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Rachel Brook

Rachel Brook's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
She Said (2022) 88% 4/5 “... A sensitive exploration of a range of women’s experiences, far beyond systemic sexual harassment and abuses of power.” – One Room With A View Nov 29, 2022 Full Review The Swimmers (2022) 82% 3/5 “... It brings mainstream attention to another deserving migrant story. It's just a shame it does so with such straightforward and unimaginative filmmaking.” – One Room With A View Nov 29, 2022 Full Review The Good Nurse (2022) 74% 2/5 “Buried somewhere within the glacial 2-hour runtime is a tense, pacy 90-minute thrill-ride.” – One Room With A View Oct 31, 2022 Full Review The Lure (2015) 89% 4/5 “Though certainly not for the fainthearted, this is a true original with all the trappings of a cult classic and the potential to be a very fun repertory show, costumes and all.” – One Room With A View Oct 15, 2022 Full Review Granada Nights (2021) 63% 3/5 “Granada Nights is elegantly produced and makes for a gentle, undemanding watch.” – One Room With A View Jun 1, 2021 Full Review EMMA. (2020) 86% 3/5 “Despite Emma's veneer of snarky modernity, Austen's characters and scenarios are rehashed rather predictably.” – One Room With A View Feb 14, 2020 Full Review Begin Again (2013) 83% 3/5 “Though there are a few faultless moments, Begin Again's flaw lies in the fact that there's not nearly enough narrative for the runtime; it's more musical montage than movie.” – One Room With A View Jun 15, 2019 Full Review Serena (2014) 17% 3/5 “Serena packs in as many shock-jolt moments as the average horror movie, though these have above average impact.” – One Room With A View May 31, 2019 Full Review The Inbetweeners 2 (2014) 69% 3/5 “After a strong start The Inbetweeners 2 adds tasteless animal abuse and rape jokes to the mix.” – One Room With A View May 25, 2019 Full Review What If (2013) 74% 4/5 “Billed as the best romcom since (500) Days of Summer, What If doesn't quite earn this praise but it allows Daniel Radcliffe to shine as a leading man almost as magnetic as Joseph Gordon-Levitt.” – One Room With A View May 25, 2019 Full Review If I Stay (2014) 36% 3/5 “Disappointingly little of the rock and classical music shot through the novel is utilised; instead clichéd scoring, familiar dialogue and minimal chemistry between Moretz and Blackley renders Cutler's film far less engaging than its source material.” – One Room With A View May 25, 2019 Full Review Before I Go to Sleep (2014) 36% 4/5 “A persistent score keeps emotions and tension running high while nebulous titles and grainy video footage evoke the faded and partial memories so crucial to the secret-ridden narrative.” – One Room With A View May 25, 2019 Full Review Batched (2014) 66% 4/5 “A finely-crafted combination of high drama and observant kitchen-sink realism shot in Oxford locations makes for a gripping narrative which just about stops short of pandering or polarising.” – One Room With A View May 25, 2019 Full Review Maps to the Stars (2014) 62% 4/5 “It's an unoriginal concept but rarely has this story been told with such visual flair, narrative ingenuity and, despite a character uttering a pivotal fact in the first act, mystery.” – One Room With A View May 25, 2019 Full Review Unbroken (2014) 52% 3/5 “Though excelling with casting, Jolie's direction falls short in style and execution; cheesy dissolves and trite biopic techniques are distractingly formulaic, fracturing absorption with Unbroken's brutal and shocking content.” – One Room With A View May 17, 2019 Full Review Beyond Clueless (2014) 75% 3/5 “Beyond Clueless frequently provokes nostalgic joy whilst also inspiring further cinematic discovery.” – One Room With A View May 17, 2019 Full Review Focus (2015) 56% 3/5 “Very occasionally Focus' Hollywood glamour is offset by an allusion to the idea that money can't buy happiness, but essentially this is a hustler romp with a surprisingly romantic slant.” – One Room With A View May 14, 2019 Full Review Still Alice (2014) 85% 3/5 “Intellectually, the sadness is undeniable, but Still Alice only rarely fulfils its potential for moving the viewer.” – One Room With A View May 14, 2019 Full Review While We're Young (2014) 84% 4/5 “It's rambling, tonally indecisive and contains no one as charming as Frances Ha, but this well-meaning spiritual sequel shines for its wry humour.” – One Room With A View May 10, 2019 Full Review Lost River (2014) 30% 2/5 “There's more than a nugget of intrigue to this era-less, nihilism-inflected tale, but Gosling is too concerned with aesthetic and tone to deliver much of a narrative.” – One Room With A View May 10, 2019 Full Review Far From the Madding Crowd (2015) 85% 3/5 “Conventionality is almost surpassed by fine performances and some technical flair, yet the emphatically romance-driven conclusion is all the more disappointing alongside such winning translation of Hardy's rural verisimilitude.” – One Room With A View May 10, 2019 Full Review The New Girlfriend (2014) 80% 3/5 “Though its respect for the characters and concluding vision of an unconventional family is admirable, The New Girlfriend is most convincing when simply depicting friendship.” – One Room With A View May 10, 2019 Full Review The Age of Adaline (2015) 55% 2/5 “The plot is both ridiculous and overly convenient, stealing screentime from the deserving thorough period production design.” – One Room With A View May 10, 2019 Full Review Clouds of Sils Maria (2014) 91% 3/5 “Clouds of Sils Maria pertinently discusses the nature of interpreting art, but its tedious attention to paparazzi-plagued celebrities is shallower and skews its already meandering trajectory.” – One Room With A View May 10, 2019 Full Review Moomins on the Riviera (2014) 77% 3/5 “Like the Moomins themselves, this film is charming and endlessly imaginative.” – One Room With A View May 10, 2019 Full Review
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