Cheech & Chong's Last Movie (2024)
83%
“An amiable tribute to the influential 1970s comedy duo, Cheech & Chong’s Last Movie will probably not convince younger viewers to tune into their back catalogue, but fans should enjoy this nostalgic walk down memory lane.” –
Screen International
Apr 25, 2025
Full Review
One to One: John & Yoko (2024)
89%
“It’s a compelling, occasionally uneven attempt to bring the Beatles back down to Earth by illustrating the humanness of one of its members and the wife he adored.” –
Los Angeles Times
Apr 14, 2025
Full Review
Sinners (2025)
98%
“Although sometimes a little overstuffed, the picture consistently gets under the skin thanks to its expertly-staged fright sequences that reverberate with insidious societal ills.” –
Screen International
Apr 10, 2025
Full Review
G20 (2025)
58%
C-
“Davis exudes authenticity—a ferocious toughness without ever seeming superhuman—and in G20 she’s the only real thing in a movie that’s hopelessly phony.” –
AV Club
Apr 9, 2025
Full Review
Eric LaRue (2023)
71%
“Shannon laudably offers no easy solutions, although his sincerely crafted dead end feels insufficient in its own way.” –
Los Angeles Times
Apr 8, 2025
Full Review
The Amateur (2025)
61%
“The Amateur mostly tries to upend genre conventions without offering anything exciting in their place. The action sequences are pedestrian, and Charlie’s journey offers few surprises. ” –
Screen International
Apr 8, 2025
Full Review
A Working Man (2025)
49%
“Reteaming with director David Ayer (The Beekeeper), Statham barely breaks a sweat as he goes through the motions of this over-long, under-nourished action-thriller.” –
Screen International
Mar 27, 2025
Full Review
Slanted (2025)
82%
“Even when Slanted becomes surprisingly bloody, the writer-director ensures that the anguish of the immigrant experience courses through every frame.” –
Screen International
Mar 21, 2025
Full Review
Disney's Snow White (2025)
40%
“Wilson’s drab screenplay never delivers the witty quips or icy menace that would make this Evil Queen a fearsome foe; yet another example of the film’s wasted potential.” –
Screen International
Mar 19, 2025
Full Review
The Alto Knights (2025)
40%
“Levinson’s sombre, pedestrian approach captures neither the excitement nor the momentousness of the incident.” –
Screen International
Mar 19, 2025
Full Review
Ash (2025)
74%
“The film should largely appeal to genre crowds and midnight-movie aficionados. And Lotus fans will be pleased to learn that he wrote the grand, moody electronic score which amplifies the picture’s menacing tone.” –
Screen International
Mar 14, 2025
Full Review
Holland (2025)
21%
“The constant commentary about the banality of suburbia deadens the story, and a couple of late-reel twists fail to satisfy. Although Holland’s characters live for their secrets, they aren’t as startling as the filmmakers would like to believe.” –
Screen International
Mar 10, 2025
Full Review
Death of a Unicorn (2025)
54%
“Death Of A Unicorn boasts plenty of raucous spirit but not the strongest execution, resulting in a picture whose many tones never quite gel. ” –
Screen International
Mar 9, 2025
Full Review
The Accountant 2 (2025)
78%
“The 2016 original had its share of ludicrous components, but the follow-up smartly leans into the absurdity, making this second chapter a more pleasurable ride without succumbing to self-parody. ” –
Screen International
Mar 9, 2025
Full Review
Black Bag (2025)
96%
“Black Bag offers none of the blockbuster escapism of a James Bond picture, but when Soderbergh is working with this level of confidence and control, he’s just as lethal. ” –
Screen International
Mar 6, 2025
Full Review
The Annihilation of Fish (1999)
78%
“A tale of two troubled souls who find each other, the movie has become an even stronger tribute to the people (not to mention the art) we so easily push aside.” –
Los Angeles Times
Feb 21, 2025
Full Review
Magic Farm (2025)
42%
“The cast, led by Chloe Sevigny and Alex Wolff, ably skewer the American media’s ignorance of the wider world, but Ulman’s compassionate film holds out hope that different peoples can still make connections.” –
Screen International
Feb 18, 2025
Full Review
Cleaner (2025)
50%
“For all the ways in which the film recalls Die Hard, Cleaner lacks two of that action classic’s most important elements: a sense of fun and legitimate stakes.” –
Screen International
Feb 18, 2025
Full Review
Mickey 17 (2025)
77%
“Pattinson has fun playing the Mickeys, but it’s his performance as Mickey 17 that gives this sci-fi picture its resonance. Dying over and over, our hero just wants to make sure his soul survives; Pattinson locates it from the first frame.” –
Screen International
Feb 15, 2025
Full Review
The Monkey (2025)
79%
“Perkins flaunts confidence and audacity in conceiving this adaptation as a twisted, pessimistic look at family and destiny. But for all its unpredictability and nerve, the film too often feels snarky rather than subversive.” –
Screen International
Feb 13, 2025
Full Review
Captain America: Brave New World (2025)
48%
“Brave New World benefits from Anthony Mackie’s gritty presence, but otherwise this lacklustre sequel makes one wistful for a seemingly bygone era in which Marvel’s blockbusters felt far more vital.” –
Screen International
Feb 12, 2025
Full Review
Love Hurts (2025)
19%
“The perfunctory martial-arts sequences and convoluted plotting conspire to make this a painfully uninspired proposition.” –
Screen International
Feb 6, 2025
Full Review
The Alabama Solution (2025)
“The Alabama Solution’s subjects -- risking great harm to themselves by speaking out -- personalise the powder-keg reality behind those statistics.
” –
Screen International
Jan 29, 2025
Full Review
Opus (2025)
41%
“Despite the potentially fun pairing of Ayo Edebiri and John Malkovich as, respectively, the writer and her messiah-like subject, neither the film’s commentary on celebrity nor its escalating body count pack much punch. ” –
Screen International
Jan 28, 2025
Full Review
Sorry, Baby (2025)
95%
“Delicately segueing from deadpan humour to delicate poignancy, Sorry, Baby is guided by the filmmaker’s graceful lead performance, which captures the guilt, anger and sadness of a woman who once seemingly had a bright future.” –
Screen International
Jan 28, 2025
Full Review
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