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Sherilyn Connelly

Sherilyn Connelly's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies 온라인카지노추천 Shows
Celebration (2018) 100% “Though a document of an ostensible celebration, Celebration is never celebratory, and maybe that's the point.” – SF Weekly Dec 28, 2021 Full Review Scandalous: The Untold Story of the National Enquirer (2019) 82% “Scandalous is kinda fun until it becomes a reminder of why we can't have nice things.” – SF Weekly Nov 18, 2019 Full Review Collisions (2018) 83% “Collisions tells its story in a timeless way.” – SF Weekly Nov 7, 2019 Full Review Danger Close: The Battle of Long Tan (2019) 71% “What makes this familiar vision of the apocalypse work now is composer Caitlin Yeo, whose burbling score gives Danger Close a sense of mid-70s Peter Weir-ish mysticism the film itself almost doesn't deserve.” – SF Weekly Nov 7, 2019 Full Review Greener Grass (2019) 83% “Jill is the ostensible protagonist because she has something resembling an emotional arc, yet she's so often a part of the random weirdness that it's difficult to identify with her.” – SF Weekly Oct 31, 2019 Full Review The Current War: Director's Cut (2019) 61% “[Alfonso] Gomez-Rejon shoots this infrastructure origin story like an action movie, complete with heart-pounding closeups of old-timey technology, and plenty of wide vistas and dramatically stormy nighttime skies.” – SF Weekly Oct 24, 2019 Full Review The Kill Team (2019) 69% “Even if Nat [Wolff] never uttered a single phoneme in The Kill Team you'd know where Briggman is emotionally at any moment. Most actors would kill for that talent.” – SF Weekly Oct 24, 2019 Full Review The Day Shall Come (2019) 65% “One of the best films of 2019, The Day Shall Come is fast-paced and features far wittier dialog than most domestic comedies.” – SF Weekly Oct 17, 2019 Full Review The Dead Center (2018) 94% “[Billy] Senese... makes great use of the sound design, and glitchy visuals which are unnerving without resorting to cheap jump scares. But most importantly, The Dead Center gives us more [Shane] Carruth, and he brings the film to life.” – SF Weekly Oct 10, 2019 Full Review The Ground Beneath My Feet (2019) 90% “[Marie] Kreutzer paints a... nuanced portrait of the dehumanizing effects of the aesthetically-sterile, male-dominated business world.” – SF Weekly Oct 10, 2019 Full Review Britt-Marie Was Here (2019) 71% “Nearly every element in Britt-Marie Was Here feels familiar, down to the subplot of the evil rich person wanting to close down a youth center... but... the elements work.” – SF Weekly Sep 26, 2019 Full Review Desolation Center (2018) 100% “It's not fair to hold isolated events responsible for the things they inspire, which is why it's okay to revel in Stuart Swezey's documentary Desolation Center even knowing the events it relates led to Burning Man, and Burners ruin everything.” – SF Weekly Sep 19, 2019 Full Review Ms. Purple (2019) 86% “Filmmaking is all about the right visual tool for the right job, and Justin Chon's Ms. Purple makes use of lush colors to tell its contemplative story.” – SF Weekly Sep 19, 2019 Full Review Raise Hell: The Life & Times of Molly Ivins (2019) 95% “Molly Ivins fanned flames constantly throughout her life. Her fearlessness was matched only by her sense of humor, and both are ably honored in Janice Engel's inspiring documentary... which comes down on the side of freedom of expression.” – SF Weekly Sep 12, 2019 Full Review Haunt (2019) 71% “Haunt strives for some emotional resonance by establishing that Harper's father was abusive, hence she grew up in a "real" haunted house, geddit? But it comes across as tasteless-in-a-bad-way.” – SF Weekly Sep 12, 2019 Full Review Tigers Are Not Afraid (2017) 97% “Mexico's ongoing horror renaissance continues unabated with Issa López's wonderful Tigers Are Not Afraid.” – SF Weekly Sep 5, 2019 Full Review Miles Davis: Birth of the Cool (2019) 91% “It's a warts-and-all 101 of Davis's life and career until his 1991 death, in which those warts get more or less shrugged off because he geniuses like him are often problematic, so what are you gonna do?” – SF Weekly Sep 5, 2019 Full Review The Fanatic (2019) 15% “Who knew the frontbro of Limp Bizkit was such a competent director?” – SF Weekly Aug 29, 2019 Full Review Buñuel in the Labyrinth of the Turtles (2018) 98% “Buñuel in the Labyrinth of the Turtles is most interesting when it questions the exploitation of poverty and Luis staging events for supposedly non-fiction films.” – SF Weekly Aug 22, 2019 Full Review After the Wedding (2019) 45% “Though heavy-handed at times-you'd best believe a nest with broken eggs symbolizes what you think it does-the picture moves along at a breakneck pace.” – SF Weekly Aug 16, 2019 Full Review Love, Antosha (2019) 97% “The often-ribald anecdotes related by people like Yelchin's Star Trek co-stars Chris Pine and Simon Pegg don't feel like violating his privacy so much as honoring his memory in the most celebratory way possible.” – SF Weekly Aug 16, 2019 Full Review The Mountain (2018) 63% “If [Jeff] Goldblum's signature performance tics are largely dialed back, then [Tye] Sheridan barely registers, all slouches with hands jammed in pockets. He's also ideal for the part in a way a more dynamic performer wouldn't be.” – SF Weekly Aug 9, 2019 Full Review Tel Aviv on Fire (2018) 89% “In addition to being fast-paced and very funny, Sameh Zoabi's Tel Aviv on Fire is as timely a parable on the dangers of fan entitlement as you could hope for.” – SF Weekly Aug 9, 2019 Full Review The Queen (1968) 96% “There is some backstage drama in The Queen - mostly involving the lithe, almost frustratingly pretty Harlow - but what comes across is not competition or catfights, but camaraderie.” – SF Weekly Aug 1, 2019 Full Review Mike Wallace Is Here (2019) 94% “[Avi] Belkin looks back through Wallace's broadcast career, including Wallace's early rent-paying days as a chain-smoking commercial pitchman up through his prominence as a journalist who asked the tough questions nobody else was asking.” – SF Weekly Aug 1, 2019 Full Review
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