his time unfolding <i>The Innocents</i> and his pacing could be described as too deliberate, but his chilly, mysterious picture exerts an irresistible grip.” –
The Skinny
Jul 21, 2022
Full Review
The Worst Person in the World (2021)
96%
5/5
“While Trier’s film is frequently dynamic and funny, a wistfulness emerges in the second half as the characters contemplate lost time and missed chances.” –
The Skinny
Jul 21, 2022
Full Review
Shirley (2020)
88%
4/5
“As in Madeline's Madeline, Josephine Decker probes at the point where artistic inspiration and exploitation meet.” –
The Skinny
Oct 26, 2020
Full Review
1917 (2019)
88%
6
“It's difficult to fully invest in the drama when you're constantly being prompted to think about the mind-boggling logistics behind the filmmaking.” –
Sight & Sound
Jan 7, 2020
Full Review
Motherless Brooklyn (2019)
65%
2/5
“As a piece of storytelling Motherless Brooklyn just feels so lifeless, with any real sense of danger and excitement seeping out of the picture.” –
The Skinny
Dec 4, 2019
Full Review
By the Grace of God (2018)
96%
3/5
“Not Ozon's most assured piece of storytelling, but a hard film to shake.” –
Little White Lies
Oct 25, 2019
Full Review
The Souvenir (2019)
90%
5/5
“Often painfully intimate... The Souvenir is the kind of film you don't want to end.” –
The Skinny
Aug 21, 2019
Full Review
In Fabric (2018)
92%
4/5
“Strickland's elegant style and exacting attention to detail holds it all together, creating a campy, unsettling and intoxicating environment full of eccentric characters.” –
The Skinny
Jun 26, 2019
Full Review
Apollo 11 (2019)
99%
4/5
“A riveting and awe-inspiring tribute to one of mankind's great achievements.” –
Little White Lies
Jun 26, 2019
Full Review
Being Frank: The Chris Sievey Story (2018)
96%
3/5
“A charming tribute, even if it doesn't quite get inside the head inside the head.” –
Little White Lies
Mar 25, 2019
Full Review
I Do Not Care If We Go Down in History as Barbarians (2018)
92%
4/5
“A potent argument for truth in art, and a provocative challenge for all nations to reckon honestly with their own history.” –
The Skinny
Feb 20, 2019
Full Review
Styx (2018)
93%
4/5
“One of the most compelling cinematic attempts to tackle the ongoing migrant crisis.” –
The Skinny
Feb 20, 2019
Full Review
If Beale Street Could Talk (2018)
95%
5/5
“It's impossible to imagine a film better capturing the romantic, yearning, angry, incisive tones of James Baldwin's voice.” –
The Skinny
Feb 6, 2019
Full Review
The House That Jack Built (2018)
59%
4/5
“Another audacious and nakedly personal self-examination from a fascinating artist” –
The Skinny
Dec 12, 2018
Full Review
Roma (2018)
96%
2/5
“Roma is more impressive as a feat of crowd control than as a piece of visual storytelling or as a character study; it's a film that's easier to admire than to fall in love with.” –
The Skinny
Dec 12, 2018
Full Review
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