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Pippa Bailey

Pippa Bailey's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Movies 온라인카지노추천 Shows
Disney's Snow White (2025) 40% “Snow White, in the pursuit of inoffence, Disney has made a film so bland it barely registers. It doesn’t always pay to be the fairest of them all.” – New Statesman Mar 20, 2025 Full Review Nickel Boys (2024) 91% “This is an extraordinarily confident and provocative feature film debut from Ross, and deserves high critical praise. But... Nickel Boys offers more style than satisfaction.” – New Statesman Jan 10, 2025 Full Review Heretic (2024) 91% “Proceedings are elevated by cinematography from Chung-hoon Chung, but there’s only so much he can do with women running up and down staircases. The true enjoyment here is all in the performances.” – New Statesman Nov 1, 2024 Full Review Sing Sing (2023) 97% “An affectionate, tender film about brotherhood and forgiveness.” – New Statesman Aug 28, 2024 Full Review La Chimera (2023) 95% “La Chimera is often like this: meandering and laden with whimsy, but charming enough to be forgiven.” – New Statesman May 8, 2024 Full Review Origin (2023) 81% “There is nothing particularly dramatic about writing “endogamy” on a whiteboard and underlining it. Origin is full of great performances and big ideas, but I’m not convinced that it should have been anything other than a book.” – New Statesman Mar 6, 2024 Full Review Maestro (2023) 78% “Maestro is Mulligan’s movie, and she is its roaring heart. The poise with which she holds sweetness, sacrifice, denial, love and rage within herself is exquisite.” – New Statesman Nov 27, 2023 Full Review May December (2023) 91% “May December is a film that leads you to feel one thing, only to immediately make you question whether you are complicit -- a bad person, even -- for feeling it.” – New Statesman Nov 18, 2023 Full Review Oppenheimer (2023) 93% “At three hours, it is too long -- as, sigh, all films are these days -- but compared with the dimension-bending twists and trickery of the films that made Nolan a superstar director, Oppenheimer feels classier, more serious. ” – New Statesman Jul 20, 2023 Full Review The Wonder (2022) 85% “The Wonder is entirely fresh -- and equally brilliant.” – New Statesman Nov 23, 2022 Full Review White Noise (2022) 64% “White Noise is maximalist, funny, abrasive satire that resists interpretation.” – New Statesman Oct 12, 2022 Full Review Kurt Vonnegut: Unstuck in Time (2021) 93% “Vonnegut says he prefers laughter to crying, and it’s easy to see why... I don’t mean to make Unstuck in Time sound melancholy; it is charming, too.” – New Statesman Jul 27, 2022 Full Review My Octopus Teacher (2020) 93% “Must we view an octopus as a friend, a saviour, a teacher? Couldn't we simply settle for not eating them?” – New Statesman May 12, 2021 Full Review
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