The Girl With the Needle (2024)
92%
88/100
“The direction is restrained but elegant in its precision, often leaving the camera in place and delicately zooming in and out to accentuate an otherwise static composition. Cinematographer Michal Dymek deftly frames interiors and captures exquisite light” –
Drink in the Movies
Oct 5, 2024
Full Review
Julie Keeps Quiet (2024)
91%
76/100
“It’s impossible to detect that this is Leonardo Van Dijl’s feature debut as he expertly places Tessa Van den Broeck–in her debut performance–front and center, capturing her performance of Julie through physical action with many long static shots cleverly” –
Drink in the Movies
Sep 30, 2024
Full Review
Planet B (2024)
20/100
“Another year, another Adèle Exarchopoulos film, and for the first time in a while, a colossal misfire. Planet B, Aude Léa Rapin’s sophomore feature, is the type of science fiction film that makes a typical fan of the genre...have feelings of lamentation.” –
Drink in the Movies
Sep 29, 2024
Full Review
Megalopolis (2024)
45%
76/100
“It reminds one of Stefan Zweig in his last days, longing toward a past Vienna he lived through as a child, that...perhaps never entirely existed in the way he remembers. Did the Western world ever value the Socratic method as much as Francis hopes?I” –
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Sep 29, 2024
Full Review
Alien: Romulus (2024)
80%
30/100
“We’re all under the boot of an all-consuming empire, indeed. If only this finished product didn’t remind one quite so much of its final villain.” –
Drink in the Movies
Aug 16, 2024
Full Review
I Saw the 온라인카지노추천 Glow (2024)
84%
54/100
“I Saw the 온라인카지노추천 Glow is another exploration of the truths and falsity we find growing up in the suburbs of America, how impactful each viewer finds this rendition of these ideas and feelings will determine how much they do or don’t enjoy it.” –
Drink in the Movies
Jul 26, 2024
Full Review
Mothers' Instinct (2024)
52%
54/100
“...avoids striking visual choice and opts for familiar patinas and frames, and lets his stars do the heavy lifting. There’s certainly something to appreciate, though one senses this film reads better off the page than it does witnessed on the screen.” –
Drink in the Movies
Jul 26, 2024
Full Review
Tuesday (2023)
76%
50/100
“Should Oniunas-Pusić further develop her tone control, she’ll become a filmmaker to contend with. Tuesday is a sloppy and sincere mixed bag, heavily reliant on middling CGI.” –
Drink in the Movies
Jul 26, 2024
Full Review
Hit Man (2023)
95%
78/100
“Hit Man is a smile and a wink. It’s charming and knows it; it’s fun and knows it; it’s flimsy and celebrates it. Splendidly cast, well-directed, and pleasant to watch, it may feel like a live-action cartoon, but what’s more Americana than that?” –
Drink in the Movies
Jul 26, 2024
Full Review
Coup de Chance (2023)
83%
80/100
“While feeling old hat in many ways, Coup de Chance also feels like a fresh breath in. At its best, a Woody Allen film can charm us all into it. Sure, it’s a familiar scenario, but the score and editing punctuate each note with care.” –
Drink in the Movies
Jul 26, 2024
Full Review
Kinds of Kindness (2024)
71%
75/100
“Kinds of Kindness is one of the sharpest films of the year and a real performance showcase for Plemons and Stone. It doesn’t reach the heights that Alps or The Favourite did, nor is it trying to.” –
Drink in the Movies
Jul 26, 2024
Full Review
The Bikeriders (2023)
80%
72/100
“ The film features some gorgeous cinematography and great character work by Jodie Comer. But it isn’t sticky and lacks a grounded emotionality that the film, or at least Jodie’s character Kathy, yearns for.” –
Drink in the Movies
Jun 23, 2024
Full Review
The Fall Guy (2024)
82%
48/100
“The Fall Guy has a few stunt sequences that are fun and a wonderful stunt dog performance in the character of Jean Claude, but it fails to capitalize on any of its parts. The stunt bloopers at the end...are more charming than the previous two hours.” –
Drink in the Movies
May 27, 2024
Full Review
Furiosa: A Mad Max Saga (2024)
90%
55/100
“Despite its issues, Miller’s passion shines through. Watching the old master try painting with a different brush on his Wasteland canvas is intriguing, even when it’s an eyesore.” –
Drink in the Movies
May 25, 2024
Full Review
The Beast (2023)
86%
84/100
“Bonello’s film is slow, it purposefully simmers, and as it does the cinematography masterfully utilizes repetition...The Beast isn’t just smart, it’s deftly crafted and lingers long after the credits end.” –
Drink in the Movies
May 5, 2024
Full Review
Poor Things (2023)
93%
60/100
“In the effort of building out a believable world just askew of ours, Yorgos loses grip on the character study he’d started and ultimately settles for vibrant mediocrity, in an eye-catching and largely engrossing world.” –
Drink in the Movies
Mar 4, 2024
Full Review
Dune: Part Two (2024)
92%
50/100
“When the film centers on real locations and real structures and props Greig Fraser’s cinematography and Villeneuve’s vision come through clearly. Unfortunately, the film is heavily reliant on visual effects that often look poor at best.” –
Drink in the Movies
Mar 4, 2024
Full Review
Targets (1968)
89%
78/100
“Targets still feels experimental and fresh today, the strictures in place on Bogdanovich with the lean budget and limited shooting days with Boris Karloff resulted in a film that if it were released today would feel exciting and new” –
Drink in the Movies
Nov 19, 2023
Full Review
Sick of Myself (2022)
88%
80/100
“Among the most engaging films with highly disagreeable characters throughout its runtime, Borgli uses Signe to illustrate narcissism in a compelling way that brings the other s----y side characters to life in ways that Östlund's films can only dream of ” –
Drink in the Movies
Nov 19, 2023
Full Review
Pain Hustlers (2023)
23%
35/100
“Yates leans too heavily on cutesy timing, flimsy seriousness, and cliche. There are no fingerprints of an artist to be found, just a chunk of content to be lost in the algorithm, which isn’t such a bad thing when the film is absolute piffle.” –
Drink in the Movies
Nov 19, 2023
Full Review
Anselm (2023)
98%
75/100
“The film–screened best in theaters in 3D–is best described as both an art installation and a documentary. It details the septuagenarian artist Anselm Kiefer’s life and work, progressing through historic and contemporary footage of his old studios and” –
Drink in the Movies
Nov 19, 2023
Full Review
The Killer (2023)
85%
70/100
“The Killer is a film about a man who is bad at his job, how long you find that premise intriguing will correlate directly to how much you enjoy it.” –
Drink in the Movies
Nov 19, 2023
Full Review
Killers of the Flower Moon (2023)
93%
65/100
“Killers of the Flower Moon is a strong historical retelling of an abominable series of killings. But it suffers for straddling the line between an American biopic and a Scorsese gangster film.” –
Drink in the Movies
Nov 19, 2023
Full Review
A Cooler Climate (2022)
75/100
“The film has a general sense of serenity that emerges from the decades-old footage Ivory shot as a young man that he narrates over with tales of his youth, his desires, and his fancies.” –
Drink in the Movies
Nov 19, 2023
Full Review
A Haunting in Venice (2023)
75%
74/100
“Branagh’s confidence in direction is strong as ever with a narrative half-predicated on thoughtful sound design that equally hinges on his performance, the use of depth in frame draws the eye to clues and behavior while setting the mood” –
Drink in the Movies
Nov 19, 2023
Full Review
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