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Srivathsan Nadadhur

Srivathsan Nadadhur's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Movies 온라인카지노추천 Shows
Robinhood (2025) “Robinhood is tolerable, to an extent, when it pitches itself as a low-stakes action comedy, even if it has highly exaggerated characters and pointless situations. Yet, it runs out of steam quickly.” – The Hindu Mar 28, 2025 Full Review Dilruba (2025) “Dilruba is a forgettable action-romance undone by its chaotic screenplay and insensitive treatment of a reasonably good idea.” – The Hindu Mar 14, 2025 Full Review Brahma Anandam (2025) “Director RVS Nikhil exhibits a flair for humour and eccentric characterisation, but his lack of narrative focus weakens Brahma Anandam.” – The Hindu Feb 14, 2025 Full Review Daaku Maharaaj (2025) “Apart from Balakrishna and Shraddha Srinath’s performances, the action choreography, cinematography and the music salvages it to an extent.” – The Hindu Jan 17, 2025 Full Review Bachchala Malli (2024) “The issue with Bachchala Malli is not its titular character or his problems, it is the directionless storytelling.” – The Hindu Dec 27, 2024 Full Review Care of Kancharapalem (2017) 100% 4/5 “C/O Kancharapalem raises a toast to sincere, uncinematic storytelling, gives power to those unheard regional voices and does its part in undoing the stereotypical portrayal of community-specific stories in Telugu cinema.” – The Times of India Jan 16, 2024 Full Review Chandramukhi 2 (2023) “This Chandramukhi sequel brings back all the elements that we associated and enjoyed about the 2005 Rajinikanth-Jyotika blockbuster directed by P Vasu, but a sense of superficiality and predictability exists throughout.” – The Hindu Oct 6, 2023 Full Review House Owner (2019) 100% “Lakshmy Ramakrishnan weaves in a heartwarming tale about love, showing remarkable refinement in terms of her craft.” – The Hindu Jul 3, 2019 Full Review Game Over (2019) 67% “Game Over is a unique, ambitious, unsettling film that is a marvellous achievement in the psychological horror genre.” – The Hindu Jun 17, 2019 Full Review Super Deluxe (2019) 83% “If Super Deluxe is what you get from a filmmaker who was in exile, then you don't mind waiting a few years from now till he comes up with his next eccentric film.” – The Hindu Mar 29, 2019 Full Review To Let (2019) 100% “To Let is a careful manifestation of art cinema.” – The Hindu Mar 26, 2019 Full Review Yatra (2019) 2.5/5 “A viewer is bound to be disappointed with Yatra, for it doesn't do justice in capturing the essence of a charismatic leader like YSR.” – The Times of India Feb 8, 2019 Full Review Vinaya Vidheya Rama (2019) 0% 1.5/5 “Vinaya Vidheya Rama is a misfire on most counts.” – The Times of India Jan 15, 2019 Full Review 24 Kisses (2018) 2/5 “An interesting story that's needlessly complicated, 24 Kisses misses the bus.” – The Hindu Dec 11, 2018 Full Review Kavacham (2018) 2/5 “Kavacham should serve as an ideal reminder to Bellamkonda Sai Sreenivas that he needs to go beyond blazers, uniforms and abroad shoots to make a good film.” – The Times of India Dec 11, 2018 Full Review Uyir Ullavarai Kaadhal (2018) 3.5/5 “A clean entertainer that may not surprise you much but gives a good reason to hit theatres for the festival holidays.” – The Times of India Oct 19, 2018 Full Review Aravinda Sametha (2018) 3.5/5 “Thaman's evolution as a composer truly benefits the film. A emotional drama camouflaged in a commercial exterior, here's a film that's courageous to stand apart from slapstick madness.” – The Times of India Oct 11, 2018 Full Review Pantham (2018) “Pantham feels like it's past its expiry date in Telugu cinema especially when the industry is ushering in a content-powered era.” – The Hindu Jul 6, 2018 Full Review Intelligent (2018) “V V Vinayak is blinded by commercial obligations and recycles his own films with newer faces.” – The Hindu Feb 15, 2018 Full Review Jai Simha (2018) “Good music, humour, adequate punchlines and pelvic thrusts, the familiar popcorn feels tastier during Sankranti.” – The Hindu Jan 12, 2018 Full Review Balloon (2017) “The slow motion shots start looking like they were from a 온라인카지노추천 serial. The sub-plots lose potency. And when the 'ghost' starts having conversations and even reasoning with the other characters, you realise that Balloon has run out of air.” – The Hindu Jan 2, 2018 Full Review Two Countries (2015) “Manisha Raj tries too hard to weave sense into a poorly etched character. The curtains are down for 2017 with a whimper.” – The Hindu Jan 2, 2018 Full Review Juliet Lover of Idiot (2017) “The brain-over-brawn games, the chases, the romance and emotions hardly strike a chord. The characters aren't likeable, the director doesn't give a solid reason for the lead pair to like each other.” – The Hindu Dec 21, 2017 Full Review Dynamite (2015) “Even in places where you expect some innovation for the genre it explores, the action sequences offer no surprises.” – The Hindu Sep 11, 2015 Full Review
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