Bullet Train Explosion (2025)
73%
“It’s a bombastic, over-the-top work of action expressionism with a gooey, cheesy, utterly human core.” –
JoySauce.com
Apr 25, 2025
Full Review
A Normal Family (2023)
100%
“In streamlining the novel’s structure, Hur ends up taking a considerable amount of time to illuminate its central drama” –
Truthdig
Apr 25, 2025
Full Review
Sinners (2025)
98%
“It’s surprising that it holds together, given the sheer number of tones on display. What’s practically a miracle, however, is that it’s also one of 2025’s most sharply conceived works of popcorn entertainment.” –
Polygon
Apr 10, 2025
Full Review
Forge (2025)
“It’s deliberate in its drama, but languorous in its unveiling, taking its sweet time to put its pieces together despite tipping its hand for the audience in advance.” –
JoySauce.com
Apr 7, 2025
Full Review
Fucktoys (2025)
92%
“A film set on the fringes of society, emanating from beyond the boundaries of “acceptable” taste. It’s a delicious throwback to the low-budget indie trash of early John Waters.” –
JoySauce.com
Apr 4, 2025
Full Review
A Minecraft Movie (2025)
48%
“The perfect film for the age of generative A.I.” –
JoySauce.com
Apr 2, 2025
Full Review
Warfare (2025)
93%
“Few American war movies have featured the kind of breathtaking tension Warfare instills — or the kind of eardrum-rupturing sound. A harrowing work of cinema whose intuitive (and at times ugly) story is locked in an inherent clash with its own imagery.” –
Inverse
Mar 28, 2025
Full Review
The Woman in the Yard (2025)
44%
“How a movie likes this comes to exist, in such preposterous form, is a mystery unto itself — one far more interesting than what ends up on screen.” –
Mashable
Mar 28, 2025
Full Review
Slanted (2025)
82%
“It’s anodyne, un-confrontational racial satire, with rote observations more befitting of an Instagram slide. Whatever version of the movie may have once existed, the final product has little intellectual or emotional rigor. ” –
JoySauce.com
Mar 26, 2025
Full Review
The Encampments (2025)
94%
B+
“The propulsive rhythms of “The Encampments” would’ve been effective regardless of its release date. However, the student protest documentary’s theatrical bow injects its arrival with political urgency. ” –
IndieWire
Mar 25, 2025
Full Review
October 8 (2024)
72%
“It's not very good or convincing as a piece of cinema, though its straightforward, flimsy form likely won’t matter when it’s preaching to the choir.” –
JoySauce.com
Mar 24, 2025
Full Review
Revelations (2025)
68%
“A rare misfire for South Korean maestro Yeon Sang-ho: a religiously themed saga told by capable actors, but filled to the brim with big ideas that barely hold together.” –
JoySauce.com
Mar 24, 2025
Full Review
Tyler Perry's Duplicity (2025)
“Soap opera-like in delivery, yet emotionally sanitized, Tyler Perry’s Prime drama “Duplicity” is a languorous affair. It’s a strange-looking, odd-feeling film that gestures toward mystery and larger conspiracy, but it seldom pulls on these threads.” –
Variety
Mar 24, 2025
Full Review
The Alto Knights (2025)
40%
6/10
“The Alto Knights falls somewhere between caricature and straightforward drama. However, with Robert De Niro in both leading roles, there’s always something interesting to watch, even if it’s buried by mountains of repetitive dialogue.” –
IGN Movies
Mar 24, 2025
Full Review
Y2K (2024)
42%
2/5
“Light on laughs, and even lighter on drama, Kyle Mooney’s throwback high-school romcom/tech-horror shifts uneasily between its various modes and tones, but never finds its groove.
” –
Empire Magazine
Mar 24, 2025
Full Review
Shuffle (2025)
“The film offers an intimate chronicle of three drug users and several whistleblowers trying to turn over new leaves, as they gradually paint a chilling portrait of a predatory system of faux-recovery.” –
Variety
Mar 24, 2025
Full Review
Are We Good? (2025)
“The movie feels, at times, like having a lengthy stand-up routine interrupted in order to explain its origins.” –
Mashable
Mar 24, 2025
Full Review
We Are Storror (2025)
90%
“Nail-biting, jaw-dropping, and simply beautiful, We Are Storror is Bay’s Broyaanisqatsi—a massive, globe-hopping piece of Godfrey Reggio-esque nonfiction, whose vistas of life in motion, or hanging by a thread, transform the frame into a mirror. ” –
JoySauce.com
Mar 24, 2025
Full Review
She's the He (2025)
100%
“It sounds like a ferocious right wing fever dream, but the result is a meaningful comedy-drama about identity, and the confusion of burgeoning youth.” –
Variety
Mar 24, 2025
Full Review
The Rivals of Amziah King (2025)
97%
“It's country maximalism, with a highly controlled visual approach that feels liberated, to the point of overcoming even the movie's most noticeable flaws.” –
Mashable
Mar 24, 2025
Full Review
The Actor (2025)
77%
“Like [its lead character], the movie lacks a distinct sense of self. All the lighting cues in the world can’t make up for a story about a person granted no personhood by the camera.” –
Mashable
Mar 24, 2025
Full Review
The Secret of Me (2025)
“A winding and at-times enraging medical exposé, Grace Hughes-Hallett’s feature debut “The Secret of Me” is stylistically straightforward, but emotionally self-assured. ” –
Variety
Mar 24, 2025
Full Review
Rule Breakers (2025)
84%
“A film of cheap sentiment, broad platitudes, and little sense of tangible reality, sprinkled with baffling hints of rah-rah Americanism.” –
JoySauce.com
Mar 24, 2025
Full Review
In the Lost Lands (2025)
24%
“Both visually and narratively incomprehensible, it functions as a vehicle for wrestler-turned-serious-actor Dave Bautista, who unfortunately finds himself in exactly the wrong kind of film for someone who wants to be regarded with respect” –
JoySauce.com
Mar 24, 2025
Full Review
We Bury the Dead (2024)
88%
““We Bury the Dead” wrestles with how much it wants to be a zombie movie. It’s at its most interesting and exciting when it approaches the well-worn subgenre with brand-new spins. Unfortunately, it keeps swerving back toward traditional horror territory.” –
Variety
Mar 24, 2025
Full Review
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