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Rhys Bowen Jones

Tomatometer-approved critic
Biography:

A UK based film critic for JumpCut Online and giant monster movie apologist with a deep love of time travel in film.

Reviews

Movies 온라인카지노추천 Shows
Queens (Reinas) (2024) 88% 4/5 “Klaudia Reynicke has crafted an authentic, poignant piece of cinema that will resonate with so many. It’s a personal, small-scale story told in the shadow of world-altering events, a perfect environment in which characters can be explored and developed. ” – Talking Films Jan 30, 2024 Full Review Black Panther: Wakanda Forever (2022) 84% 3/5 “As a finale to Marvel’s up-and-down Phase 4, it doesn’t hold up, but that’s not why we’re here. As a tribute to Chadwick Boseman and a story in how one moves forward following devastating tragedy, Wakanda Forever hits the spot.” – JumpCut Online Nov 14, 2022 Full Review Glass Onion: A Knives Out Mystery (2022) 91% 5/5 “Glass Onion is best experienced with as little prior knowledge as possible, as the surprises that lie beneath every peeled layer shock and delight in equal measure” – JumpCut Online Nov 7, 2022 Full Review Roald Dahl's Matilda the Musical (2022) 93% 4/5 “Matilda The Musical offers genuine fun and is filled to the brim with impressive musical numbers, all masterfully lead by winning performances from Emma Thompson and her little co-star. A star has been born in Alisha Weir.” – JumpCut Online Oct 18, 2022 Full Review The Woman King (2022) 94% 3.5/5 “Phenomenal performances elevate a script that leaves much to be desired, falling back on its impressive action sequences to satisfy and entertain.” – JumpCut Online Sep 29, 2022 Full Review Pinocchio (2022) 27% 2/5 “Impressive CGI and a vibrant colour palette aside, it’s hard to find a genuine reason for anyone to devote an evening to experience what little Pinocchio brings to the table.” – JumpCut Online Sep 9, 2022 Full Review The Black Phone (2022) 81% 3.5/5 “Taken as a horror film, The Black Phone could underwhelm as it’s mostly light on scares, but it’s far more effective when viewed as a crime thriller. Through this lens, Derrickson has crafted a very unsettling chiller” – JumpCut Online Jun 27, 2022 Full Review Jurassic World Dominion (2022) 29% 3.5/5 “Jurassic World: Dominion doesn’t tarnish the original’s legacy and delivers a mostly satisfying conclusion to this new trilogy. It’s no Jurassic Park, but it’s no The Rise of Skywalker either.” – JumpCut Online Jun 11, 2022 Full Review Top Gun: Maverick (2022) 96% 5/5 “It’s an action masterpiece led by a true master of his craft. Top Gun: Maverick takes cinema to new heights.” – JumpCut Online May 25, 2022 Full Review Doctor Strange in the Multiverse of Madness (2022) 74% 3/5 “Despite the numerous positives, the biggest negative is Doctor Strange in the Multiverse of Madness' screenplay [which] threatens to bring the whole house of cards toppling down.” – JumpCut Online May 7, 2022 Full Review Moonfall (2022) 35% 3/5 “This is Roland Emmerich at his most Emmerich. Moonfall is one of the most deranged blockbusters in recent years.” – JumpCut Online Feb 7, 2022 Full Review Munich: The Edge of War (2021) 84% 3.5/5 “[It] may not break much new ground in terms of war cinema, it's an effectively told story that is sure to satisfy those with even a passing interest in the politics of war.” – JumpCut Online Jan 26, 2022 Full Review Petite Maman (2021) 97% 5/5 “Petite Maman ... is a gorgeous achievement.” – JumpCut Online Jan 1, 2022 Full Review The King's Man (2021) 41% 4/5 “Forgiving a few storytelling missteps, The King's Man is in line to be one of the year's best.” – JumpCut Online Jan 1, 2022 Full Review Tick, Tick... Boom! (2021) 88% 4/5 “tick, tick...Boom! is an impressive showcase of the seemingly unlimited talent of Andrew Garfield, who has finally found the role his boundless energy has so desperately craved.” – JumpCut Online Nov 15, 2021 Full Review The French Dispatch (2021) 75% 4.5/5 “This is Anderson at his most Anderson, and he's having the time of his life.” – JumpCut Online Nov 15, 2021 Full Review Eternals (2021) 47% 2.5/5 “It's a frustrating, occasionally fun, at points brilliant, frequently tiresome journey that never manages to reach any of the potential it so clearly had.” – JumpCut Online Nov 15, 2021 Full Review Malignant (2021) 77% 4/5 “One of the most entertaining cinema trips of the year.” – JumpCut Online Oct 26, 2021 Full Review The Last Duel (2021) 85% 4.5/5 “A brutal, harrowing, intriguing, stunningly well-made film that will linger in your thoughts for quite some time.” – JumpCut Online Oct 26, 2021 Full Review Candyman (2021) 84% 4/5 “Candyman is a stellar new entry into the pantheon of great modern horrors.” – JumpCut Online Aug 27, 2021 Full Review The Place of No Words (2019) 76% 4/5 “The journey through this wild, illogical imagination is delightfully charming, and sure to tug at even the stiffest of heart strings.” – JumpCut Online Aug 27, 2021 Full Review Die in a Gunfight (2021) 16% 1.5/5 “This Romeo & Juilet adaptation is dead on arrival.” – JumpCut Online Aug 27, 2021 Full Review Black Widow (2021) 79% 3/5 “Florence Pugh delivers a terrific performance ... in a fun if inconsequential entry into Hollywood's most successful franchise.” – JumpCut Online Jul 4, 2021 Full Review Occupation: Rainfall (2020) 56% 2/5 “Despite the occasional threat of entertainment and a solid concept at its core, Occupation: Rainfall fails to marry its impressive visual effects with an engaging story, leaving you longing for what could have been.” – JumpCut Online Jul 4, 2021 Full Review The Conjuring: The Devil Made Me Do It (2021) 56% 2/5 “By attempting to balance so much into one film - true crime, Ed and Lorraine's relationship, telling its demon story - The Devil Made Me Do It fails to successfully execute any of its main features.” – JumpCut Online Jun 4, 2021 Full Review
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