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Tina Hassannia

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Dear Evan Hansen (2021) 28% D “Chbosky's poor directorial choices cancel out the rousing success "Dear Evan Hansen" was on stage, with a cascade of glaring distractions that continuously point out the artificiality of the genre.” – IndieWire Sep 10, 2021 Full Review Funny Boy (2020) 81% 2.5/4 “No matter its formal strengths and weaknesses, Funny Boy is a loaded cultural product.” – Globe and Mail Nov 29, 2020 Full Review Tenet (2020) 70% “Viewers won't be able to fully understand Tenet's dialogue, and they're likely to have the same problem in trying to understand its convoluted plot. But there isn't much there to feel, either.” – Polygon Aug 27, 2020 Full Review Never Rarely Sometimes Always (2020) 99% 3.5/4 “Never hints at the quiet, revolutionary nature of empathy and autonomy in empowering young women to keep themselves safe.” – Globe and Mail Apr 5, 2020 Full Review Coup 53 (2019) 100% “Coup 53 paints a harrowing picture of the preparations for the coup, as well as the hilariously ignorant frustration of Western interventionists.” – Hyperallergic Mar 2, 2020 Full Review Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019) 92% “[Martin] Scorsese follows the lackadaisical approach of the Revue in his compilation to the film's detriment; it doesn't help that the earthy '70s film stock never quite fully captures the insouciant energy of its time.” – Hyperallergic Dec 11, 2019 Full Review Varda by Agnès (2019) 98% 3.5/4 “This is a fascinating, informative, and reflective swan song that gives Varda the final word, and some of the due she's been owed her entire career, as one of the most influential feminist filmmakers.” – Globe and Mail Sep 7, 2019 Full Review Ghidrah, the Three-Headed Monster (1964) 77% “Despite some basic incongruities and its occasionally silly tone, Ghidorah, the Three-Headed Monster is a genuinely enjoyable film for the series.” – Not Coming to a Theater Near You May 21, 2019 Full Review General Magic (2018) 100% “While the documentary is about the specific emotional journey of General Magic and the psychological impact of defeat, there's a fair bit to unpack when we think more broadly about tech culture's attitude toward failure.” – Hyperallergic May 21, 2019 Full Review Ebirah, Horror of the Deep (1966) 63% “Exemplifies the peak of the Godzilla franchise's tonal shift into campy, fun territory, a phenomenon that reflected the series' absorption of 1960s Western pop-culture influences.” – Not Coming to a Theater Near You May 14, 2019 Full Review Suspiria (2018) 65% “There's no doubt... that the new Suspiria will leave an impression: thanks to its glamorous cast and contemporary trendsetting... it is sure to inspire a new generation to take up dance or witchcraft, or both.” – National Post Nov 1, 2018 Full Review Mid90s (2018) 81% “Hill does manage to find a balance between his movie's severe subject matter and the humour that helps teens like Stevie survive their lonely, malnourished adolescence -- hopefully all in one piece.” – National Post Oct 26, 2018 Full Review Goosebumps 2: Haunted Halloween (2018) 48% “Haunted Halloween is stunted by relying too much on monster intro-scares.” – National Post Oct 11, 2018 Full Review Night School (2018) 27% “The film's emotional core and the story line is actually well written -- for a dumb comedy, at least.” – National Post Sep 27, 2018 Full Review Mandy (2018) 90% “Even if you're not a heavy-metal fan, one can't help but love how Cosmatos turns an entire genre of music into a mode of filmmaking, and how Cage turns all of that into an authentically raw, vulnerable, blood-soaked performance.” – National Post Sep 19, 2018 Full Review Mile 22 (2018) 23% “Mile 22 is Mission Impossible on crack. No, wait. Make that amphetamine.” – National Post Aug 17, 2018 Full Review Window Horses (2016) 92% “There's nothing particularly profound in all of this... but "Window Horses" is smart enough to know that it's a pretty straightforward, beautiful and informative little film that doesn't need to take itself too seriously.” – RogerEbert.com Aug 14, 2018 Full Review The Meg (2018) 47% “Is it really worth self-conscious nods to the audience when genre conventions are performed with at best perfunctory gusto and come up short in producing a half-decently scary action film?” – National Post Aug 9, 2018 Full Review The Darkest Minds (2018) 15% “It's [a] lack of thoughtfulness that should have kept The Darkest Minds on the never-ending stack of other unimaginative, copycat YA screenplays, never to be greenlit.” – National Post Aug 2, 2018 Full Review Shock and Awe (2017) 28% “Perhaps the recent profusion of fake news has made it more difficult for some Hollywood liberal creatives...to write about the War on Terror with a more self-reflexive and objective lens -- thereby ensuring that Shock and Awe fails to live up to its name.” – National Post Aug 1, 2018 Full Review Mamma Mia! Here We Go Again (2018) 80% “You better spend your hard-earned dollars on it, because none other than the queen of reinvention herself -- Cher! -- dazzles us with her presence!” – National Post Jul 19, 2018 Full Review Won't You Be My Neighbor? (2018) 97% “Despite the conventional approach, the film finds ways to convey the unique profundity that Rogers gifted to generations of children through his simple yet effective philosophy in children's entertainment.” – National Post Jun 8, 2018 Full Review Let the Sunshine In (2017) 87% “What distinguishes Denis' script and her filmmaking is the gutting complexity of such a simple idea and premise.” – National Post Jun 1, 2018 Full Review Disobedience (2017) 84% “The pace in Disobedience feels leaden and stale compared to Lelio's previous work.” – National Post May 18, 2018 Full Review RBG (2018) 93% “The wit and colour with which Cohen and West bring to their film makes RBG a solid, unchallenging viewing experience for American political nerds who will soak up the details.” – National Post May 18, 2018 Full Review
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