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Steph Green

Tomatometer-approved critic
Biography:

Steph is freelance film critic and writer from London, England. She loves film festivals, spicy noodles and erotic thrillers.

Reviews

Movies 온라인카지노추천 Shows
The Piano Lesson (2024) 88% 3/5 “This drama works best when it’s not taking its cues directly from its source material. It may not be always totally compelling, but Deadwyler elevates every scene she’s in.” – Empire Magazine Nov 22, 2024 Full Review The Beast (2023) 86% 5/5 “Bonello has created a wholly original work that pulses with prescience.” – Empire Magazine May 29, 2024 Full Review Memory (2023) 85% 4/5 “Chastain and Sarsgaard are a class act — their touching, tactile chemistry is the film’s triumph.” – Empire Magazine Mar 18, 2024 Full Review The Eternal Daughter (2022) 95% 4/5 “A metafictional work elevated into something new: deeply felt and true as a story about parental enigma, spectral remembrance and ingrained British repression.” – Empire Magazine Mar 18, 2024 Full Review May December (2023) 91% 4/5 “May December is not just a skilful satire of suburban propriety; it’s a unique and uncanny affair about the nature of performance itself.” – Empire Magazine Mar 18, 2024 Full Review The Killer (2023) 85% 3/5 “Fincher’s movie struggles to find its modus operandi.” – Inverse Oct 4, 2023 Full Review Origin (2023) 81% 4/5 “It is in the comparisons between quotidian grief and systemic bigotry, weaving Isabel's personal experience with the politics of her job and the history she must reckon with, in which Origin is the most impressive.” – BBC.com Sep 8, 2023 Full Review Finally Dawn (2023) 42% C- “Saverio Costanzo seems to throw more and more ideas at the page with the growing desperation of adding new toppings to mask a bad pizza.” – IndieWire Sep 3, 2023 Full Review Poor Things (2023) 93% “Flamboyant, florid, fantastic, and freakish, this might well be one of the most unique movies you’ll ever see.” – Inverse Sep 2, 2023 Full Review The Damned Don't Cry (2022) 90% 3/5 “Boulifa has constructed a film that knows its subjects, but isn’t sure what it wants us, the audience, to take away.” – WeLoveCinema Jul 6, 2023 Full Review How to Have Sex (2023) 97% 3/5 “It may well struggle to say anything we’ve not already seen discussed elsewhere when it comes to sexual assault, but is a fully realised world that stings with recognition. ” – WeLoveCinema May 26, 2023 Full Review Anatomy of a Fall (2023) 96% 4/5 “Will be catnip to those deeply invested in the intricacies of legal trials, the off-kilter humour of intellectual French comedy, and the magnetic command of Sandra Hüller.” – WeLoveCinema May 26, 2023 Full Review Marguerite's Theorem (2023) 60% C+ “French-Swedish director Anna Novion crafts a film that plots its coordinates in a familiar territory yet ultimately struggles to do what the best movies of this type do, which is manage to make the audience care about whatever their character cares about.” – IndieWire May 25, 2023 Full Review Four Daughters (2023) 96% B “Far from a gamble made in the service of naturalism, this heightened and strange piece of fiction re-enactment exposes itself for critique in a way that you almost have to respect. For its sins, it seems to -- just about -- succeed. ” – IndieWire May 25, 2023 Full Review Dungeons & Dragons: Honor Among Thieves (2023) 91% 4/5 “This is exactly the kind of escapist, ephemeral stuff we need after the exhaustion of awards season.” – WeLoveCinema Mar 27, 2023 Full Review Disco Boy (2023) 88% 4/5 “A Conradian odyssey in painterly miniature. ” – WeLoveCinema Mar 3, 2023 Full Review Suzume (2022) 96% A- “To be lost in the painterly visuals, to traverse through the sheer scale of Shinkai’s real and imagined worlds, is an experience deserving of the biggest screen you can find. ” – IndieWire Feb 23, 2023 Full Review Reality (2023) 94% A- “Not only is “Reality” inventively mounted and extraordinarily tense, but it proves something we already knew deep down: that Sydney Sweeney is the real deal.” – IndieWire Feb 22, 2023 Full Review 3/5 “But for all its beauty and sexual slipperiness, the film trips itself up with juvenile plot developments ripped from a romance paperback.” – BFI Feb 22, 2023 Full Review Manodrome (2023) 49% 3/5 “A bleak and accurate depiction of the ouroboros of toxic masculinity that is only growing more fork-tongued.” – WeLoveCinema Feb 20, 2023 Full Review The Adults (2023) 72% B “A raw, sensitive, and true look at a family in flux with too much love to give and no tools to whittle it into something useful.” – IndieWire Feb 19, 2023 Full Review BlackBerry (2023) 97% B+ ““BlackBerry” is the kind of mid-budget marvel that doesn’t seem to come around often anymore.” – IndieWire Feb 18, 2023 Full Review Roman Holiday (1953) 96% 4/5 “It is purely a rom-com, filmed with warmth and style – as sweet and inconsequential as a scoop of gelato on a summer’s day.” – WeLoveCinema Feb 13, 2023 Full Review M3GAN (2022) 93% 3/5 “Pleasingly stupid.” – WeLoveCinema Jan 16, 2023 Full Review Skinamarink (2022) 74% 4/5 “As a microbudget feat built on a simple concept – the blinding incomprehension of being young and scared – Skinamarink tiptoes masterfully around that fine line where nostalgia caves into nightmare.” – WeLoveCinema Jan 10, 2023 Full Review
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