Mission: Impossible - The Final Reckoning (2025)
81%
4.5/5
“If he does mothball his on-screen involvement in the M.I. franchise with THE FINAL RECKONING, Tom Cruise leaves behind an action film legacy on par with that of a certain Brit superspy.” –
Screen-Space
May 16, 2025
Full Review
Rust (2024)
54%
4/5
“Authentically mounted and rich in genre tropes/traditions, RUST is a finely rendered contemporary staging of an ol’ Hollywood ‘oater’, bolstered by resonant performances by Baldwin and McDermott.” –
Screen-Space
May 16, 2025
Full Review
Hurry Up Tomorrow (2025)
16%
2/5
“A wildly indulgent ode to narcissistic self-obsession, in which Abel gets to scream, “F*** you, bitch!” at women who point out his flaws yet still wants Shults (who tries hard) to paint him as some sort of ‘sensitive guy’.” –
Screen-Space
May 16, 2025
Full Review
The Wedding Banquet (2025)
88%
3/5
“Overly earnest in parts, but warmly affecting.” –
Screen-Space
May 9, 2025
Full Review
Clown in a Cornfield (2025)
73%
2.5/5
“Eli Craig crafted one of my fave horror-comedies in Tucker and Dale vs. Evil (2010), but can’t gel all the elements as assuredly here.” –
Screen-Space
May 9, 2025
Full Review
Riefenstahl (2024)
100%
4/5
“This documentary [allows] the oft-vilified filmmaker a strong voice...that echoes denial, defence and defiance. It is ultimately entirely clear which side of the discussion Veiel favours, but his argument is never not balanced and meticulous.” –
Screen-Space
May 7, 2025
Full Review
Absolute Dominion (2025)
3/5
“A film lacking the carnage and anarchy (and budget) of [Lexi] Alexander’s past features but not without its own likable energy.” –
Screen-Space
May 7, 2025
Full Review
An Unfinished Film (2024)
77%
3.5/5
“It’s all very real, probably too real for some, and the question needs to be asked if this deep an immersion in pandemic psychology is appropriate so soon after the event.” –
Screen-Space
May 2, 2025
Full Review
Thunderbolts* (2025)
88%
3.5/5
“[Less] an excuse for grand CGI spectacle...and more a toe-dip into the dark psychology of super heroism/villainy.” –
Screen-Space
May 2, 2025
Full Review
Ingress (2023)
3.5/5
“[There is] genuine tenderness and heartfelt honesty evident across all aspects of both Rachel Noll James’ narrative and production.” –
Screen-Space
Apr 29, 2025
Full Review
The Accountant 2 (2025)
76%
3/5
“There’s enough droll humour in Gavin O’Connor’s unlikely sequel to his 2016 sleeper hit to almost counter-balance just how utterly bonkers this narrative truly is.” –
Screen-Space
Apr 26, 2025
Full Review
Until Dawn (2025)
53%
4/5
“Applies nightmare-logic to its unfolding terrors, meaning it all kind of makes sense, but isn’t derailed when it doesn’t.” –
Screen-Space
Apr 26, 2025
Full Review
Conjuring Tapes (2025)
3/5
“[Co-directors Robert Livings and Randy Nundlall Jr.] fulfil the brief of finding convincing frights within the short-film form and binding it all together with a wrap-around narrative logic.” –
Screen-Space
Apr 19, 2025
Full Review
Warfare (2025)
93%
4/5
“A war film that defies narrative convention in favour of snapshot immediacy and immersive horror.” –
Screen-Space
Apr 19, 2025
Full Review
Sinners (2025)
97%
5/5
“Sinners earns its indulgences; Coogler has crafted a sexy, sweaty mainstream studio work that fearlessly addresses generational trauma, racial hatred, cultural appropriation and fierce defiance.” –
Screen-Space
Apr 19, 2025
Full Review
Bad Genius (2024)
72%
4/5
“Pulses with the energy and thrills of a heist film, but it is the deeper theme of privileged America exploiting the intelligence and ambitions of the nation’s minorities that resonates.” –
Screen-Space
Apr 12, 2025
Full Review
Death of a Unicorn (2025)
54%
2/5
“Probably read great conceptually - a fantasy-horror-comedy that sharpens its horn on greedy big-business ethics - but...can’t nail the landing.” –
Screen-Space
Apr 12, 2025
Full Review
The Amateur (2025)
60%
3/5
“Malek is never not watchable, but in the era of Jason Bourne and Ethan Hunt, a morally questionable anti-hero whose cunning involves a lot of screen watching and keyboard action keeps the tension low.” –
Screen-Space
Apr 12, 2025
Full Review
Dog Man (2025)
80%
4/5
“Wildy energetic, warmly humane and frantically funny to boot, this adaptation of Dav Pilkey’s crimefighting canine-human cop hybrid-hero will thrill kids and delightfully distract parents.” –
Screen-Space
Apr 4, 2025
Full Review
A Minecraft Movie (2025)
47%
4/5
“I’m no gamer, so I can’t speak to how much of that experience is captured, but as a filmgoer, A MINECRAFT MOVIE is a joyous, silly, spectacularly giddy romp.” –
Screen-Space
Apr 4, 2025
Full Review
Grace Point (2023)
3.5/5
“A frantic journey from a point of desperate realisation to the emergence of a stronger self is how many addicts would categorise their trajectory to sobriety. Director Rory Karpf...has structured a terrific slow-burn thriller based on that very premise.” –
Screen-Space
Apr 2, 2025
Full Review
The Day the Earth Blew Up: A Looney Tunes Movie (2024)
86%
4/5
“In bringing the animation icons to fresh life, director Peter Browngardt runs the artistic gamut with the assuredness of a true cartoon history fan.” –
Screen-Space
Mar 30, 2025
Full Review
A Working Man (2025)
49%
1/5
“When [Statham's] earnestness knocks up against stony-faced pretension, as it does in David Ayer’s horrible envisioning of Sylvester Stallone’s boring, bloated script, it plays like a hollow ‘80s action trope pastiche.” –
Screen-Space
Mar 30, 2025
Full Review
Oh Canada (2024)
64%
4/5
“Wheelchair-bound and conveying physical and emotional pain with an aching acuity, Richard Gere gives a career-best performance in iconoclast filmmaker Paul Schrader’s introspective study of a man struggling with legacy, memory and artistry.” –
Screen-Space
Mar 30, 2025
Full Review
Night of the Zoopocalypse (2024)
93%
4/5
“Plenty of laughs, but [also] nightmare material for most kids (and some parents).” –
Screen-Space
Mar 21, 2025
Full Review
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