The Holdovers (2023)
97%
“[T]his is the movie that Payne’s been hoping to make since his 90s heyday, a film that earns both its jaundiced gaze and its catharsis.” –
The Spool
Nov 19, 2023
Full Review
She Came to Me (2023)
48%
“She Came To Me seems almost experimental, an exercise in seeing how far you can warp and stretch a joke until it no longer resembles one. ” –
The Spool
Sep 30, 2023
Full Review
Landscape with Invisible Hand (2023)
72%
“Maddeningly the film’s burlesque of antique domesticity never finds purchase in the rest of the narrative.” –
The Spool
Aug 18, 2023
Full Review
The Deepest Breath (2023)
85%
“It's a tragic missed opportunity to get so close (to its subject) and refuse to go deeper.” –
The Spool
Jul 24, 2023
Full Review
Afire (2023)
91%
“Spare a thought for the white male writer in your life. Christian Petzold just roasted him so bad they’re beyond saving; just grab a marinade and sides.” –
The Spool
Jul 13, 2023
Full Review
The Innocent (2022)
98%
“The Innocent’s manic pace and screwball situations feel just far enough away from the naturalistic, ever so slightly-presentational style of Garrel’s father that it’s clear he’s forging his own path. ” –
The Spool
Jun 18, 2023
Full Review
The Best Man (2023)
33%
“It’s the rare movie with nothing to offer.” –
The Spool
Jun 14, 2023
Full Review
R.M.N. (2022)
97%
“ Mungiu has found an edifying middle ground between his wilder ambitions and the style in which he made his name.” –
The Spool
Jun 14, 2023
Full Review
The Cow Who Sang a Song Into the Future (2022)
88%
“The joy of the film is in its narrative flow.” –
The Spool
Jun 14, 2023
Full Review
Asteroid City (2023)
76%
“With Asteroid City, Anderson opens his world of perfect surfaces and Tinkertoy art direction to the spontaneity of the American theater. It’s a bigger risk than he’s taken in many moons, and it has yielded his most quietly profound work in years.” –
The Spool
Jun 8, 2023
Full Review
Jethica (2022)
92%
“Pete Ohs' high-concept supernatural comedy tries on a lot of hats, but none of them fit very well.
” –
The Spool
Jan 15, 2023
Full Review
Petite Maman (2021)
97%
“Relentlessly touching...” –
RogerEbert.com
Dec 23, 2022
Full Review
Paris, 13th District (2021)
83%
“Audiard’s not been this sharp and electric in a decade at least, understandably energized by his incredible cast and by the intensity of the sexual dynamics explored within.” –
RogerEbert.com
Dec 23, 2022
Full Review
Zátopek (2021)
“Václav Neuzil plays Zátopek and it’s the kind of obviously impressive performance awards bodies love, but that makes it sound more obvious than it is.” –
RogerEbert.com
Dec 23, 2022
Full Review
She Said (2022)
88%
“[An] artless Wikipedia entry of an Oscar competitor.” –
RogerEbert.com
Oct 18, 2022
Full Review
The Munsters (2022)
55%
3.5/4
“A completely innocent, at times screamingly funny movie that’s mostly about an idealized world made of '60s cultural icons.” –
RogerEbert.com
Sep 27, 2022
Full Review
The Amusement Park (1975)
97%
4/4
“"The Amusement Park" is the only one of Romero's films that feels deliberately episodic without losing its through-line.” –
RogerEbert.com
Jun 16, 2021
Full Review
3 From Hell (2019)
58%
4/4
“3 from Hell has moments of abject horror, but fans of Zombie's autumnal provocations will be rewarded with his most earnest and laid back nightmare yet...” –
RogerEbert.com
Mar 2, 2021
Full Review
The Godfather, Coda: The Death of Michael Corleone (1990)
86%
B+
“It's tighter, leaner, and, especially now that the movie is implicitly about looking back on past mistakes, has that glow about it of an ugly but beautiful past.” –
Consequence
Dec 4, 2020
Full Review
Stardust (2020)
19%
F
“For the love of god, If you love your artists, I beg of you, just listen to their albums. Don't do this to them. You'd be better off drawing caricatures of them and selling them on the boardwalk. That interaction is over in 10 seconds.” –
Consequence
Nov 25, 2020
Full Review
On the Rocks (2020)
87%
3.5/4
“I don't usually come to Coppola for tidiness, for adorable antics, for a quick look inside the guts of the American cinema and its place on the world stage, but On the Rocks is all that and more.” –
RogerEbert.com
Sep 24, 2020
Full Review
12 Hour Shift (2020)
78%
B
“This strange and anxious mixture of the Working Women comedies of yesteryear with the cramped hospital horror shows of our Saturday night sleepovers is always compelling, always nerve-wracking, mostly funny, and agreeably gross.” –
Consequence
Aug 22, 2020
Full Review
Tesla (2020)
58%
“Almereyda's script is perhaps his best, but even so it barely keeps up with his stunning visual language.” –
The Spool
Aug 20, 2020
Full Review
Eric Andre: Legalize Everything (2020)
B+
“Legalize Everything isn't the complete success the best of Eric Andre's work is, but as a first look at what he can do to this format, it's a breath-taking experiment, and more often than not, painfully hilarious.” –
Consequence
Jun 23, 2020
Full Review
Capone (2020)
40%
A-
“Josh Trank's had to suffer a lot to get to make his art, and Capone is one of the most bravely singular and uncommon films you'll see this year.” –
Consequence
May 13, 2020
Full Review
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