Fantasy Life (2025)
B
“Peet’s Dianne, a middle aged actress wanting to recapture the magic of her career from just a few years ago, is easily the best work of her career...” –
AwardsWatch
Apr 14, 2025
Full Review
Uvalde Mom (2025)
B+
“While Uvalde Mom does end on a hopeful (if rushed) note for Rose Gomez and her family, the fight is still on-going in this small Texas town for justice for all. Only time will tell if everyone will get it, and if that feeling of normalcy will ever return.” –
AwardsWatch
Mar 15, 2025
Full Review
Slanted (2025)
82%
C+
“Slanted shows the promise of an up-and-coming voice in filmmaking that isn’t able to stick the landing with her debut, but provides a glimpse of a new voice to keep an eye out for over the next couple of years.” –
AwardsWatch
Mar 15, 2025
Full Review
$POSITIONS (2025)
C+
“What if someone took the style of the Safdie Brothers and placed it inside the Midwest? Well then you would get Brandon Daley’s debut feature $POSITIONS, which follows Mike, a factory worker who is slowly becoming obsessed with the world of cryptocurrency” –
AwardsWatch
Mar 15, 2025
Full Review
The Dutchman (2025)
64%
D-
“The Dutchman is a bland, uninteresting, embarrassing examination of modern racial politics and dynamics. ” –
AwardsWatch
Mar 15, 2025
Full Review
We Bury the Dead (2024)
88%
C-
“We Bury the Dead is good when it is a two-hander, but it is even better when it is just focused on Ridley, who has moments here where she gets to rummage through his wasteland with nothing more than an ax and a limp in her step.” –
AwardsWatch
Mar 15, 2025
Full Review
The Threesome (2025)
84%
C-
“he Threesome [is] a repetitive, flaccid exercise.” –
AwardsWatch
Mar 13, 2025
Full Review
Forge (2025)
B
“Forge feels like a mix of Out of Sight and To Live and Die in L.A., while also patiently carving its own voice within a high stakes world of art and deception.” –
AwardsWatch
Mar 13, 2025
Full Review
The Rivals of Amziah King (2025)
97%
A-
“In his first on-camera role in close to six years, McConaughey delivers one of the best performances of his career and his best work in over a decade.” –
AwardsWatch
Mar 13, 2025
Full Review
Death of a Unicorn (2025)
54%
C
“Honestly, the whole plot of the movie feels like a knock-off version of The Lost World: Jurassic Park, just with a lot grislier deaths in this than in Spielberg’s original monster movie. ” –
AwardsWatch
Mar 10, 2025
Full Review
Another Simple Favor (2025)
81%
B
“Another Simple Favor is an entertaining; it’s just a shame audiences will have to experience this film at home because this sequel was born for audiences to laugh and gasp at every turn together in a theater.” –
AwardsWatch
Mar 10, 2025
Full Review
The Accountant 2 (2025)
78%
B+
“The Accountant 2 is a better overall film than the original and one of the most entertaining films of the year so far.” –
AwardsWatch
Mar 10, 2025
Full Review
Juror #2 (2024)
93%
C-
“But between Francis Ford Coppola’s Megalopolis, Robert Zemeckis’ Here, and now Eastwood’s Juror #2, it might be safe to say that not all legendary directors need to keep chugging along in their careers, making lesser films just to keep working.” –
AwardsWatch
Oct 29, 2024
Full Review
The Room Next Door (2024)
81%
A
“...a showcase for two of the greatest living actresses on the planet coming together to deliver incredibly layered, deeply familiar performances in another Almodóvar masterpiece.” –
AwardsWatch
Oct 9, 2024
Full Review
The Piano Lesson (2024)
88%
B
“The Piano Lesson a profound look into a family’s relationship with the past, and how embracing it can cleanse their souls to carry on their own version of a legacy.” –
AwardsWatch
Sep 4, 2024
Full Review
Saturday Night (2024)
78%
B+
“...the film rests upon the shoulders of LaBelle’s turn as the iconic Lorne Michaels, and much like his stellar work in The Fabelmans, he proves himself to be one of the most engaging, bright young actors we have working today. ” –
AwardsWatch
Sep 3, 2024
Full Review
Conclave (2024)
93%
C
“In a perfect showcase for his immense talent, Tucci delivers one of the best performances of his career as Bellini, as we see this man gain and lose the trust of his most loyal friend only to ask forgiveness for his angry transgression.” –
AwardsWatch
Sep 2, 2024
Full Review
How to Blow Up a Pipeline (2022)
95%
B
“It seeks to change the minds of people around the world, whether or not it will do that will ultimately be the legacy of the film and the topic of climate control as a whole.” –
InSession Film
Aug 27, 2024
Full Review
Trap (2024)
57%
“Shyamalan's latest release finds the director delivering his most realistic concept to date, while simultaneously making his best film in twenty years with Trap.” –
AwardsWatch
Aug 2, 2024
Full Review
MaXXXine (2024)
72%
B
“[Ti]West’s detailed build-up within the first two acts of the film is some of the best work of his career.” –
AwardsWatch
Jun 27, 2024
Full Review
The Watchers (2024)
33%
D+
“In making her first film, Ishana Night Shyamalan stumbles at trying to find her footing in a pale imitation of one of her father’s projects.” –
AwardsWatch
Jun 6, 2024
Full Review
Furiosa: A Mad Max Saga (2024)
90%
A
“Turning Furiosa: A Mad Max Saga into a full-on revenge story allows us to fully understand the faults in Furiosa’s history and, thus, why her “redemption” in Fury Road is so important to her.” –
AwardsWatch
May 17, 2024
Full Review
Kingdom of the Planet of the Apes (2024)
80%
B
“For having a bloated middle section, Kingdom of the Planet of the Apes carries one of the best third acts within a Hollywood blockbuster from this decade.” –
AwardsWatch
May 8, 2024
Full Review
The Card Counter (2020)
88%
D
“The Card Counter is a misstep that makes you want to just fold in your hand and leave the table for good.” –
InSession Film
Apr 4, 2024
Full Review
Godzilla vs. Kong (2021)
76%
B-
“Even though the humans are the sour mark on the overall film, Godzilla vs. Kong is still enjoyable...” –
InSession Film
Apr 4, 2024
Full Review
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