Red Kann
Red Kann's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Only Yesterday (1933)
100%
“The cast -- a long one -- is very competent. Boles does what strikes us as his best work. But nobody in the picture approximates Miss Sullavan's performance for understanding and emotional depth.” –
Motion Picture Daily
Apr 23, 2024
Full Review
The Pearl (1947)
90%
“Pedro Armendariz, whose performance as the police lieutenant in The Fugitive was memorable for its incisive callousness, plays Kino and, for a second time in a somewhat different histrionic channel, again demonstrates dramatic virility and depth.” –
Motion Picture Herald (Exhibitors Herald)
Sep 27, 2022
Full Review
The Lost Weekend (1945)
97%
“The Lost Weekend has power, suspense, intelligence and a performance by Ray Milland which unquestionably will rate him serious consideration for the 1945 Academy award.” –
Motion Picture Herald (Exhibitors Herald)
Feb 1, 2022
Full Review
The Outlaw (1943)
71%
“It is full of unintentional laughs, dialogue which is frequently outlandish and appallingly bad and because it is loaded with comedy situations which might have been funny on paper, but are not on film.” –
Motion Picture Herald (Exhibitors Herald)
Dec 9, 2021
Full Review
Nightmare Alley (1947)
88%
“It has stretches of impact. It is able to boast of a generally strong performance by its star, aided principally by Miss Blondell and Miss Walker.” –
Motion Picture Daily
Dec 3, 2021
Full Review
All the King's Men (1949)
97%
“All the King's Men has production scope in addition to pungency and force. It holds a shattering mirror to an unpleasant side of the American political scene, and, as such, is provocative, thought-inducing, serious entertainment of a high order.” –
Motion Picture Daily
Nov 24, 2021
Full Review
Leave Her to Heaven (1945)
85%
“Here is a beautifully made attraction with an engrossing story, fine performances and top-level production values from go to finish.” –
Motion Picture Daily
Sep 29, 2021
Full Review
The Thing (1951)
87%
“Dramatically, the picture is contrived and rambling; it also takes quite a bit of footage to get to its point. Audiences will have to be in the Buck Rogers mood to accept it.” –
Motion Picture Herald (Exhibitors Herald)
Sep 21, 2021
Full Review
Modern Times (1936)
98%
“Chaplin [has] returned to basic fundamentals in story construction, coupling with it an ironic poke or two at the System, as constituted today, and combined with that his great talent in his first screen appearance since City Lights.” –
Motion Picture Daily
May 6, 2021
Full Review
All About Eve (1950)
99%
“[Bette Davis] has not had so good a role in years. She and the others are characters living in a tinsel and largely artificial world, but nevertheless there is a believability about them which attests fully to the measure of their histrionic abilities.” –
Motion Picture Daily
Apr 1, 2021
Full Review
“[Has] a maze of sequences, most of them dull and all certainly long-winded.” –
Motion Picture News
Mar 9, 2021
Full Review
Imitation of Life (1934)
88%
“Universal has a grand woman's picture here and one that looks like a winner.” –
Motion Picture Daily
Jan 30, 2021
Full Review
Born Yesterday (1950)
97%
“Miss Holliday is simply wonderful. So much is this the fact that, when the plot does not require her presence -- fortunately, not often -- the film slows down.” –
Motion Picture Daily
Jan 26, 2021
Full Review
The Treasure of the Sierra Madre (1948)
100%
“This attraction, produced by Henry Blanke, is never pretty, but it has guts and substance. And also Bogart.” –
Motion Picture Herald (Exhibitors Herald)
Nov 18, 2020
Full Review
Paris (1929)
92%
“The whole affair is a load of fun.” –
Motion Picture News
Nov 13, 2020
Full Review
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