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Tasha Robinson

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Dead Talents Society (2024) 94% 82/100 “Hsu frames the biggest action sequences as reality competition shows or prank shows, giving the whole movie an agreeably light, goofy tone that operates at breakneck speed. He steers hard into the comedy side of horror-comedy, but pours on the fake blood.” – Polygon Mar 27, 2025 Full Review Ne Zha 2 (2025) 96% 82/100 “It’s a lot to take in, but it’s joyously and creatively rendered, a fantasy epic brought to life in vivid color and with all the visual creativity a fantasy fan could want — puke jokes aside. It's an epic-sized tale designed for an epic-sized screen.” – Polygon Feb 21, 2025 Full Review Love Hurts (2025) 19% 51/100 “There are a few stunning fight sequences in the movie — manic, all-out battles that recall Bullet Train, or some of the later, goofier John Wick movies. But all the scenes stitching the fights together are a drag.” – Polygon Feb 6, 2025 Full Review Ninja Scroll (1993) 90% B “The whole film drips with lurid avidity. Nudity is almost as common as arterial sprays, and both are depicted with Kawajiri's typical bravura. ” – Sci-Fi Weekly Jan 28, 2025 Full Review Better Man (2024) 88% 89/100 “While the movie is drawn from Robbie Williams’ life, it’s better to think of it as a fantasy feature. Michael Gracey plays with image and emotion over facts, telling a story through bold, expressive, visually startling sequences. ” – Polygon Jan 15, 2025 Full Review The Ghost and the Darkness (1996) 51% 82/100 “Overlooked and underrated over the years. But in an era that appreciates pulp cinema for its own gleefully cheesy values, Ghost and the Darkness represents a fairly unique marriage between lowbrow creature feature and highbrow historical epic.” – Polygon Dec 17, 2024 Full Review Beetlejuice Beetlejuice (2024) 75% 1.5/5 “It’s another tick mark on the seemingly endless list of 2020s franchise installments that serve as belated victory laps for past comic triumphs, while blunting what was unique about those triumphs. But on its own, it isn’t much of a movie.” – Polygon Sep 5, 2024 Full Review Blink Twice (2024) 75% 76/100 “Its statements about gender, violence, trauma, and entitlement are blaring and blatant, with little room for ambiguity or interpretation. And that absolutely seems to be the movie’s primary point.” – Polygon Aug 23, 2024 Full Review Boy Kills World (2023) 58% 65/100 “Silly and surfacey, with world-building that’s little more than an apathetic shrug, and a plot that’s largely an excuse for creatively staged fights that range from dopey humor to surreal mind game to a final, surprisingly serious battle.” – Polygon Jun 14, 2024 Full Review The Contestant (2023) 92% 83/100 “In spite of the guilty voyeuristic lure of a naked guy who doesn’t know he’s being filmed, the wacky framing, and the big, bright uplift of the ending, this movie is as frightening as any of the doomsaying docs of the last few decades.” – Polygon Jun 14, 2024 Full Review Under Paris (2024) 63% 42/100 “One of the most substantive of the many aquatic-attack horror movies that have tried to coast along in the wake of Steven Spielberg’s Jaws… But when the inevitable bloodbath starts, Under Paris seems to be cribbing from much messier shark attack movies.” – Polygon Jun 14, 2024 Full Review The Watchers (2024) 33% 67/100 “Anyone who goes in with the wrong expectations will probably just find The Watchers baffling. It has its share of creepy moments, rising tension, and sudden-blast-of-music jump scares, but as a suspense story, it fizzles out surprisingly early.” – Polygon Jun 14, 2024 Full Review Inside Out 2 (2024) 91% 89/100 “Pixar’s most emotionally powerful movie of the past 15 years.” – Polygon Jun 14, 2024 Full Review The Imaginary (2023) 91% 74/100 “The Imaginary isn’t as visually or narratively rich as Studio Ponoc's previous film, or as transcendent as Miyazaki's Boy and the Heron. But it does feel like a move in the right direction for Ponoc, an effort at finding its own voice and its own footing.” – Polygon Jun 14, 2024 Full Review Arcadian (2024) 78% 45 “Once the film settles into a fairly standard chase-and-fight movie, its lack of character depth or nuance limits what the filmmakers can do to make this story stand out from all the past projects it echoes.” – Polygon Apr 12, 2024 Full Review Challengers (2024) 88% 94/100 “Challengers is just plain fun — playful, aggressive, and a thrill to watch. It isn’t like anything else that’s hit cinemas in the past few years.” – Polygon Apr 12, 2024 Full Review Civil War (2024) 81% “A thoroughly engaging war drama that’s more about people than about politics.” – Polygon Mar 15, 2024 Full Review Love Me (2024) 47% “It’s a daringly weird debut, executed with real style and vision. It’s an oddity that’s bound to appeal to fans of similarly strange high-concept love stories.” – Polygon Jan 30, 2024 Full Review Miller's Girl (2024) 30% “Miller’s Girl just skims the surface, and settles for making that surface look visually sumptuous.” – Polygon Jan 29, 2024 Full Review I.S.S. (2023) 61% “It’s odd to think about how these kinds of special effects become so rote and unremarkable so quickly. The movie’s attempts at conflict and intrigue feel just as unremarkable.” – Polygon Jan 19, 2024 Full Review Suitable Flesh (2023) 85% “For a movie with such a cluttered, kitchen-sink ramp-up, Suitable Flesh charges to a memorable conclusion that’s perfect for celebratory group viewing, whether at the local multiplex with other die-hard horror fans seeking a seasonal thrill.” – Polygon Oct 30, 2023 Full Review The Pod Generation (2023) 42% “The material they’re [Clarke and Ejiofor] given is often slim and simple, but they lean into it with everything they can offer, and find the relatability in characters who feel more like symbols than like people.” – Polygon Sep 13, 2023 Full Review Go Tigers! (2001) 85% “[Carlson's] lack of overt editorializing is admirable, but it still leaves Go Tigers! off-balance and off-putting, as his "heroes" are draped with adulation, even as they use unpleasant and irresponsible means to achieve questionable ends.” – AV Club May 4, 2023 Full Review Ghosted (2023) 25% “It’s an easy evening’s entertainment, a casual brain-relaxer that doesn’t require anything out of the audience except complete intellectual remove and a thorough willingness to set reality aside for a couple of hours. ” – Polygon Apr 24, 2023 Full Review Winnie-the-Pooh: Blood and Honey (2023) 3% “A movie that never gives its killers any reason to exist, or its audience any reason to root for the victims.” – Polygon Feb 17, 2023 Full Review
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