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Sarah Kerr

Sarah Kerr's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Shall We Dance? (1996) 90% “[Not] quite art, and it doesn’t qualify as mass entertainment either. But it’s alert to its characters’ constantly evolving desires in ways that high- and low-culture movies, with their strict aesthetics or their mass-market formulas, tend not to be. ” – Slate Aug 21, 2024 Full Review In the Mood for Love (2000) 92% “In the Mood's exquisite refinement adds a new hue to Wong's rainbow while doing no harm to his reputation as the reigning king of pure, unfiltered cinematic cool.” – Vogue Jul 15, 2023 Full Review Selena (1997) 66% “It tries to satisfy too many different groups at once and ends up watering down the art so much it satisfies no one.” – Slate Feb 27, 2020 Full Review Pulp Fiction (1994) 92% “These days a genuine movie surprise is so rare that it feels like a gift.” – The New York Review of Books Apr 8, 2019 Full Review Broken Embraces (2009) 82% “Broken Embraces moves us with flashes of real beauty. But somehow, instead of setting up house in our memory it departs quickly and lightly when it is done.” – The New York Review of Books Mar 13, 2019 Full Review Evita (1996) 64% “After all the painstaking verisimilitude the movie neglects its characters. Evita the woman shrinks. It's the background we react to-especially the crowd, with its power to applaud or boo.” – The New York Review of Books Aug 16, 2018 Full Review The Piano (1993) 90% “It means nothing, and teaches nothing, but it reaches us in some intense and direct way.” – The New York Review of Books Aug 15, 2018 Full Review If Lucy Fell (1996) 19% “A bleak, annoyingly quirky Gen-X recasting of the When Harry Met Sally notion that true love is based on friendship.” – The New Yorker Jul 30, 2013 Full Review The English Patient (1996) 86% “The whole film is permeated with tenderness for its hurt characters, whom Minghella sees as just a small slice in the fellowship of people who love and suffer.” – Slate Jan 29, 2008 Full Review Contact (1997) 68% “When Contact finally comes alive, it leaves you frightened and thrilled and emotionally overwrought, as only a child can be. The rest is pandering.” – Slate Jun 8, 2007 Full Review Practical Magic (1998) 26% “[Practical Magic] can't decide whether it's a horror show, a cute comedy, or a soap opera.” – The New Yorker Jan 1, 2000 Full Review Jerry Maguire (1996) 85% “You could do far worse than the quest for a reasonable adult happiness.” – Slate Jan 1, 2000 Full Review
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