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Tom Shone

Tom Shone's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
The Amateur (2025) 61% 2/5 “The Amateur has just enough brains to ruin the fun of a shlocky thriller but not enough to satisfy the Jason Bourne crowd...” – Sunday Times (UK) Apr 14, 2025 Full Review The Return (2024) 78% 3/5 “This Odysseus just can’t catch a break.” – Sunday Times (UK) Apr 14, 2025 Full Review A Minecraft Movie (2025) 48% 2/5 “Grown-ups who see this movie to better understand where their children disappear to every day after school will emerge none the wiser, I regret to say.” – Sunday Times (UK) Apr 7, 2025 Full Review Mr. Burton (2025) 83% 3/5 “Presumably, the film didn’t want anything that interfered with its inspirational teacher narrative — To Sir, with Love with coal dust on top — but it forces Jones into a certain insipidness. ” – Sunday Times (UK) Apr 7, 2025 Full Review The End (2024) 56% 2/5 “Oppenheimer is up to something similar here — he’s transfixed by this family of American oligarchs posing for their family photo — but Lord, does the film luxuriate in its own moral superiority to these people.” – Sunday Times (UK) Apr 7, 2025 Full Review Novocaine (2025) 81% 3/5 “Quaid has a killer grin as well as light comic timing, although you hope he goes on to better things.” – Sunday Times (UK) Apr 7, 2025 Full Review Flow (2024) 97% 4/5 “Animation purists, and their pets, will love it.” – Sunday Times (UK) Mar 25, 2025 Full Review Disney's Snow White (2025) 40% 2/5 “It’s Disney that has the princess problem... we must all sit by while it subjects them to pusillanimous, half-hearted deconstruction — royal but not entitled, blue-blooded but tilting towards social justice, imperilled but not in need of rescue.” – Sunday Times (UK) Mar 25, 2025 Full Review Black Bag (2025) 96% 4/5 “Fassbender’s crispness is the perfect foil for Blanchett’s immaculately dressed voluptuary: the two entwine in bed like snakes but you never doubt their devotion to one another.” – Sunday Times (UK) Mar 18, 2025 Full Review Marching Powder (2025) 33% 1/5 “For all the foul-mouthed aggro, the predominant tone is one of mollycoddled smugness.” – Sunday Times (UK) Mar 13, 2025 Full Review Mickey 17 (2025) 77% 3/5 “It’s Groundhog Day with giant maggots.” – Sunday Times (UK) Mar 13, 2025 Full Review Bridget Jones: Mad About the Boy (2025) 88% 4/5 “If anything, the series has improved with age. This may be the best one yet.” – Sunday Times (UK) Feb 26, 2025 Full Review The Monkey (2025) 79% 3/5 “It’s an inventive enough anthology of gruesome deaths, but its sick-puppy humour is a game of dwindling returns, and the film’s sense of malevolence never rises above the level of grisly mischief. ” – Sunday Times (UK) Feb 26, 2025 Full Review I'm Still Here (2024) 97% 4/5 “For all its sadness, the film bears witness to an immense fortitude, as powerful as the cruelty of the blow they were asked to withstand. ” – Sunday Times (UK) Feb 26, 2025 Full Review Companion (2025) 93% 3/5 “The movie is clever, though, and if you can steer clear of spoilers, you won’t be bored, but clever is all it is: you will wish it had dared to play with real emotions, rather than just the preset sort. ” – Sunday Times (UK) Feb 11, 2025 Full Review Hard Truths (2024) 95% 3/5 “Hard Truths is minor Leigh, to be sure... but it’s made with all his usual rigour and an exquisite balance of Dickensian comic grotesquery with cup-of-tea-and-a-biscuit sympathy.” – Sunday Times (UK) Feb 11, 2025 Full Review Presence (2024) 88% 4/5 “For such a slight film, it packs quite a punch.” – Sunday Times (UK) Feb 5, 2025 Full Review The Brutalist (2024) 93% 3/5 “The Brutalist is one of those films — long, impressive and, in its final quarter, resolutely unenjoyable — that may convince some they are in the presence of great art, and make the rest of us feel guilty for not liking it more.” – Sunday Times (UK) Feb 5, 2025 Full Review Here (2024) 37% 2/5 “Like too many stage plays, the movie shows the death of a marriage by slow asphyxiation — although it’s hard to tell whether it’s the marriage or the film that is doing the asphyxiating. ” – Sunday Times (UK) Jan 27, 2025 Full Review A Complete Unknown (2024) 82% 5/5 “With more tunes than the average musical, the film manages to make songs you have heard a thousand times sound like something the kid scribbled down on a napkin last week.” – Sunday Times (UK) Jan 27, 2025 Full Review A Real Pain (2024) 96% 4/5 “The film is one of those elegant, odd-couple two-handers, elevated by pithy, resonant writing, which used to be a Hollywood mainstay, and Culkin is fabulous as the weed-smoking Benji.” – Sunday Times (UK) Jan 27, 2025 Full Review Maria (2024) 75% 2/5 “Jolie doesn’t so much play the opera diva Callas in Maria as pose for the immortal soprano’s ceremonial portrait. There’s doesn’t seem to be any pulse in her royal-blue veins as we eavesdrop on her last days...” – Sunday Times (UK) Jan 27, 2025 Full Review Babygirl (2024) 76% 4/5 “Kidman has always had a gift for divining her collaborators and she’s hit the jackpot with Dickinson, a master of unhurriable timing and subtle-as-smoke line readings: few actors can make a silence sing as well as he can.” – Sunday Times (UK) Jan 27, 2025 Full Review Nosferatu (2024) 84% 3/5 “It is Depp, not Skarsgard, who dominates the film...” – Sunday Times (UK) Jan 27, 2025 Full Review We Live in Time (2024) 79% 4/5 “The weepie plays more like a rom-com. ” – Sunday Times (UK) Jan 27, 2025 Full Review
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