Phoebe Chen
Phoebe Chen's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Evil Does Not Exist (2023)
91%
“Ryusuke Hamaguchi’s new film, an eco-thriller set in a sylvan Japanese town, explores the messy entanglements of human, machine, and nature that make up planetary existence.” –
The Nation
Jun 13, 2024
Full Review
Afire (2023)
91%
“Afire plays with that feeling of disjuncture before catastrophe alters what seemed at first like a listless summer into a week freighted with loss.” –
The Nation
Aug 31, 2023
Full Review
Tár (2022)
91%
“By withholding memory and any substantive evocation of Tár's childhood, Field avoids the rationale of a backstory. Her abhorrent behavior is never given a legible motivation and therefore partial absolution.” –
The Nation
Dec 15, 2022
Full Review
Memoria (2021)
90%
“"What was that sound?” is another way of asking: What do I know about the material world and how it behaves? Memoria’s sound design nudges prosaic scraps of ambient noise into the spotlight.” –
The New York Review of Books
Aug 19, 2022
Full Review
Titane (2021)
90%
“Julia Ducournau's surreal horror film is a harrowing exploration of the body and technology.” –
The Nation
Oct 8, 2021
Full Review
The Lost Honor of Katharina Blum (1975)
83%
“Against the starkness of Katharina's timidity and innocence, the depictions of Beizmenne and Tötges veer into hyperbole, but it's this construction of a guileless woman in love that helps stoke audience outrage at her mistreatment.” –
The Nation
Dec 12, 2020
Full Review
Suburban Birds (2018)
84%
“There's no reliance on the easy nostalgia of period markers or a childhood boxed away as idyll; both storylines seem thoroughly contemporary.” –
Cinema Scope
Nov 22, 2019
Full Review
First Love (2019)
98%
8/10
“"The tone of Takashi Miike's latest film is best encapsulated by a single image: a close-up of a freshly severed head, its features wreathed in a goofy, blissed-out grin."” –
Film Comment Magazine
Oct 7, 2019
Full Review
Joker (2019)
68%
5/10
“In aping the ambition and prestige of its motley influences, Joker winds up with a bungled understanding of its own relation to violence.” –
Film Comment Magazine
Oct 7, 2019
Full Review
Henry Glassie: Field Work (2019)
“Glassie appears as an intermittent talking head, relaying principles that sound aphoristic, but charm with their generous reading of the world.” –
Cinema Scope
Sep 12, 2019
Full Review
Drift (2017)
80%
“Crucial to Drift's evocation of place is Nika Breithaupt's remarkable sound design, which signals movement and spatial boundaries as much as do the film's visuals.” –
Cinema Scope
Mar 15, 2019
Full Review
Millennium Mambo (2001)
84%
“Millennium Mambo blunts the many rhythms of urban life into an empty time less lived than passively endured.” –
Screen Slate
Mar 2, 2019
Full Review
Roma (2018)
96%
“However easy it is to dismiss a static or slow camera as performing attentiveness, it works - I have never looked so hard at soapsuds.” –
Another Gaze
Jan 23, 2019
Full Review
Burning (2018)
95%
“Although nothing is explicitly surreal, there are enough off-kilter intrusions to cast the everyday in an odd light, where the inexplicable opens a story to unseen possibilities.” –
Another Gaze
Nov 14, 2018
Full Review
Graduation (2016)
94%
Recommended
“It's in Mungiu's skillful structuring that his themes are given their complexity, through multiple threads that unravel at different rhythms.” –
4:3
Jul 24, 2017
Full Review
Happy End (2017)
69%
Not Recommended
“The film unfolds like a curation of his favourite ideas from movies past, a self-referential object predictably filtered through the theme of bourgeois malaise.” –
4:3
Jul 24, 2017
Full Review
The Love Witch (2016)
95%
Highly Recommended
“Biller's challenge of the surface dares us to be mesmerised without being beguiled, and to parse the realm of female agency without demonising its contradictions.” –
4:3
Apr 1, 2017
Full Review
The Light Between Oceans (2016)
62%
Not Recommended
“What I find so jarring about The Light Between Oceans isn't just its unabashed sentimentality, but its utter reducibility.” –
4:3
Apr 1, 2017
Full Review
Hooligan Sparrow (2016)
97%
Recommended
“To see Wang simply operating the camera is gratifying; a gesture that asserts critical presence in the face of state-orchestrated odds.” –
4:3
Apr 1, 2017
Full Review
We're Still Here: Johnny Cash's Bitter Tears Revisited (2015)
Recommended
“... the film's focus on the history of Native American struggle lifts what would otherwise play out like an extended behind-the-scenes featurette.” –
4:3
Apr 1, 2017
Full Review
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