Bones and All (2022)
82%
3/5
“The troubled romance between Maren and Lee is a highlight and the strong finale finally brings a bit of direction to the story, but it’s not enough to save this muddled film.” –
One Room With A View
Sep 12, 2022
Full Review
All the Beauty and the Bloodshed (2022)
95%
5/5
“Not just a howl of rage against the institutions that ignore the suffering of ordinary people, but a reminder of what has been lost along the way.” –
One Room With A View
Sep 12, 2022
Full Review
Blue Jean (2022)
96%
5/5
“Rosey McEwen is phenomenal in the lead role as her life collapses around her like a slo-mo car crash she’s powerless to prevent.” –
One Room With A View
Sep 6, 2022
Full Review
Bardo, False Chronicle of a Handful of Truths (2022)
60%
2/5
“There is something interesting to be found in Iñárritu’s premise, in a world where journalism has become corrupted by the growing need to monetise in order to stay alive. But it is explored too rarely to really leave an impact.” –
One Room With A View
Sep 6, 2022
Full Review
Living (2022)
96%
3/5
“The film lives or dies by its lead performance, and Bill Nighy is on supreme form, burying his natural charisma behind a socially contracted politeness and the weight of decades of bureaucracy.” –
One Room With A View
Sep 1, 2022
Full Review
White Noise (2022)
64%
4/5
“Baumbach captures this mundane horror and the rising sense of dread brilliantly, in his most ambitious directorial effort yet. ” –
One Room With A View
Sep 1, 2022
Full Review
S...house (2020)
95%
3/5
“Freshman Year, the debut feature from writer, director and lead, Cooper Raiff, shows promise with a distinctive perspective on the college/uni experience, but ultimately falls back on disappointing romcom clichés.” –
One Room With A View
Oct 1, 2021
Full Review
The Falls (2021)
89%
3/5
“Here, director Chung Mong-hong is great at capturing the mundane anxiety of self-isolation.” –
One Room With A View
Sep 13, 2021
Full Review
Official Competition (2021)
96%
4/5
“The direction, and particularly the production design from Alain Bainée, are superb, bringing life to what could be a repetitive sequence of sketches. But the main trio's performances are the highlight.” –
One Room With A View
Sep 13, 2021
Full Review
The Lost Daughter (2021)
94%
4/5
“Gyllenhaal demonstrates impressive control for a debut director, instantly reassuring the viewer that she knows what she's doing. But she drops the ball at the end of this quietly heart-breaking drama, with the final 20 minutes begging to be cut.” –
One Room With A View
Sep 13, 2021
Full Review
Mona Lisa and the Blood Moon (2021)
74%
4/5
“Ultimately this is Amirpour's show, directed with verve and confidence. It's not a complicated story but she tells it well, delivering one of the most purely entertaining pop thrillers around.” –
One Room With A View
Sep 9, 2021
Full Review
Spencer (2021)
83%
5/5
“Kristen Stewart is a fantastic choice for this Diana, superb at conveying emotion through small expressions. She radiates charisma befitting the woman herself, with a little help from the luminous lens of Claire Mathon.” –
One Room With A View
Sep 7, 2021
Full Review
Last Night in Soho (2021)
75%
4/5
“Wright has always been quietly political, digging at small-town conservatism and the misery of conformity. This script, written with Krysty Wilson-Cairns, is his most explicit yet, resolving into a howl of despair.” –
One Room With A View
Sep 7, 2021
Full Review
The Hand of God (2021)
84%
3/5
“It's completely understandable for Sorrentino to dramatise the tragedy of his teenage years in this way, but it's hard to escape the feeling that The Hand of God would be more powerful if it was less faithful.” –
One Room With A View
Sep 7, 2021
Full Review
The Inner Cage (2021)
89%
5/5
“You never feel like [director Leonardo di Costanzo]'s bouncing through plot, setting up dominoes for later dramatic moments. Instead everything feels organic, with the camera really listening to every character and their troubles.” –
One Room With A View
Sep 7, 2021
Full Review
The Card Counter (2020)
88%
3/5
“With The Card Counter, Schrader returns to old archetypes and styles, but with less success. Isaac is captivating as he walks a line of methodical madness, but the rest of the film is too clumsy to match its early promise.” –
One Room With A View
Sep 3, 2021
Full Review
The Power of the Dog (2021)
94%
4/5
“A masterful excavation of the cracks and wrinkles of masculinity, and the ways that men hide from themselves in order to conform.” –
One Room With A View
Sep 2, 2021
Full Review
Parallel Mothers (2021)
96%
4/5
“There is no attempt from Almodóvar to moralise on his characters' failings and mistakes. He understands that sometimes people do the wrong things for very valid, human reasons. What matters is whether we do the right thing in the end.” –
One Room With A View
Sep 2, 2021
Full Review
Mank (2020)
83%
3/5
“If the normally flawless Fincher manages to prove one thing here, it's that creating a complex, entertaining and tragic film about a complex, entertaining and tragic man is a lot harder than Citizen Kane made it look.” –
One Room With A View
Dec 8, 2020
Full Review
Sunset (2018)
61%
2/5
“Sunset is so messy, long and confusing that you can't help wonder if Nemes is just a one-trick pony.” –
One Room With A View
Dec 2, 2020
Full Review
David Byrne's American Utopia (2020)
97%
4/5
“Byrne's claim that we, and America, are a work in progress with the potential to change for the better has never felt more hopeful or possible.” –
One Room With A View
Oct 19, 2020
Full Review
One Man and His Shoes (2020)
80%
2/5
“It's akin to the '90s pearl-clutching that tried to blame violent video games and gangsta rap for society's ills and a desperate attempt to inject drama into an otherwise pedestrian doc.” –
One Room With A View
Oct 15, 2020
Full Review
Eyimofe (This is My Desire) (2020)
100%
4/5
“Eyimofe reveals that one of the most potent costs of poverty is constant labour, whether it be physical or emotional. You can't just pay someone to fix your fridge, you have to do it yourself, or beg someone else for help.” –
One Room With A View
Oct 12, 2020
Full Review
Les misérables (2019)
88%
4/5
“Les Misérables is an urgent and important testimony on the clash between the state and its poorest citizens, and although Ly never manages to make any one character stand out, his broader message is vital.” –
One Room With A View
Sep 3, 2020
Full Review
The King of Staten Island (2020)
76%
4/5
“It would have been better 20 minutes shorter... but that doesn't detract much from his most moving, insightful and mature film yet, led by a breakout performance from Pete Davidson.” –
One Room With A View
Jun 17, 2020
Full Review
No Reviews Yet
Load More
Something went wrong.. try again
Continue with Google
>